serravera

Kapwani Kiwanga

Conversion, Tony Cragg, 2018. Aluminium, 200 x 192 x 105 cm. Buchmann Galerie

Dé hélice, Gabriel Orozco, 2018.

Chemi Rosado-Seijo, El Cerro, 2002–ongoing. Photo: Edwin Medina.

At The Edge of The Frame, Rowena Harris, 2017.  Courtesy Rowena Harris, The Gallery Apart. Photo: Giorgio Benni.

16th-century rare knives engraved with Musical Scores allowed the guests to sing at the end of the meal. Fitzwilliam Museum Collection, Cambridge.  Photo by Johan Oosterman.

Caught Dreaming, Tony Cragg, 2006.  Photo: Charles Duprat

Tableau, Julie Sass, 2018.

View of the exhibition Assemblée, The art centre's 25th anniversary, CAC - la synagogue de Delme, 2018. Photo: O.H.Dancy. From left to right: works by Delphine Coindet, Rometti Costales, Julien Prévieux.

Future Economic View of Innocence, Munashichi, 2015.

Antipodes, Jane Irish, 2018. Courtesy of Philadelphia Contemporary

Henri Michaux

Flaka Haliti, installation view of Here – Or Rather There, Is Over There, Kunsthaus Hamburg 2018. Photo: Michael Pfisterer.

Photo by: Amber Strickland

Entitled “Sous le Ciel” – after an Edith Piaf song – the Argentine artist Leandro Erlich has created an installation at Le Bon Marché Rive Gauche, Paris

Onochord, Yoko Ono