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Women on the Verge of a Nervous Breakdown dir. Pedro Almodóvar (1988)

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nemfrog

Twilight rays in the sky opposite the sun. Untersuchungen über Dämmerungserscheinungen. 1888.

e-rara

nemfrog

"Submarine life in the northern seas."

Gately's universal educator. 1883.

Internet Archive

nemfrog

Fleurs. Arbres et abrisseaux. Flowering trees and shrubs. Larousse Du XX Siecle en six Volumes. 1930.

Internet Archive

nyctophilia-35

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theinternetarchive

etruscan ring of gilded silver decorated with a winged lion, a siren, and a flying scarab beetle, italy c. 500s-400s b.c.

expressions-of-nature

Zhangye Danxia Landform, China by YUEBIRDS

pastart

Stuart Winecoff

ymutate

Tomás Sánchez (Cuban, born 1948)

Descubridor de Lagunas [Discoverer of Lagoons], 2007

Acrylic on linen

100 x 122 cm. (39 ¹/₄ x 48 in.)

Private collection

moonrockworld

Kees Scherer - Temple of Nefertari at Abu Simbel, Egypt, 1965-1968

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toiich

Isabelle Huppert, une vie pour jouer (2001), dir. Serge Toubiana

expressions-of-nature

by Sergey Butorin

toiich

Late Spring (1949), dir. Yasujirō Ozu

petaltexturedskies

Emily Dickinson, in a letter to Mary Bowles, wr. c. August 1861

thinkingimages

Interior, 1925, Edward Hopper

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artemisiasea

Mysticism is awe. And I think any human being who's lost awe is really a lost person. A civilization that's lost awe, an educational system that can't teach awe and nurture it, a worship system that is devoid of awe because it is so full of human verbosity, is perverse. These systems are doing the opposite of what we have to do, which is to awaken the heart. Mysticism is about heart-knowledge, heart-experience.

Matthew Fox, Listening to the Land

memoryslandscape-deactivated202

“The way to love anything is to realise that it might be lost.”

— G. K. Chesterton, from “The Advantages of Having One Leg,” Tremendous Trifles (Methuen & Co. Ltd., 1910)

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