Man Ray, Emak Bakia 1926

if i look back, i am lost
art blog(derogatory)
he wasn't even looking at me and he found me
cherry valley forever
Sweet Seals For You, Always

Kaledo Art

trying on a metaphor
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Show & Tell

tannertan36
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Cosimo Galluzzi
Jules of Nature
Not today Justin

Origami Around

Kiana Khansmith
$LAYYYTER

⣠Chile in a Photography âŁ

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@senemozgoren
Man Ray, Emak Bakia 1926

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At the heart of Love, lies Sacrifice
At the heart of Love, lies Sacrifice
A woman goes in to the darkest of caves, sits before the bones of the past; of death. She goes in to childs pose and sits there, singing, dancing, begging all at the same time, so that the skeletons answer her prayers. She nows the Life/Death/Life cycles. She knows through her intuition; she will receive the greatest of gifts: Life. Do not submit, continue to play your games so Life continues.âŠ
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La Chenille de la carotte (1911), director unknown
but a dream within a dreamâŠ
BORDERS OF DELIRIUM OR the japanese film
BORDERS OF DELIRIUM OR the japanese film
     ShĆ«ji Terayama   /  The poet who turned a director        Â
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sen benim mucizemsin; inanmakta hep zorlandıÄım, varlıÄından bĂŒyĂŒlendiÄim
sen benim mucizemsin; inanmakta hep zorlandıÄım, varlıÄından bĂŒyĂŒlendiÄim
 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 Augsburger Wunderzeichenbuch (Genesis 9, 12-15) 1552 AugsburgerâŠ
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IN THE END, WE WILL BE HOLDING HANDS
IN THE END, WE WILL BE HOLDINGÂ HANDS
In the beginning there was no existence. Existence appeared and grew. It became an egg. The egg broke open. One of its halves was of silver, the other gold. The silver half became this earth. The golden half became the sky. The membrane surrounding the white of the egg became the mountains. The membrane surrounding the yolk became mist and clouds. The blood vessels rivers. The white became theâŠ
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touching you / must subtle way Pureness of the touch, the look, the feel, the sentiment. Why is everything so hard? Why does everything seem so easy?
INTRODUCING / PHOTOGRAPHER PROFILE: GLENNA GORDON
INTRODUCING / PHOTOGRAPHER PROFILE: GLENNAÂ GORDON
The chess set made by the group of Western hostages held in Northern Syria by IS. Firdausy El-yakub reads a romance novel in her bedroom in Kano, Northern Nigeria on March 21, 2013. Her university has been on strike for weeks, so she spends most of her days reading and dreams of one day becoming a novelist too. Her father allows her to go to the market and buy new books often.While NorthernâŠ
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Introducing: Photographer Profile / Mehmet Ăakır
Introducing: Photographer Profile / Mehmet Ăakır
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Ruins from Greece
Greece expiring on the Ruins, Patrick Caulfield, 1963 Pottery 1969 Patrick Caulfield Still Life with Dagger, Patrick Caulfield Vase on Display 1970, Patrick Caulfield The Hermit, 1967, Patrick Caulfield Still Life Still Life with Iznik Pottery
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MON ROI
The Frog Prince reveals his identity, Gusti Nyoman Lempad, 1930 Â Â Â Â Â
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Dangerous Cooks
James Sidney Edouard, Baron Ensor (13 April 1860 â 19 November 1949) was a Belgian painter and printmaker, an important influence on expressionism and surrealism who lived in Ostend for almost his entire life. He was associated with the artistic group Les XX. Les Cuisiniers Dangereux  Les Cuisiniers Dangereux Skeletons Warming Themselves    Baptism masks, 1925 A Polar Bearâs Tale The Song ofâŠ
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LâArt de la Guerre Quand ton oeil est devenu un oeil pour mon coeur, Mon coeur aveuglé s'est noyé dans la vision.
WHO? THOMAS EDISON?
NO, MAN RAY ELECTRICITE C.P.D.E. Â Â Â Â
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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WHAT'S IN A NAME?
WHATâS IN AÂ NAME?
that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo callâd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name; And for that name, which is no part of thee, Take all myself. Georges Hugnet (1906-1974), Guide Rose: Huite jours a TrĂ©baumec, 1969
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âYour paintings are just like my films. About nothing. But with precision.â â Michelangelo Antonioni to Mark Rothko, in conversation at Rothkoâs New York studio