BolesĆaw Biegas (Polish, 1877-1954)
Palace of Tenderness, 1928
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BolesĆaw Biegas (Polish, 1877-1954)
Palace of Tenderness, 1928

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Lucien Lévy-Dhurmer (French, 1865-1953)
Bilitis, 1900
19th-20th century women in history who exchanged love letters with other women. Many have not lasted due to families choosing to destroy evidence of these letters, while others are merely fragments.
Eleanor Roosevelt (1884-1962) to Lorena Hickok (1893-1968)
âHick my dearestâ I cannot go to bed tonight without a word to you. I felt a little as though a part of me was leaving tonight. You have grown so much to be a part of my life that it is empty without youâŠâ
âI wish I could lie down beside you tonight & take you in my arms.â
âI canât kiss you, so I kiss your picture good night and good morning.â
Lorena Hickok to Eleanor Roosevelt
âIâve been trying to bring back your face â to remember just how you look. Funny how even the dearest face will fade away in time. Most clearly I remember your eyes, with a kind of teasing smile in them, and the feeling of that soft spot just north-east of the corner of your mouth against my lips.â
Edna St. Vincent Millay (1892-1950) to Edith Wynne Mathison (1875-1955)
excerpt 1; â I will do whatever you tell me to do⊠Love me, please; I love you. I can bear to be your friend. So ask of me anything⊠But never be âtolerant,â or âkind.â And never say to me again â donât dare to say to me again â âAnyway, you can make a trialâ of being friends with you! Because I canât do things that way⊠I am conscious only of doing the thing that I love to do â that I have to do â and I have to be your friend.â
excerpt 2; âYou wrote me a beautiful letter. I wonder if you meant it to be as beautiful as it was. I think you did; for somehow I know that your feeling for me, however slight it is, is of the nature of love⊠When you tell me to come, I will come, by the next train, just as I am. This is not meekness, be assured; I do not come naturally by meekness; know that it is a proud surrender to You.â
Vita Sackville West (1892-1962) to Virginia Woolf (1882-1941):
excerpt 1; âIt has been a very strange relationship, ours; unhappy at times, happy at others; but unique in its way, and infinitely precious to me and (may I say?) to you. What I like about it is that we always come together again however long the gaps in our meetings may have been. Time seems to make no difference. This is a sort of love letter I suppose. Odd that I should be writing you a love letter after all these years - when we have written so many to each other. Parceque c'etait lui parceque c'etait moit.â
excerpt 2; âIt is quite true that you have had infinitely more influence on me intellectually than anyone, and for this alone I love you.â
excerpt 3; âI am reduced to a thing that wants Virginia. I composed a beautiful     letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldnât even feel it. And yet I believe youâll be sensible of a little gap. But youâd clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shanât make you love me any the more by giving myself away like this âBut oh my dear, I canât be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I donât love. I have brought it to a fine art. But you have broken down my defences. And I donât really resent it. Please forgive me for writing such a miserable letter.â
excerpt 4; âI wish, in a way, that we could put the clock back a year. I should like to startle you again- even though I didnât know then that you were startled.â
Virginia Woolf to Vita Sackville West:
excerpt 1; âLook here Vita â throw over your man, and weâll go to Hampton Court and dine on the river together and walk in the garden in the moonlight and come home late and have a bottle of wine and get tipsy, and Iâll tell you all the things I have in my head, millions, myriads â They wonât stir by day, only by dark on the river. Think of that. Throw over your man, I say, and come.â
excerpt 2; âI did enjoy seeing you, and am wearing your necklace, and my exuberance after all is not my egotism, but your seduction. Is your garden good?â
excerpt 3; âI lie in bed making up stories about you.â
excerpt 4; âShall I come Saturday for the night? Seems the only chance. Let me know⊠Should you say, if I rang you up to ask, that you were fond of me? If I saw you would you kiss me? If I were in bed would you-â
excerpt 5; âYesterday morning I was in despair⊠I couldnât screw a word from me; and at last dropped my head in my hands: dipped my pen in the ink and wrote these words, as if automatically, on a clean sheet: Orlando: A Biography. No sooner had I done this than my body was flooded with rapture and my brain with ideas. I wrote rapidly till 12⊠But listen; suppose Orlando turns out to be Vita; and itâs all about you and the lusts of your flesh and the lure of your mind⊠Shall you mind? Say yes, or noâŠâ
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HOT TO GO! Comic cover đđłïžâđ
Boarding School FriendsÂ
By artist French SchoolÂ
1837

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Marlene Dietrich publicity photos by Eugene R. Richee for âMoroccoâ (1930).
Random old photos of lesbian couples happy, kissing, holding each other, in love, etc...
Gerda Wegener (Danish, 1886-1940)
Mermaids, 1918
Leon Kroll (American, 1884-1974)
Summer at Folly Cove, 1950

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JĂłzsef MolnĂĄr (Hungarian, 1821-1899)
Idyll in Pompeii, ca. 1879
Marlene Dietrich in âMoroccoâ (1930)
âIn her glitter dress, she sang to men; in her tails, to women.â (Marlene Dietrich by Maria Riva, 1992)
Marlene Dietrich photographed on the set of Morocco, 1930
daphne and velma, noir style đđ§Ą
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[ID: Eight black and white gifs. The first six show a butch getting ready for a date. She puts on a tie, opens a tin of hair gel, styles her hair, puts on a suit jacket, and shows up outside her dateâs door holding a bouquet of flowers, smiling nervously but with genuine joy. The second-to-last gif shows her date- another butch with her own bouquet of flowers- smiling and winking back at her. In the last gif, the two butches trade bouquets.]

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From The Invisibles: Vintage Portraits of Love and Pride by Sébastien Lifshitz