possibly my favorite genre of images
this is who i am. or who i'm trying to be. or who i'm supposed to be. maybe all 3

oozey mess
TVSTRANGERTHINGS
Xuebing Du
YOU ARE THE REASON
Three Goblin Art

if i look back, i am lost
Mike Driver

pixel skylines

⣠Chile in a Photography ā£
"I'm Dorothy Gale from Kansas"
ojovivo
NASA
official daine visual archive
Not today Justin
Fai_Ryy
will byers stan first human second
Cosimo Galluzzi
art blog(derogatory)
we're not kids anymore.

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@scatterpile
possibly my favorite genre of images
this is who i am. or who i'm trying to be. or who i'm supposed to be. maybe all 3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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And all of this at once.
ozzy having a fatal flaw that ends in his demise every time he plays is sadly very compelling, almost shakespearean. Ozzy Lusth the Tragic Hero of survivor. doomed by the narrative. telling the same story over and over again. and he can never change the ending.
Cirie the mentor and voice of reasonā¦. Rizo both the wise fool and the scheming advisor (et tu, Rizo?)⦠Devens the clown/comic reliefā¦. the supernatural world in the form of prophetic dreamsā¦.. the Greek chorus of the juryā¦. weāve truly been watching a shakespearean tragedy wednesday nights on CBS
and like a true tragic hero, Ozzyās fatal flaw brings death and destruction to those closest to him. his hubris took his most loyal and beloved ally, Cirie, down with him. she was doomed from the start. itās an old song but we sing it anyway š
The Magpie (1869) by Claude Monet

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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just because someone can articulate their point better doesnāt make them right, it makes them articulated.Ā
and you arenāt stupid for having trouble articulating yourself.
āI have a really vivid and cool scene in my imagination but I canāt write it well and it seems so shitty on the pageā okay but nobody else knows that. Literally nobody else knows what the imagined scene looks like. They donāt know that theyāre missing out. Youāre the only one who could possibly even know
carl sagan said in contact that one measure of a relationship's intimacy is in how many of each person's sub-personas can see and commune with each other. and that hit. do you wanna see if our inner children want to play together š„ŗš„ŗš„ŗš„ŗš„ŗ
She began to understand why lovers talk baby talk to one another. There was no other socially acceptable circumstance in which the children inside her were permitted to come out. If the one-year-old, the five-year- old, the twelve-year-old, and the twenty-year-old all find compatible personalities in the beloved, there is a real chance to keep all of these sub-personas happy. Love ends their long loneliness. Perhaps the depth of love can be calibrated by the number of different selves that are actively involved in a given relationship. Carl Sagan, Contact
AUGHHH
image description: a comically dismayed weeping emoji /end description
The Royal Armouries let me play about in their armour!
(This was a set from someone similar in size to me, but it wasnāt exactly correct in all dimensions. Real knights often wore armour that was made to measure, which would allow for a slightly better range of motion. However, for a video game or film character that has looted armour, then something that fits as well as this would be a best case scenario, so it still tells us a fair bit!)
Trying to figure out how to draw armour. These are some of my notes I uploaded on patreon. A lot more to come since I really want to figure this one out.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I'm in fucking stitches dude
SalammbĆ“, (Detail), (1885), by Jean-Paul Sinibaldi (French, 1857 ā1909), signed āPaul Sinibaldiā bottom left; signed and dated at the bottom right āPaul Sinibaldi 85ā, oil on canvas, 191 cm (75.1 in) x 343 cm (11.2 ft), Private Collection
So a couple days ago, some folks braved my long-dormant social media accounts to make sure Iād seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. Ā These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.Ā They had a lot of knowledge, but ā hereās the important bit ā a lot of them didnāt share it. Ā Itās not just that they werenāt internet-savvy enough to share it, or didnāt have the time to write up tutorials ā no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Ā Now, thatās a generalization ā there were definitely some lovely and kind and helpful old-school costumers ā but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasnāt much of a thing. Ā And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. Ā NOT beginner friendly, is what Iām saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. Ā What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. Ā I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we werenāt inclined to deal with yet another one.Ā They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. Ā If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Ā Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying ā and succeeding with ā materials that āseriousā costumers would never have considered. Ā I was one of those costumers, but there were many more ā I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing. Ā
Iām not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. Ā Iām saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. Ā That wasnāt necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didnāt share that info I could probably hang on to that edge for a year, or two, or three. Ā And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. Ā People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. Ā And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud. Ā
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesnāt that page just scream āI learned how to code on Geocities!ā), and having it embraced as a springboard for newer and better things warms this fandom-oldās heart. Ā This is our legacy, and a legacy the current group of cosplayers is still creating, and itās a good one. Ā
(Oh, and for anyone wondering: yes, Iām over 40 now, and yes, Iām still making costumes. And that armor is still in great shape after 17 years in a hot attic!) Ā
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
i need to get into fanbinding tbh
My dear friend Johnathan Harker has begun his lovely food blog as he travels through the countryside of Transylvania. Hope his journey is smooth and his business concludes swiftly!
Mr Beast in his survivor cuck chair: š

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Remember when it was winter? It feels like a million years ago now. We had a lot of snow here in the Netherlands which was a rare experience. Hereās some paintings inspired by that special time āļø Done in Procreate!