“"L'escriptor també ha d'ésser un critic de la seva societat, encara que no escrigui únicament per això." @mdepedrolo #siempreguntenresponc

Love Begins
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Lint Roller? I Barely Know Her
we're not kids anymore.
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YOU ARE THE REASON

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“"L'escriptor també ha d'ésser un critic de la seva societat, encara que no escrigui únicament per això." @mdepedrolo #siempreguntenresponc

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Network of activists, researchers and practitioners against the criminalisation of solidarity & for a common care infrastructure.
Pirate Care, a syllabusWe live in a world where captains get arrested for saving people’s lives on the sea; where a person downloading scientific articles faces 35 years in jail; where people risk charges for...
Lectura de “confitament”. Que gran es Neal Stephenson.
Voyage en Icarie de M. Cabet
El llibre mostra un model social antagònic al capitalisme i va ser en el seu moment tot un èxit de vendes. Cabet ampliava i millorava les idees d’Owen, Icà ria és una societat comunità ria i cooperativa on l’home, responsable d’ell mateix i de la societat, buscava i aconseguia un bé individual que promovia el bé comú. Descriu una societat ideal on el concepte col·lectiu era considerat el leitmotiv del poble, on la creativitat seria la font de riquesa. Per Cabet, una societat perfecta, és la que es forma grà cies a un ambient social perfecte. I la perfecció social consisteix en pensar i treballar per la igualtat a tots nivells per a tothom.
A Icà ria, l’illa imaginada per Cabet, les mà quines eviten que la gent hagi de dedicar-se a tasques penoses o desagradables; les cases dels seus habitants són magnifiques ja que la comunitat proporciona a tothom, primer allò que és necessari, després les coses útils i, si és possible, tot allò agradable, no hi ha propietat, ni moneda, ni comerç i tots els icarians són iguals.
El projecte icariĂ va tenir un gran ressò en els medis obreristes i esquerrans de Barcelona. Alguns dels mĂ©s destacats seguidors foren NarcĂs Monturiol, que va fundar el setmanari La Fraternidad (1847-1848) per tal de difondre l’ideari de Cabet, Josep Anselm ClavĂ© o Ildefons CerdĂ .
Publicat per Domènec a https://voyageenicarie.wordpress.com/
A Japanese artist who goes by monde has made a series of wooden bookend dioramas that replicate the back alleys of his hometown of Tokyo.Â
Sources: x x
@stick-arms @lunaticobscurity
these are SO COOL
Una preciosidad!! - A Japanese artist who goes by monde has made a series of wooden bookend dioramas that replicate the back alleys of his hometown of Tokyo.Â

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The official artwork for tonight’s sold out show at Palau Sant Jordi in Barcelona. Artwork by Van Orton Design. #PJLIVE2018 #PearlJam
Towards a theory of theomorphic religious robots
Gabriele Trovato is an Italian human-computer interaction researcher at Tokyo’s Waseda University; along with colleagues from Peru’s Pontificia Universidad Católica, he presented Design Strategies for Representing the Divine in Robots (Sci-Hub mirror) at March’s ACM/IEEE International Conference on Human Robot Interaction.
Trovato’s paper presents a theoretical framework for designing “theomorphic” robots which “carries the shape and the identity of a supernatural creature or object within a religion” – robots that imply “a connection with a deity, be[ing] a messenger of the deity, or be[ing] possessed by it, or carry[ing] a divine essence.”
Trovato presents some guidelines for these, including not making them move too much (robot movement isn’t very divine, and also religious icons tend to be immobile), don’t design them to respond to user input (more godlike, less furbish), and make them glow.
https://boingboing.net/2018/06/08/theomorphism-vs-skeumorphism.html
Felipe Vilas-Boas
“The Punishment” is an installation in which a robot executes a preventive punishment for its possible future disobedience.
https://vimeo.com/209734673
http://www.filipevilasboas.com
*As seen at Share Festival 2018, Torino, Italy
A radiodrama based on our novel Q was recently produced and aired in Germany by WDR (Westdeutscher Rundfunk), the North Rhine-Westphalia public broadcaster based in Cologne. You can stream or download all the 8 episodes here.

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Grà cies a Pedro Nilsson-Fdez 🎗: "Avui, #DiaMundialdelTeatre, és un molt bon dia per recordar que Martin Esslin va esmentar les obres #Cruma i 'Homes i no' de Manuel de #Pedrolo en el seu influent estudi 'Théâtre de l'absurde' (1961) #drama #absurd #existencialisme #WorldTheatreDay… https://t.co/Cnm451w1L1"
Manuel de Pedrolo, La llibertat insubornable. Bel Zaballa. Sembra Llibres. 1a Ed. 2018.
#1yrago After a century of resisting monopolies, Democrats became the party of finance capitalism and it cost them the election
Monopolies are a well-documented drain on the economy, holding back growth and raising prices to the benefit of the 1% and the detriment of everyone else, and for 100 years, the Democratic party was the party of anti-monopoly, fighting for vigorous anti-trust enforcement, trade unionism, and decentralized power.
But when Reagan began to dismantle this, the neoliberal-infected Democratic establishment went along with the game, and found that they could get lots of money and support by becoming a handmaiden to monopoly, justifying it with the Chicago school economic orthodoxy that held that monopolies were “efficient” and produced low prices that helped working people more than merely being able to stand up to their employers could.
The Elizabeth Warren Democrats are pushing to make the Dems the anti-monopoly party again, and their well-financed establishment rivals are pushing back.
https://boingboing.net/2017/02/23/late-stage-capitalism.html
Automating Inequality: using algorithms to create a modern "digital poor-house"
Weeks before the publication of Virginia Eubanks’s new book Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor, knowledgeable friends were already urging me to read it, which was a no-brainer, having followed Eubanks’s work for years.
Eubanks’s work is a combination of technical analysis, ethical argument and thick, richly described ethnography, and it uses three different algorithmic systems to show how the false empiricism of service delivery through computerized triage and prediction is a means to harm, marginalize, and even kill the poorest among us.
Eubanks’s first testbed for this brand of algorithmic cruelty are the Indiana benefits system, where a collaboration between an ideology-driven Republican state government and an overpromising, underdelivering IBM resulted in a shambles that cost the poorest Hoosiers food security, housing, medical care – even their lives.
Next is Los Angeles’s “no wrong door” approach to extending benefits to people living on the city’s notorious Skid Row, a seemingly intractable tent-city that is a stain on the city’s conscience, where quirks of the scoring system means that some of the most desperate, at-risk people are denied benefits, stuck in a catch-22 where (for example) being imprisoned can make you score as lower-risk because you had been housed recently.
Finally, there’s the Allegheny child protective services system, whose dual mission of providing services to families and taking away children from families that neglect their children places the poorest people in one of America’s poorest places in constant danger of having their children snatched from them, and where the children of parents who have attracted even anonymous and unsubstantiated complaints are at risk of having their children taken away a generation later, because growing up in a high-risk household puts you at high risk.
Eubanks’s ability to combine beautiful biographic storytelling with keen observation and criticism makes this an indispensable addition to the literature on what Cathy O'Neil calls Weapons of Math Destruction.
For example, in a description of the use of algorithms to conduct surveillance to fight crime, she points out that in the traditional model of policing, the cops would find some reason to suspect someone, and then put them under surveillance; the data-driven approach is to put whole populations under surveillance, and then decide who is suspicious. This has enormous implications for social justice: if the reason to replace the old system is the racial bias of cops or other human frailties, then consider what happens if those same biases are reflected in the decisions of whom to surveil (poor people are more likely to find their lives under database scrutiny than wealthy people – for example, if you have a high-waged job you will never be considered in an algorithmic sweep of food-stamps records looking for potential fraud) and what constitutes suspicious behavior.
A recurring theme in Eubanks’s work is the power of algorithms to diffuse responsibility for human suffering: using math to decide who the “deserving” poor are makes it easier to turn away from everyone else whom the system has deemed undeserving. The history of poor peoples’ rights is one of popular uprisings coupled with sympathy from wealthier people, often driven by stories of mediagenic people being harmed by the system – the middle class is more apt to demand systemic overhaul when a small child or a sweet pensioner dies then when the system mostly kills racialized men with drug addictions. By using algorithms to “triage” the neediness of poor people, system designers can ensure that the people harmed by the system are the least sympathetic and least likely to provoke outrage among those with political clout.
Algorithmically defined guilt is also a problem because of the real problems agencies are trying to solve. In Allegheny, your child’s at-risk score is largely defined by your use of social services to deal with financial crises, health crises, addiction and mental health problems. If you deal with these problems privately – by borrowing from relatives or getting private addiction treatment – you aren’t entered into the system, which means that if these factors are indeed predictors of risk to children, then the children of rich people are being systematically denied interventions by the same system that is over-policing poor children.
Eubanks closes her book with some practical advice for improving the fairness of algorithms in public service. She advises that systems designers should guide their practice by asking themselves two questions.
1. Does the tool increase the self-determination and agency of the poor?
2. Would the tool be tolerated if it was aimed at non-poor people?
These feel like the kinds of simple-to-pose rules of thumb that can keep a lot of mischief at bay, and I hope that designers take them to heart – but as useful as those principles are, I hope that people working in algorithmic service delivery read this book in its entirety.
Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor [Virginia Eubanks/St Martin’s Press]
https://boingboing.net/2018/01/31/empiricized-injustice.html
Steppin’ OutÂ
Joe Jackson
EE.UU.
1982
___________
Fuente:
YouTube:Â JoeJacksonVEVO

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All gender restroom...
Hush City app will help you to identify, access and evaluate “everyday quiet areas” in your neighborhoods. You can find places such as small, quiet spots where you can go to escape the city’s chaos, relax, read a book, play with your kids, and have a pleasant conversation. Chill out!
Our cities are becoming noisier by the hour. Only in Europe, over 125 million people are affected by noise pollution from traffic every year, and apparently, quietness is becoming a luxury available only to a few of us. By using this free mobile app, you will contribute to making quietness available to all those appreciate it.