i'm going on an adventure

One of my friends in high school changed his named as soon as he turned 18, so that the ethnic name his family gave him was finally the name reflected on all of his paperwork. He told me that he understood why his parents had given him an “English” name, but that he felt that if he needed to assimilate in order to succeed, then that was a type of success that he didn’t want.

When I was on my way home from the courthouse after changing my own name, I got into a conversation with my rideshare driver, who was extremely interested once I told him what I was in court for, and wanted to know how I’d done it, how much it cost, was it difficult, etc. It turned out that his girlfriend had chosen the name “Yo-yo” when she came to the United States, unaware of how rare that was as a name, and that she was frequently made fun of because of it. Neither one of them had realized that a name change was so easy, and he told me he was excited to let her know that she had options.

There was an intern at a summer job I had once, who changed her name to be the same name, but a different spelling. She said that she had no idea why her parents had spelled her name so oddly to begin with, and suspected that it was just an honest mistake either by them or by some nurse, but it had been a headache for her entire life, and it was a huge relief to not need to be correcting people’s spelling on important documents anymore.

One of my exes legally changed his name to have an exclamation point, because he liked to sign his name with an exclamation point.

Martha Wells, Platform Decay (2026)

After everything, and SecUnit says “about 80 percent sure.” Excuse me while I, as it would say, have an emotion.

So at the very beginning of the play there was a scene where Macbeth and Lady Macbeth are at a funeral as the primary mourners. A stretcher is carried on with a covered body. The body was notably very small. They laid flowers on it and Macbeth immediately left for battle.

Now *I* studied Shakespeare in college so I immediately knew there is one single line that implies that the Macbeths lost a child at some point. Most of the time this isn't utilized in productions; it's just a throwaway line, intended to paint just how determined Lady M is for this regicide thing to work and how furious she is that her husband has cold feet. In this production she delivers "I have given suck, and know how tender tis to love the babe that milks me" nearly in tears. She takes a moment to steel herself before saying, "I would while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains pit, had I so sworn" and she very nearly SCREAMED this in Macbeth's face.

Also noted was how the Macbeths looked at Macduff's children. Lady M was clutching her heart, nearly breaking watching them embrace their parents. Macbeth could not even look at them.

At the end of Lady Macbeth's plot, when she is sleepwalking and sleeptalking, she is typically portrayed as speaking to no one or to her husband. However, at a certain point of her monologue she got on her knees, raised her voice to a comforting octave, and began miming tear wiping, hand holding, hair and face stroking, around a child-sized figure. "Wash your hands, put on your nightgown, look not so pale. I tell you yet again, Banquo’s buried; he cannot come out on’s grave." Then she stands and appears to take the child's hand. "Go to bed, go to bed. I can hear knocking at the gate-" then she looks down and realizes that no one is there, followed be the most heartbreaking shriek I've ever heard followed by a full minute of her just weeping while curled up on the floor before she stood up, finished her monologue and left the stage.

Most of the time when the loss of a child is utilized in a performance or adaptation, it is assumed that the child was an infant and lost some time ago. To imply that the child died IMMEDIATELY prior to the events of the play and had been cared for and loved by their parents for a few years adds such a fascinating layer to the desperation to ascend to the throne, Lady M's madness, and Macbeth's initial hesitation into "in for a penny, in for a pound" attitude, Macbeth's fury that Banquo's, not his, children will take the throne, and even Macbeth's eventual demise following a frenzied final battle.

How far will grief push you to fill a hole? How far will grief push you to desperation? And what happens when none of your new pursuits are filling the void left by the one you lost? And what happens when you realize you have nothing left to lose?

The process is actually quite sophisticated, and requires the presence of a full-grown goth to trigger it. A pupal-stage proto-goth, at this point completely indistinguishable from any other small human child, only needs to encounter a mature specimen once - and while the initial imprinting that ensues will only take seconds, the incubation period often takes more than a decade, even several.

The first visible step of the transformation is triggered when the dormant goth suddenly gains awareness that they have free will and can do whatever they want with their appearance. While the progress may be gradual, or seem like the transformation happened all at once overnight, the initial seed was planted years ago. And now, in full bloom, a fully-fledged mature adult goth may finally be happy.