Summer draws near. With it, a yearning for life even though youāre still alive.
Luljeta Lleshanaku, "Metamorphosis" from Negative Space (translated by Ani Gjika)
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@smokefalls
Summer draws near. With it, a yearning for life even though youāre still alive.
Luljeta Lleshanaku, "Metamorphosis" from Negative Space (translated by Ani Gjika)

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Warās never satisfied with flesh.
Luljeta Lleshanaku, "Homo Antarcticus" from Negative Space (translated by Ani Gjika)
The stomach functions much like the brain: / when it has nothing to think about, it feeds off memories.
Luljeta Lleshanaku, "Homo Antarcticus" from Negative Space (translated by Ani Gjika)
It is said that the most ordinary among us is a written book that exists in heaven, a book so huge that human eyes cannot read it. Thatās where everything is recordāwhat weāve done, said, thought, felt, even what hasnāt happened yet. Who could imagine that a human bodyāsome square centimetres that were once only a cellā could contain so much space for history?
Luljeta Lleshanaku, "Index" from Negative Space (translated by Ani Gjika)
The body is slow, clumsy; it rarely surprises you. It takes you to places your imagination has explored long in advance.
Luljeta Lleshanaku, "The Body's Delay" from Negative Space (translated by Ani Gjika)

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It was terribly noisy. Impossible to follow a conversation. So I only followed the timbre of his voice, the deep, mature, inner timbre congested with calcium, like drops of water falling from cave ceilings to the ground, from earth to earth the shortest journey for sound but the longest for us mortals.
Luljeta Lleshanaku, "A Conversation with Charles Simic" from Negative Space (translated by Ani Gjika)
So one day, you find yourself exhibited in two separate museums at once.
Luljeta Lleshanaku, "Mine, Yours" from Negative Space (translated by Ani Gjika)
Or the musical chairs game called āloveā, where there are less empty seats than people. If you donāt want to be the last one standing you must predict when the music will stop. (Who, though, has really succeeded?)
Luljeta Lleshanaku, "Negative Space" from Negative Space (translated by Ani Gjika)
Language is erosive. It makes us recluses, a wind through the canyons carving our palaeontological eras for everyone to read.
Luljeta Lleshanaku, "Negative Space" from Negative Space (translated by Ani Gjika)
my eyes glued to a constellation (they call these types ādreamersā)
Luljeta Lleshanaku, "Negative Space" from Negative Space (translated by Ani Gjika)

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Who was this reader? A man or woman? Maybe lying in bed, without anyone around, heavily underlining, several places in red, or commenting in blue while waiting at an airport for a delayed flight. But the loops that circle words are isobarsā one needs to have reached rock-bottom to understand these marks. And now itās my turn to add my own geography. Thereās hardly any space left, not even for shadows. The black ring of a coffee cup and the careless ash of a cigarette are my only traces. My fear of clarity.
Luljeta Lleshanaku, "Second-hand Books" from Negative Space (translated by Ani Gjika)
Even the shore itself is a lure for the dark waters, high tides under a full moon, apotheosis of the universe.
Luljeta Lleshanaku, "Night Fishing" from Negative Space (translated by Ani Gjika)
Names leap ahead like hunting hounds, with the belief they clear the road of the journeyās unexpected obstructions. And we call ādestinyā our common unknown, a genderless, unconjugated, unspecified name. Its authority hangs on one shoulder like the tunic of a Roman senator leaving only one arm bare and free.
Luljeta Lleshanaku, "The Unknown" from Negative Space (translated by Ani Gjika)
When a child is born, we name it after an ancestor, and so the recycling continues. Not out of nostalgia, but from our fear of the unknown.
Luljeta Lleshanaku, "The Unknown" from Negative Space (translated by Ani Gjika)
Title: We Are Each Otherās Liberation: Black and Asian Feminist Solidarities Editors: Rachel Kuo, Jaimee A. Swift, and TD Tso Publication Year: 2025 Publisher: Haymarket Books Genre: nonfiction, essays, poetry
I admittedly spent quite a few days trying to figure out how I felt about this collectionāand I do want to emphasize that itās addressing an unbelievably important topicābut I found that it didnāt work for me as well as I really hoped it would. To first focus on a couple positives, though, I really appreciated the editorsā commitment to extend the meaning of āAsian Americanā to go beyond East Asians. I also appreciated the consciousness that many of the contributors had of class(ism) and the impact of US imperialism/colonization.
I had mixed feelings about the blend of prose and poetry. On the one hand, I can understand the desire to present different angles on BlackāAsian solidarity. However, it personally didnāt work for me, and I found the inconsistency took away from the overarching message. Some chapters in this collection felt as though it could be inaccessible due to the way these authors lean more towards academic prose; then there were other chapters that read more like Introduction to Intersectional Feminism guides. Regardless of writing style, I was disappointed that a lot of these contributions didnāt go as in depth as I would have liked. However, I think whatās offered in this book might be more insightful to readers who are either a) unfamiliar with BlackāAsian history/relations in the US and/or b) not part of these communities.
Lastly, I was surprised that not much was said about queerness and, perhaps more alarmingly, the complete absence of trans womenāespecially trans Black womenāin this collection. I realize this book canāt possibly hit all social categories (let alone in great depth), but it seemed like a total misstep to not have a single contributor discuss the role of trans women in these spaces.

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Solidarities of any kind are never easy. Yet, they are necessary for the survival of us all and the natural world. Every group that seeks to be in solidarity with another bears the burden of conflictual histories, within itself and across groups with whom they aspire to bond, to build relationships, and to create societal changes. Most often, the conflicts are not of their own making, and the groups are positioned as āopposites.ā Nonetheless, the burdens and scars of intentional and forced divisions shape the values, intentions, and relational practices of the actors, not to mention the groupsā collective memories.
Margo Okazawa-Rey, "Afterword: Tough Love" from We Are Each Other's Liberation: Black and Asian Feminist Solidarities (edited by Rachel Kuo, Jaimee A. Swift, and TD Tso)
Creating a radical self-love world requires our willingness to have challenging conversations about privilege, power, history, culture, inequality, pain, and injustice.
Sonya Renee Taylor, "Unapologetic Agreements" from We Are Each Other's Liberation: Black and Asian Feminist Solidarities (edited by Rachel Kuo, Jaimee A. Swift, and TD Tso)