Stéphanie Kilgast aka Petitplat (French, b. 1985, Frankfurt am Main, Germany, based Vannes, France) - A Tale Of Knowledge, 2020, Sculptures: Epoxy Clay, Aluminum Foil and Wire, Acrylics, Paper on reclaimed Book
Xuebing Du
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
he wasn't even looking at me and he found me
h
YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸
seen from Canada
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seen from United States
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seen from United States

seen from United States
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seen from Czechia
seen from Spain
seen from Saudi Arabia
@sampah-seni
Stéphanie Kilgast aka Petitplat (French, b. 1985, Frankfurt am Main, Germany, based Vannes, France) - A Tale Of Knowledge, 2020, Sculptures: Epoxy Clay, Aluminum Foil and Wire, Acrylics, Paper on reclaimed Book

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Artist: Mœbius
https://www.instagram.com/p/CN2aTQLDh-W/?igshid=1kc5lfoz28poi
quick light studies
Anato Finnstark - http://host-grin.tumblr.com - https://www.facebook.com/finnstarkillustration/?ref=hl - https://www.artstation.com/anto-finnstark - https://www.patreon.com/anatofinnstark - http://anato-finnstark.cgsociety.org - https://www.instagram.com/anatofinnstark - https://plus.google.com/106985418551256748997 - https://society6.com/anatofinnstark

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Whatever it is you’re seeking won’t come in the form you’re expecting.”
—
Art via https://ift.tt/3asCKWI
Copper Ore Watercolor and graphite on panel, 48x48" 2021
“I enjoy writing in meter. I don’t enjoy writing in free verse, and I haven’t done it in years and years and years. It’s not joyous for me. I don’t feel like I’m very good at it. It’s not very comfortable for me. I love reading it, but it’s just not a thing I like to write. The more I practice meter, the more I study it, the more I work at it, the more I have access to various sonic effects and rhythmic effects that I find exciting. And because of how many variations are possible, I feel like I have infinite resources, like I can play around with it or work with it forever. And I know this may not make sense, because free verse of course is free. But when I think about meter—traditional meter, various metrical forms—it feels like I am looking at something infinite. And I think it feels infinite because there are certain boundaries. Whereas when I think about free verse, regarding my own practice, I don’t get that same sense of infinite space, infinite possibilities. I just get the panic of it all.”
— Shane McCrae, interviewed by Phuong T. Vuong for The Adroit Journal
Swamp creatures in the Marshes Nature Reserve of Séné in the Gulf of Morbihan in France by sculptor Sophie Prestigiacomo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“I don’t know what I want, only that I’m desperate for it, that I can’t stop asking.”
— Kim Addonizio, from “The Singing” (via voirlvmer)
Created by Illustrator, designer and tattoo artist Jake Foreman
Quint Buchholz (German, b. 1957, Stolberg, Germany) - 1: The Cat’s Assembly (Katzenversammlung), 1995 2: Full Moon from the book Nero Corleone by Elke Heidenreich 3: On The Windowsill At Night (Nachts vor dem Fenster), 1995, Mixed Media

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
David Uzochukwu represented by @galerienumber8
Charles Allen Winter: Fantaisie égyptienne , 1898