Nostalgia makes the memory but destroys the man.
Before we start: a Public Information Message
Be aware that I am egotistical enough to take real people, real situations and my real life, wash it of meaning, change circumstances and people, make myself look and sound better, feel better; sometimes I make myself sound worse, make myself into a monster, or a confused figure, confused by the world, an outsider, a pariah. Hell, sometimes I make myself into a Messiah: surround myself with willing disciples, people who know me, love me, feel strong emotions for me but do not hang on my every word, who do not feel that they need to follow me over the top into a No Mans Land of doubt and self-consciousness. What I of course mean by this is that my lines of autobiography and fiction are sometimes blurred; much of my fiction is something that can be attributed to the real people in my life: for example, if I say that my mother recently said (while giving me money): âHere -take this, I love you now, and youâre thin nowâ, I can honestly make that sentence sound like whatever I want it to: genuine love; scathing on her part; scathing on my part. It was genuinely an act of love, and that we all know, deep down. I would therefore like you all to suspend your disbelief, to not get offended; if you know me, please do not offended or worried; if you donât know me then feel free to get as fucking offended as you fucking well want â I couldnât give two shits. I can give two shits please donât leave me NEVER LEAVE ME I NEED YOU: the night is dark and full of terror (I STOLE THAT LINE). Basically though, I may acknowledge some real names at some point, perhaps not now, but soon. All readers, please just realise that any people who may or may not appear are but ciphers of my own insecurity, repurposed for my own aim, and not representing a reality. Also, be aware that I am also a cipher in my work: I exaggerate, I make comedic asides, I represent all of my fears about this world, but also none of them. I am, to put it bluntly, not this person BUT exactly this person.
NB: If I mention Kirsty THEN ITâS ALL TRUE.
And so we can begin on tonightâs topic: Being (just about) 30, and having friends.
Iâd like to talk about love; not the love between a man and a woman, not the typical erotic love, the love of which movies are made and Badly Drawn Boy sings about; not the love that I torture myself with weekly as penance, watching hour after hour of Romantic Comedies so formulaic that they are tragic, but make me cry until I cannot breathe, until I feel such strong emotion that I just want to pass out. I donât want to talk about the last time I felt eros, when that love stuttered into a year of bitter recriminations and sadness, destructive on both our parts - a blessed relief for both of us when it broke down; instead I want to talk about friendship, that mixture of philias and agape that sustains me, bubbles under the surface, sometimes erupting to the fore with such strong force that it can take me by surprise. I feel such strong emotions for my friends, such attachment that all I can do is shudder. And tonight, I want to talk about them. Well, as I explained, I more want to talk about ME, because I love to talk about ME, but I will talk about US while I talk about ME. Please, please be aware that they are all much nicer, more secure, more pleasant and personable, less awkward, less awful than me.
There was a time, many years ago, well not so many years ago, letâs say 8 years ago - before I crashed headfirst into 30, a car-wreck of a man - when I was briefly culturally relevant, when I was, for want of a better word: Â âcoolâ. I guess Kerouac would have perhaps called me a âhepcatâ but he also said a lot about dharma and jazz and the universe, and most of it was godforsaken, pointless, unedited shit. I donât even know why I brought him up.
I lived in Devon at the time. It is unclear why my living in Devon is important in any way, but it sets us up, gives us what is known as the Mise en scène, lets you the reader know where I was, how I am what I claimed to be. I lived in Devon, in a house that had previously been a restaurant, a palimpsest still full of that previous existence; a house with 2 dining tables in all of the rooms; where the downstairs bathroom still bore the sign âGentsâ; where there were hundreds of FUCKING COAT HOOKS that we snagged our coats on when we all came in drunk and tried to use the kitchen. I no longer take that risk, the risk of cooking when drunk, the risk of putting match to gas ring even though it could blow us all to smithereens or we could die of carbon monoxide poisoning: now I eat sandwiches and wake up in a bed full of crumbs that I carefully vacuum the next day, wincing with the pain of the noise and the hellish hangover that we all know get worse as our bodies start to fail.
I lived with friends, my best friends, the friends I turn to when I have problems, the friends who I still spend New Years with when I can, who I now go âwasnât that just the best FUCKING year?â at when I am drunk and maudlin and wish I was 22 again. We were heroes; we were Gods; we were the Justice League. We jumped skyscrapers. We positively oozed good health and youthful vigour. Both men and women wanted to be with us AND to be us, to be accepted into our community. We were a fucking Tommy Hilfiger advert.
 It was the year we honed our styles, got completely out of the University bubble, stopped wearing fleeces and hoodies; threw away our worst t-shirts. I began to watch my weight slightly, chose a skinnier fit in the leg on my trousers and started to wear glasses. I organised book clubs that no one came to. I wrote âzines that lampooned other âzines. I was broadly accepted as a man of cultural weight: I wore the t-shirts of bands and people said âwho is that band?â and I told them, and then they thanked me weeks later. I got free entry to most concerts.
It is sad now to admit that I look so fondly back at that year, with all of my problems, with my mistakes and bad attitude. I imagine that many of the people I shared that house with, people now married, one with a child, people settled and secure probably do not feel that strongly about it. They probably think âthat was a pleasant yearâ; they have grown older, not in Arrested Development like me, have got lives that donât revolve around work and Twitter. It is only writing this now that I realise just how embroidered my past has become, just how many thoughts and facts have been pushed out of my mind or pushed forward, just how flowery my view of the past has become. There is a solid chance that none of this ever happened, so fictional has it become. But, to be honest, I prefer my view of the non-existent past to the ever-annoying present. In my past I did not get rampantly annoyed, cough and splutter with righteous indignation, whenever Grant Shapps MP appears on my TV screen; in my past, I could stay up late without worrying about the consequence that it might have on my working day and my never fulfilled need to keep re-sizing graphs and charts until they are just right; Â in my past I could converse with the people that I love the most without worrying if they were just starting to hate me a little bit, that they wanted to start to ignore me and let me fester, whilst I cry while watching Definitely, Maybe for the tenth time.
 I feel as if my brain is starting to leave me, now I am at this milestone age. It could be purely imaginary, just a vague sense, social pressure to become older, to act older, to appear MATURE. Or it could be a biological trigger, pre-programmed Â- not by a deity because I donât believe in them - by a universe, to show our weakness, to show the way our bodies and minds interact, forever linked in a tussle for supremacy that, at the end of the day they both lose. I really think that I need to get a Brain Training game for my Nintendo DS.
But oh yes, 8 years ago I WAS A FUCKING HERO.