MIDSOMMAR (2019) dir. Ari Aster | LITTLE WOMEN (2019) dir. Greta Gerwig
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@sameasitforeverwas
MIDSOMMAR (2019) dir. Ari Aster | LITTLE WOMEN (2019) dir. Greta Gerwig

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Rural Boys Watch The Apocalypse (rough draft) by Keaton St. James
David Lynch
1999
Kid Cudi dancing on stage at Coachella durng MGMTâs set to âElectric Feelâ
what a beautiful & pure moment.
when lizzo said âself love is survivalâ and when hannah gadsby said âdo you understand what self-deprecation means when it comes from somebody who already exists in the margins? itâs not humility. itâs humiliationâ and when mitski said âi used to rebel by destroying myself, but realized thatâs awfully convenient to the world. for some of us our best revolt is self preservationâ
when audre lorde said âcaring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfareâ

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âDespite what youâve read, your sadness is not beautiful. No one will see you in the bookstore, curled up with your Bukowski, and want to save you.⣠⣠Stop waiting for a salvation that will not come from the grey-eyed boy looking for an annotated copy of Shakespeare, for an end to your sadness in Keats.⣠He coughed up his lungs at 25, and flowery words cannot conceal a life barely lived.⣠⣠Your life is fragile, just beginning, teetering on the violent edge of the world.⣠Your sadness will bury you alive, and you are the only one who can shovel your way out with hardened hands and ragged fingernails, bleeding your despair into the unforgiving earth.⣠⣠Darling, you see, no heroes are coming for you. Grab your sword, and don your own armor.â⣠â Emily Palermo #ThingsItTakesAWhileToUnderstand⣠⣠artwork by @monafinden https://www.instagram.com/p/B1V95ekIpDk/?igshid=gekakx0pnk5b
only a couple years difference
I have so much love and respect for women who are honest about their own loneliness but also find the good in it like when audrey hepburn said âI have to be alone very often. Iâd be quite happy if I spent from Saturday night until Monday morning alone in my apartment. Thatâs how I refuelâ and when charlotte bronte said âIÂ care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myselfâ and when jenny slate said âI think Iâve come to terms with the fact that there will always be a ribbon of loneliness running through who I am. But thatâs why I want to do comedy, and why I want to connect with people. You can use that ribbon to be a part of a finer tapestry, or you can choke yourself out with it! Your choice!â and when mary oliver said âwhoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh & exciting - over & over announcing your place in the family of thingsâ
greenberg (2010) / the dish and the spoon (2011) / frances ha (2012)
1. your suffering canât end until you stop identifying with it. if your sense of self is tied up in your suffering, anyone or anything that attempts to separate you from it will become the enemy because, whether consciously or subconsciously, you will on some level believe they are trying to take away a part of who you are.
2. read the above again.

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FKA Twigs serving some âQueen Of The Damnedâ Era Aaliyah Realness in the âTwo Weeksâ Music Video
i know iâm getting old bc i feel a need to warn young girls not to do stuff
I think anyone who says sex is boring without power plays is a person incapable of intimacy. Being true and close to another human being, feeling genuine passion and desire and overwhelming urge to be loving and gentle and passionate towards another person is anything but boring, itâs powerful, itâs fulfilling, itâs what we need in our lives in order to feel loved and okay. Engaging in power plays, violence and recreation of sexism, racism, sadism and all kinds of hatred and desire to harm another human being is not going to fulfill a person, itâs going to cause trauma bond and addiction, itâs never going to be enough. Itâs a poor replacement for intimacy.
How many young women have I watched weep their days away over disinterested men? To all of them, I want to say, Look up. Get a life, because he has.
Cammie McGovern, Say What You Will (via wordsnquotes)
Margaret Atwood

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Bino @ ACL FestivalÂ
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Taylor Swift Pens Essay on Power of Music & Writing the Ultimate Pop Song
Taylor Swift pops in yellow on the cover of Elle UKâs April 2019 issue, on sale March 7.
Hereâs what the 29-year-old âDelicateâ singer had to share with the mag, in a piece titled âPower of Popâ:
âMy favorite kinds of books to read are the ones that do more than just tell you a story. They do more than just set the scene or paint the picture. The writing I love the most places you into that story, that room, that rain soaked kiss. You can smell the air, hear the sounds, and feel your heart race as the characterâs does. Itâs something F. Scott Fitzgerald did so well, to describe a scene so gorgeously interwoven with rich emotional revelations, that you yourself have escaped from your own life for a moment.â
âIâm highly biased, but I think that the way music can transport you back to a long-forgotten memory is the closest sensation we have to traveling in time. To this day, when I hear âCowboy Take Me Awayâ by the Dixie Chicks, I instantly recall the feeling of being twelve years old, sitting in a little wood paneled room in my family home in Pennsylvania. Iâm clutching a guitar and learning to play the chords and sing the words at the same time, rehearsing for a gig at a coffee house. When I hear âI Write Sins Not Tragediesâ by Panic! At The Disco, Iâm transported back to being sixteen and driving down the streets of Hendersonville, Tennessee, with my best friend Abigail, euphorically screaming the lyrics. When I hear âHow to Save a Lifeâ by The Fray, âBreathe (2AM)â by Anna Nalick, or âThe Storyâ by Brandi Carlile, I immediately flashback to being seventeen and on tour for months on end. When Iâd get a day at home in between long stretches on the road sharing a van with my band and crew, I would spend my rare nights off painting alone with candles lit in my room â just being alone with those songs (Those are all from the Greyâs Anatomy soundtrack. My commitment to that show truly knows no bounds). Iâm convinced that âYou Learnâ by Alanis Morissette, âPut Your Records Onâ by Corinne Bailey Rae and âWhyâ by Annie Lennox have actually healed my heart after bad breakups or let downs.â
âI love writing songs because I love preserving memories, like putting a picture frame around a feeling you once had. I like to use nostalgia as inspiration when Iâm writing songs for the same reason I like to take photographs. I like to be able to remember the extremely good and extremely bad times. I want to remember the color of the sweater, the temperature of the air, the creak of the floorboards, the time on the clock when your heart was stolen or shattered or healed or claimed forever.â
âThe fun challenge of writing a pop song is squeezing those evocative details into the catchiest melodic cadence you can possibly think of. I thrive on the challenge of sprinkling personal mementos and shreds of reality into a genre of music that is universally known for being, well, universal. Youâd think that as pop writers, weâre supposed to be writing songs that everyone can sing along to, so youâd assume they would have to be pretty lyrically generic⌠AND YET the ones I think cut through the most are actually the most detailed, and I donât mean in a Shakespearean sonnet type of way, although I love Shakespeare as much as the next girl. Obviously. (See âLove Story,â 2009).â
âIn modern pop, songs/bops/chunes including extremely personal details like âKiki, do you love meâ and âBaby pull me closer in the backseat of your roverâ have been breaking through on the most global cultural level. This year on tour, I got to hear stadium crowds passionately sing along to a young woman from Cuba singing about âHavana.ââ
âI think these days, people are reaching out for connection and comfort in the music they listen to. We like being confided in and hearing someone say, âthis is what I went throughâ as proof to us that we can get through our own struggles. We actually do NOT want our pop music to be generic. I think a lot of music lovers want some biographical glimpse into the world of our narrator, a hole in the emotional walls people put up around themselves to survive. This glimpse into the artistâs story invites us to connect it to our own, and in the best case scenario, allows us the ability to assign that song to our memories. Itâs this alliance between a song and our memories of the times it helped us heal, or made us cry, dance, or escape that truly stands the test of time. Just like a great book.â
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TAYLOR