羂索

a mix of arguments, tension, manipulation, gossiping, fighting, & general emotional messiness!

you  weren't  supposed  to  hear  that.

don't  look  at  me  like  i'm  the  only  one  lying.

want  to  tell  them,  or  should  i?

you  think  i  don't  know  what  you  did?

i've  hit  people  for  less.

oh,  i  thought  you  already  knew.

that's  funny,  you  didn't  say  that  last  night.

say  that  again.  i  dare  you.

you  wanna  talk  about  loyalty?

no  offense,  but  if  you're  the  last  to  know,  that's  on  you.

go  ahead  -  pretend  like  it  wasn't  your  idea!

they  deserve  to  know  the  truth.

you  didn't  hear  this  from  me,  but  -

oh,  so  now  you  care?

don't  flatter  yourself.  you  were  just  convenient.

you  crossed  a  line.

we  had  bets  on  how  long  it  would  last.

it's  not  even  a  secret  anymore.

you  don't  get  to  cry  about  it  now.

touch  me  again  and  see  what  happens.

say  it  again.  louder  this  time.

you  really  thought  nobody  would  find  out?

don't  act  so  innocent.

okay,  but  am  i  the  villain  for  laughing?

tell  me  who  else  knows.  right  now.

this  whole  time,  and  you  didn't  say  a  word?

don't  act  brave  now.

you're  really  gonna  do  this  here?

it  wasn't  supposed  to  get  this  far!

you  can't  rewrite  history.

oh,  i'd  never  say  it  to  their  faces.

it  was  supposed  to  stay  between  us.

we're  all  thinking  it,  i  just  said  it.

you're  not  as  untouchable  as  you  act.

do  you  even  feel  guilty?

they  warned  me  about  you.

go  ahead,  make  it  worse.

if  you  repeat  this,  i'll  deny  everything.

the  next  thing  out  of  your  mouth  better  be  an  apology.

you're  about  three  seconds  away  from  regretting  this.

you  keep  pushing,  and  i'll  push  you  back.

they're  going  to  find  out.

one  more  lie,  and  i  walk.

they're  lying  to  you.

you  need  to  back  off.  now.

you're  defending  them?  after  everything?

don't  try  to  hide  it.

tell  me,  was  i  just  a  placeholder?

you  really  think  sorry  fixes  this?

there's  nothing  left  to  say.

don't  act  like  you're  the  one  hurting.

i  don't  owe  you  any  explanation.

whatever  helps  you  sleep  at  night.

you  should've  seen  this  coming.

i  hope  it  was  worth  it.

i  told  the  truth.  just  not  all  of  it.

you'll  miss  me  before  i  miss  you.

smile.  you're  ruining  the  mood.

i'd  watch  that  tone  if  i  were  you.

it's  not  my  fault  you  believed  me.

you  have  such  a  talent  for  pretending  you're  innocent.

we  both  know  this  is  over.

i  never  said  i  was  a  good  person.

(  dialogue  prompts  taken  from  thunderbolts*  (2025),  directed  by  jake schreier.  feel  free  to  edit  and  change  as  you  seem  fit.  ) 

❛ there is something wrong with me. an emptiness. ❜

❛ you weren’t listening to me. it’s like your mind is somewhere else. ❜

❛ do you think i like taking orders? ❜

❛ you shoot, i dodge. ❜

❛ you guys can never aim for shit. ❜

❛ can you please just say it normal? ❜

❛ how long has it been, huh? a year? ❜

❛ so you… you feel fulfilled? ❜

❛ look around you. i’m miserable. ❜

❛ the light inside you is dim even by eastern european standards. ❜

❛ i've just been wondering, you know, like, what… is the point? in any of this? ❜

❛ the point of work is fame and fortune. fortune buys friends, and love, and a lot of cool clothes. ❜

❛ why do you have this photo out? ❜

❛ we were so bad. ❜

❛ you were happy. ❜

❛ i’ll make you something. ❜

❛ yeah, this just isn’t working for me anymore. ❜

❛ i need you to follow the target inside and find out what she intends to steal. ❜

❛ you’re not even my target. ❜

❛ i’m not here for you. ❜

❛ i know who you are and what you’re doing. ❜

❛ what am i doing? ❜

❛ you’re working me. you’re trying to get me on your side. ❜

❛ you say you know who i am, so you know my story. and you know i didn’t have a choice who i worked for. but you do. ❜

❛ it’s my business card. in case you need some help or you wanna share some secret hidden evidence. ❜

❛ i’m not sure what’s happening here, but you’re all exhausting and my job is done, so... ❜

❛ god only knows the blood on your hands. ❜

❛ pretty ludicrous coming from the dimestore captain america. ❜

❛ that was funny. thank you. we needed that. ❜

❛ it was getting so tense in here for a second. ❜

❛ all right, um… tie yourselves up. ❜

❛ next time, why don’t you just text me like a normal person? ❜

❛ we don’t need to go rogue in the darkness, or whatever you people do. ❜

❛ what exactly are we looking for? ❜

❛ we’re looking for not stupid questions. ❜

❛ hey. didn’t think you’d come back. thanks. ❜

❛ are you hurt? ❜

❛ no, i’m fine. i’m fine. ❜

❛ you do not seem fine. ❜

❛ yeah, well, we’ve only just met. this is… this is how i am. ❜

❛ well, you guys should just go without me. it’ll be easier. ❜

❛ we all feel like shit sometimes. and loneliness, i get that. and that that darkness gets... pretty enticing. ❜

❛ you shove it way down. you just... push it down. ❜

❛ let’s just stick together until we make it to the surface, and after that, you can start a fight with a super soldier. get yourself killed. i don’t care. ❜

❛ so, none of us fly? what, do we all just punch and shoot? ❜

❛ you do not want to start the whole sob story game. i win. ❜

❛ well, you were just a kid, so… ❜

❛ i just think it might be nice to know that you didn’t really know any better. ❜

❛ cucumber, cucumber, cucumber. ❜

❛ growing up, somebody told me that you can stop a sneeze if you confuse your brain. i always just yelled “cucumber.” ❜

❛ you’re the boss now? cute. ❜

❛ anyone else have any pointless childhood stories to tell? ❜

❛ i will fight. you stay behind me. ❜

❛ i’ve always had these episodes since i was a kid. there’s a high, then there’s a big low, and then my memory just goes blank. ❜

❛ you were right, she definitely wants us dead. ❜

❛ this has the makings of a team that can raise to glory. a team that can bring light from the darkness. a team of heroes that can be on the wheaties box and have little kiddie toy… ❜

❛ let’s just forget about them, and let’s focus on you. and how perfect you are. ❜

❛ isn’t that what you want? to be accepted? to be chosen? ❜

❛ no one else sees it, but i do. and i think maybe your past is what makes you so perfect. ❜

❛ look, i’ve been where you are. you can run, but it doesn’t go away. sooner or later it catches up to you, and when it does, it’s too late. so you can either do something about it now, or live with it forever. ❜

❛ you want to be good? or do you want to be somebody who changes the world? ❜

❛ you can do anything. ❜

❛ i'm the only one who knows what your true potential is. and it’s limitless. ❜

❛ i don’t wanna hurt you guys. why don’t you just turn yourselves in? ❜

❛ you can trust me. i know you. ❜

❛ they’re not a threat to me, so why do i need to kill them? ❜

❛ there is no “us.” there is no “we.” ❜

❛ you’re not a hero. you’re not even a good person. ❜

❛ why would a god take orders from anyone at all? ❜

❛ i’m starting to think maybe you don’t know what i am. or what i’m capable of. ❜

❛ i'm not afraid of you. ❜

❛ well, then, chase me forever. ❜

❛ If you cared, you would have called. ❜

❛ i’m sorry. i don’t know how to do this. i’m not good at it. ❜

❛ i didn’t think you wanted me. ❜

❛ i’m late, but i’m… i’m here now. ❜

❛ all i do is sit and look at my phone and think of all the terrible things that i’ve done. ❜

❛ when i look at you, i don’t see your mistakes. ❜

❛ aren’t you tired of fighting? let me help you. ❜

❛ you can’t outrun the emptiness. ❜

❛ it’s what you said. we’re all alone. all of us. ❜

❛ i have these good days, you know? where i feel invincible. but then there are a lot of bad days when i remember that nothing matters, you know? ❜

❛ so you’re just gonna sit here and let it take over? ❜

❛ well, there’s no use in fighting it. ❜

❛ at least i found a nice room. the other rooms are much worse. ❜

❛ you can’t stuff it down. you can’t hold it in all alone. no one can. we have to let it out. ❜

❛ even if it doesn’t make the emptiness go away, i promise you it will feel lighter. ❜

❛ we can find a way out of here together. will you try and leave here with me? ❜

❛ there’s no death here. the pain only gets worse. ❜

❛ i have a great past, so i’m totally fine. ❜

❛ the most shameful thing of all was thinking you could be anything more than nothing. ❜

❛ wait. you think they care about you? you don’t matter. to anyone. ❜

❛ i’m stronger than you. ❜

❛ you thought you were gonna be some great man? some savior? you can’t even save yourself. ❜

❛ we will always be alone. ❜

❛ i’m here. ❜

❛ it will always be just us. ❜

❛ we’re losing credibility. which we had very little to begin with. ❜

❛ we’re running out of space? It’s impossible. this building is enormous. ❜

DISCLAIMER: This post aims to interpret source canon material and tailor it in a way that both suits the mun's interpretation and facilitates roleplaying with the muse. It's all headcanons.

BRIEF OVERVIEW:

Taizō Hen'ya ( 胎蔵 = WOMB 遍野 = PROFUSION ) As Domains are a manifestation of the sorcerer's Inner World, it is to no surprise that Kenjaku's is religion-inspired and links them back to their original life as an acolyte. 'Womb Realm', in Vajrayana Buddhism, is the metaphysical space inhabited by Five Compassion Buddhas, each of them representing the five intentions & attributes of the original Buddha. 'Profusion' refers to something 'all encompassing' and is derived from a Chinese literary phrase that often holds negative connotations ( i.e. a famine spreading everywhere ) The Domain's function aligns with Kenjaku's 'body-hopping' technique, as multiple Cursed Techniques can be deployed.

BARRIER-STYLE:

Kenjaku's domain takes the shape of a mandala, with each 'petal' being a separate barrier. Each barrier is imbued with one of the stored techniques from current & previous lives. There is a condition: one barrier must always be left open/without imbued technique. That barrier is attributed to the 'next' reincarnation. Roughly, I've sketched the concept above.

Red => current vessel's CT, cursed manipulation from Suguru Geto

Blue => directly previous vessel's CT, Kaori's anti-gravity systems

Green => CT of the host before Kaori, unknown

Orange => CT of the host before that one, also unknown

Black => special barrier without an imbued technique

The barriers are marked with specific conditions depending on the deployed technique they hold. The sure-hit effect area of each technique is determined by whether it's enclosed within the assigned barrier, however because of the way Kenjaku has structured their domain all techniques are active at the same time.

APPEARANCE & INTERIOR:

Unlike other Domain Expansions, Womb Realm's appearance is affected by the Cursed Techniques 'stored' in the user, essentially altering its appearance depending on what CTs Kenjaku has in their arsenal. There is no standard interior, such as with Self-Embodiment of Perfection or Malevolent Shrine. The barriers are perceived by sorcerers but only a sorcerer with advanced perception such as Tengen or a Six Eyes user would be able to make out their patterns. The 'mandala' can be 'reshaped' to give more or less space for a technique's sure hit effect, sacrificing the efficiency of others for the sake of the strongest CTs collected.

HANDSEAL:

The right hand reflects the Buddha world and the left reflects the human world. The hand seal ergo merges these separate realms together. Kenjaku's hand seal differs from that of other users both as a testament to their anciency and because of the unique barrier style of their domain — it is the one thing that has been left intact throughout their different lives and remained from their original one as an acolyte.

TIDBITS:

The complexity of this domain's barriers is why it took Tengen ten seconds to dismantle it.

The totem-esque pillar standing in the middle that resembles a merge of spirits fires a sure-hit attack. It is derived from Suguru Geto's Innate Domain and the attack is essentially a sure hit Uzumaki that does not expend curses.

SOURCES & REFERENCES:

post on DE hand seals by temp.ensis

listen. tackling is a language that can convey many many things. and once again, this is a list that may be edited down the line to capture those languages, but in the meantime! we have this! bc i saw One Scene in a film and made it the dashes problem! bon appetit, enjoy! DO NOT ADD TO OR EDIT THIS LIST, NOR CLAIM AS YOUR OWN.

[ ANGER ]: sender tackles the receiver in a fit of rage.

[ DODGE ]: sender tackles the receiver out of the way of an attack.

[ LOVE ]: sender tackles the receiver onto a bed/sofa to give them some attention of a romantic or similarly heated nature.

[ TRAIN ]: sender tackles the receiver as part of a sparring or training exercise.

[ SLEEP ]: sender tackles the receiver on top of a bed in order to insist that they get some sleep.

[ HUG ]: sender tackles the receiver to the ground in their enthusiasm to give them a hug.

[ CALM ]: sender tackles the receiver to the ground in an effort to both restrain and calm them down.

[ STOP ]: sender launches themselves at the receiver and tackles them in order to stop them from doing something.

[ FIGHT ]: sender, in the midst of a physical fight with the receiver, tackles them to try and gain the upper hand.

[ RESTRAIN ]: sender tackles the receiver to try and physically restrain them.

[ HIDE ]: sender tackles the receiver to the ground, out of sight, in order to stop them from being seen.

[ SHIELD ]: sender throws themselves over the receiver's body to shield them from an attack.

[ INTERVENE ]: sender tackles the receiver to prevent them from attacking another person.

[ WHISPER ]: sender tackles the receiver so as to distract on-lookers from seeing them whisper something into the receiver's ear.

[ COLLAPSE ]: sender, weak due to previous conditions, collapses on top of the receiver, inadvertently tackling them to the ground in the process.

[ SLIP ]: sender slips on something and trips, bringing the receiver down with them in their descent.

[ POCKET ]: sender tackles the receiver in order to distract witnesses from seeing them put something into the receiver's pocket.