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Bjørg-Elise Trudvang-Amundsen Tuppen Flow of Forever, 2021

Albrecht Dürer, Heavenly Body in the Night Sky, c. 1496

Inkcap on paper.

Tommy May (American, b. 1994, Alexandria, VA, USA, based Los Angeles, CA, USA) - Skipping Stones, 2026, Paintings: Acrylic and Acrylic Washes on Canvas

Experience Ana Mendieta’s Visceral, ‘Neolithic’ Work in a Major Survey

Asami Shoji (Japanese, 1988) - 23.10.3 (2023)

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

YAYOI KUSAMA, Fear of Death, 2008

internal systems diagram (2026)

Point sublime

NASA/JPL-Caltech/University of Arizona

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