sammael ★

there isn't a demon named that, but there is their equivalent, which is the prince of lust, anatolius !

something like that ! but they don't quite like interacting with common demonfolk, they aren't all about that whole veneration and offerings out of fear thing.

the two of them are Bad Blessings (OC) characters from an ancient demon circle called the Masters. they to demons are something like what saints are to humans, but in a more old school religion way, with all the offerings and celebrations out of veneration (most notably demonic traditions inspired by the serbian "slava" - patron saints or feast days).

masters are based on mythological creatures and characters from theology, argomon being a cyclops and murmur being my interpretation of the demon from christian theology of the same name.

YOU REMEMBER MOONMIST ???!!!!!!! :0 THAT'S SO AWESOME !!

And yes ! I will be including her in BB as a minor/background character. Oberon, Geegie and Evox are all gonna be there too !

haha how cool ! the one letter difference must be because my name comes from the character sammael from hellboy : seed of destruction !!

i've been thinking about it for a while, but since i'm still a minor i have to ask my parents for permission, and discussions with them can be extremely difficult, especially when money is in question.

etc etc

not too much at all, thanks for the ask !

the way i think about faces is like a puzzle - the eyes, nose, lips, ears, chin, etc. being the puzzle pieces. it's a sort of "mix and match" game.

for example, these three characters all have a similar, strong nose and droopy eyes with puffed eyebags (except for azariel in the last pic), but thanks to different face shapes, body builds (how a character is built also reflects in their face) ears, hair and other details the characters can be told apart.

incorporating your character's personality into the face design is a great idea. perhaps the way they express a certain emotion is different to the way other characters do. maybe their resting face is happier-looking than another character's. the face is a big element of character design, because it's a tool of storytelling on its own.

take a look at my lucifer, for example. woah ! what the hell happened to them ? (he's still pretty though)

the face should entice, force the beholder to ask questions about the character and be curious about their story. i'm not saying every face you draw should suggest the oddest of backstories and personalities, but give each of your characters something unique to their face that would spark someone's interest.

now, i haven't exactly checked how well they stand out amongst eachother by removing the hair and the rest of the body, but i did draw a bunch of my characters together without colour on one paper.

my biggest tip is - exaggerate ! find a feature you want to stick out in your character's face and construct the rest of the face to compliment it. matching a face with the character's personality is also something you should know how to do, so i suggest doing research on shape and colour language.

it's important to take note of how faces look as people (or humanoid characters) age and grow older. wrinkles are one of the main ways i add character to ... well, my characters.

as much as i enjoy drawing wrinkles, i usually save them for "wise old" or nurturing characters. but of course, wrinkles appear on all sorts of people, especially if they have a fuller face.

(i am speaking specifically for my stylization which often strives to be somewhat anatomically realistic)

another tip is to reference life when you study ! human people have such a wide array of features you can utilize, it's amazing and beautiful ! just make sure you do research on ethnic features and when they appear on which face (unless you're going for something supernatural/humanoid, then the nose gallery is all yours /j).

also, don't drastically diversify faces all the time. siblings and family members often have similar features and it's okay to repeat them in these cases.

(this artwork is pretty old)

if your character and costume design is good, "same face syndrome" shouldn't worry you at all. avoiding this art community boogeyman is just one way of diversifying your art and adding spice to it. lacking this diversity really is no sin.

at worst, it's just going to look odd. for example, if you're so used to drawing young, wrinkle-less characters and attempt to draw an older character without any exercise prior to that, chances are this character is going to look oddly youthful, resulting in a sort of silly outcome.

the veil is lifted !