FRIEDRICH, Caspar David Wreck in the Moonlight c. 1835 Oil on canvas, 31,3 x 42,5 cm Nationalgalerie, Berlin
he wasn't even looking at me and he found me
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FRIEDRICH, Caspar David Wreck in the Moonlight c. 1835 Oil on canvas, 31,3 x 42,5 cm Nationalgalerie, Berlin

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Googled something about quick hydration and it suggested big jug of water, couple tbsp pickle juice, dash of lime juice.
Its surprisingly tasty????
Pleased to report that after a day of this i am not longer craving caper brine and my mouth is not dry as usual. There's some good suggestions in the notes too that I want to try.
-ancient roman posca: water, red or white wine vinegar, honey, salt, herbs (coriander, mint, thyme)
-switchel: water, ginger, vinegar, sweetener, lemon, salt
-ayran: yogurt, water, salt, mint
-Agua pepino: water, cucumbers, lime, sugar, optional mint.
I have been reminded of:
-shrub: vinegar, sida water, elderberry (or other berry), sugar.
I have now been informed of
-sekanjabin: honey, vinegar, mint, water.
"Wow, I wonder why this post was popular this week."
-sees the reports of the heatwave in Europe-
"... ah."
Tag! You're It! - My 2nd year film :D
Although his intimacy with Stephen Maturin did not allow him to ask questions that might be judged impertinent, it was of such a rare kind that he could ask for money without the least hesitation. 'Have you any money, Stephen?' he said, the Marine having vanished in the trees. 'How I hope you have. I shall have to borrow the Marine's guinea from you, and a great deal more besides, if his message is what I dearly trust. My half-pay is not due until the month after next, and we are living on credit.' 'Money, is it?' said Stephen, who had been thinking about lemurs. There were lemurs in Madagascar: might there not be lemurs on Réunion? Lemurs concealed among the forests and the mountains of the interior? 'Money? Oh, yes, I have money galore.' He felt in his pockets. 'The question is, where is it?' He felt again, patted his bosom, and brought out a couple of greasy two pound notes on a country bank. 'That is not it,' he muttered, going through his pockets again. 'Yet I was sure—was it in my other coat? did I perhaps leave it in London?—you are growing old, Maturin—ah, you dog, there you are!' he cried triumphantly, returning to the first pocket and drawing forth a neat roll, tied with tape. 'There. I had confused it with my lancet-case. It was Mrs Broad of the Grapes that did it up, finding it in a Bank of England wrapper that I had—that I had neglected. A most ingenious way of carrying money, calculated to deceive the pick-pocket. I hope it will suffice.' 'How much is it?' asked Jack. 'Sixty or seventy pound, I dare say.' 'But, Stephen, the top note is a fifty, and so is the next. I do not believe you ever counted them.' 'Well, never mind, never mind,' said Stephen testily. 'I meant a hundred and sixty. Indeed, I said as much, only you did not attend.'
--The Mauritius Command
very true :CCC
but hey... at least its inhabited by the flying fox :)

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when they designed the lieutenant's uniforms in the 1780s they made the lapels white. to better indicate where to grab your lieutenants
this changed with the advent of the double breasted design in the 1810s: the new uniforms were worn buttoned up. lieutenant grabbing practices declined in correlation. causation cannot be proven but may, regrettably, be assumed.
This is what lead to the sad decline of the navy in the Victorian era, very tragic.
1787 Jean-Laurent Mosnier - Louis-Charles-Auguste Le Tonnelier, baron de Breteuil
(Louvre Museum)
Every day I get a little closer to saying fuck it and becoming an apprentice in some at risk heritage craft or profession.
"let's have AI-"
I'm gonna go learn the art of hand engraving or thatched roofing. Maybe hand make clogs.
Here's a menu to choose from :)
Charity that promotes, safeguards and celebrates heritage craft skills in the UK
Wait wait do you get paid a stipend for food and shelter while you apprentice? Why would you not do this? There are some heritage crafters around here and they take students but you basically have to be independently wealthy. Otherwise I'd have been a blacksmith and ironworker six years ago. "Oh menial retail jobs that steal your soul really need me" fuck that noise
just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!
(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)
And that's before you get into American painted murals:
Embrace the decorative arts, folks!

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A pair of cut steel scissors, possibly given by a a naval officer to his lover due to the motifs of an anchor & coronet, english ca. 1800-1830
Slayyy
And tf ocs by @gh0stbra1nz 🫶
"HMS Speedy falling in with the wreck of Queen Charlotte March 21 1800 at Leghorn". The author is unknown, the date is approximately 1810-1820.
The National Maritime Museum in Greenwich, London.

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The Wageworker, Lincoln, Nebraska, September 13, 1907