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The Bowery Presents
PUT YOUR BEARD IN MY MOUTH
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what is rebloging if not passing the virtual blunt

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Anita Yan Wong, Ink Drawings.
Brilliant, seemingly alive ink drawings by artist Anita Yan Wong who describes her work as âa unique style of paintings created by combining what Iâve learned through film making as well as classical training in both Guo hua (chinese painting) and western arts, such as abstract expressionism and impressionism.â
Anita has an exhibition, âMovable Ink,â currently on view at Canessa Gallery in San Francisco, California that will be on view until May 31st, 2018.
Donât miss Supersonic Art on Instagram!
Sarah GillespieďźBritishďź
All that I Have is a River charcoal on paper 66 x 101.5 cm  via  more
âfor the expoooosureâ
Rudolph RuzickaďźCzech/American, 1883-1978ďź
from: New York; a series of wood engravings in colour and a note on colour printing by Rudolph Ruzicka  1915  via

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tag yourself
@blackkatmagic youâre the planner
Iâm flattered you think so but i tend to think i scream âhelp meâ more than anything.
@deadcatwithaflamethrower your are the writing mom
Writing Mom needs Booze. <3
Iâm angst master hello, what about @danae-b and @soong-type-princess
Digging in the Crates: Talking with Brian Davis of Wooden Sleepers
Wooden Sleepers is the kind of store I wish was near me. Brian Davis, the shopâs founder, has been around the menswear scene forever, but first opened his shop seven years ago on Etsy. Back then, he just had simple listings for his vintage finds, which ranged from classic Americana to workwear to Ivy Style items. A few years later, he opened a brick-and-mortar shop in Brooklyn, which has been since become a destination spot for menâs style enthusiasts. Japanese menswear magazines such as Free & Easy have featured the store; GQ called it the best new vintage menswear shop in NYC.Â
When Brian opened his brick-and-mortar, he took down his online web shop in order to focus on his physical location. Carefully setting up the interior decor and presentation was a lot of work, too much to also include shooting photos and selling online. Now that Wooden Sleepers is more established, however, theyâve jumped back on the internet. This past month, they launched a fully dedicated online site (although inventory is still being added), and theyâre been developing an in-house line of Wooden Sleepers totes, caps, and sweatshirts (we love all of it). They even shot a fall/ winter lookbook.Â
I recently sat down with Brian to talk about his store, his history with vintage clothing, and his style suggestions for guys who are are looking to incorporate a bit of vintage into their wardrobe.Â
Tell us about how you got into vintage clothing and how you started Wooden Sleepers.
I grew up on the east end of Long Island, skateboarding and listening to punk and hip-hop music. I lived with my grandparents at the time, a long way from any of the shopping malls. Buying second-hand clothes from local church shops was a way for me to rebel against the Abercrombie & Fitch crowd â this was around the early- to mid-90s, when A&F was big. Looking back, a lot of the stuff I used to rummage through would later influence my taste in clothes as an adult â seersucker suits, oil-stained mechanic jackets, vintage Leviâs, etc.Â
Fast forward to 2010, I was working a corporate job and wanted a creative outlet. My girlfriend at the time, now my wife, encouraged me to set up my own clothing shop. This was when heritage and Americana were huge online. There were sites such as A Continuous Lean, Valet, and Put This On; New York City had the Pop-Up Flea; Etsy was just getting started, but was still a fairly unknown thing. So I started listing stuff online for my thrifted finds. We launched on Etsy in 2010 and then opened a brick-and-mortar in 2014. Â
Thatâs surprising because, right around that time, many brick-and-mortars started struggling. Do you find it difficult to do a brick-and-mortar business in NYC nowadays?
The New York Times had a story not too long ago about Bleecker Street, a big commercial area here with global brands such as Marc Jacobs and Ralph Lauren. At some point, the landlords got greedy and raised rents, and now all those businesses have had to move out. Maybe they could have afforded the rents, but it probably didnât make sense given the amount of business they were getting from the area. And now, when you walk down Bleecker Street, there are a ton of empty storefronts.
My goal as a business was never about being part of that world. When I was looking for a shop space, I was looking for a place with a thriving community of small businesses. We found that in Red Hook in Brooklyn. Our street is very much orientated around mom-and-pop businesses, with great restaurants and small shops. Weâve actually seen our business grow year after year.
But many small NYC clothing stores have closed â Gentry, French Garment Cleaners, Carson Street Clothiers. Itâs not just big brands that are struggling, it seems like itâs everyone. People are so used to comparison-shopping online, theyâll find the cheapest price possible for any given item. Do you feel youâve been able to escape this as a vintage clothing store?
I think so. Although you can still comparison shop with vintage clothes, nothing is ever going to be the same exact piece. If you find something and itâs âthe one,â you may never see it again. Sometimes there are idiosyncratic details or nuances that make it just right.
I also think weâre lucky to have a community that supports us. As a consumer myself, I try to support local and small businesses because I know those companies can easily disappear. And thatâs not great for the neighborhood. We have many customers outside of NYC, but weâre also lucky to have lots of guys in the neighborhood that enjoy shopping with us. And theyâre guys who arenât going to get on the computer to see if they can find something for ten bucks cheaper.
How do you get your stuff?
No two days are the same. There are wholesale places that sell bales of vintage clothing. So, you go and buy these dirt-cheap lots, sorted by types of clothes â sweatshirts, t-shirts, jeans, etc. But you have to buy so much junk order to get a few gems. Thatâs how you get these huge vintage stores with a ton of inventory, with racks and racks of stuff.
Our business model is the exact opposite of that. We have a very small store, which forces us to edit. I only want the gems. Which means I have to go out and source things myself, often piece-by-piece. That can mean anything from crawling around an attic to get vintage chore coats to digging around an estate sale. Sometimes Iâll follow a lead I read about; sometimes I network with other pickers around the country. The key is to always be sourcing because out of ten leads, only a few will be good.
You network with other vintage sellers?
Yea, it helps to have people out there who can tell you when theyâve found something, but arenât in your specific market. I once met an antique dealer at a flea market who had a stack of old work clothes. I bought the jackets and told him I had a vintage clothing store in Brooklyn. So, we traded info.
A few weeks later, he called me out of the blue and told me he found an old, boarded up mom-and-pop shoe store in Ohio that has been closed since the 1970s. Inside were hundreds of deadstock boots. He wanted to know if I was interested in buying them.Â
I was skeptical at first since sometimes things are deadstock for a reason â maybe theyâre in odd sizes, for example â but he promised they had a good size range and everything was in great condition. So, I told him I was interested. He ended up driving all the way to NYC from Ohio and we met up at my store at midnight. I bought 150 pairs of boots from his inventory. Had shoeboxes going up to the ceiling that night.
Iâm surprised those things still happen. I can imagine finding up an old boarded-up place with deadstock items in the â80s, but with the internet, it feels like anyone can offload stuff online.Â
Iâm as surprised as you are, but those pickers still exist. From a business perspective, youâre getting the best margin. Youâre getting stuff that people think is garbage, so youâre getting it for the lowest price, and then youâre able to find specialty collectors or buyers. It takes a ton of work. These people are often waking up at 3am just to find things, driving around searching for old stores, looking for hidden gems. It takes a certain kind of person.
Do you ever get people coming in off the street with an unusual find for sale?Â
Not yet, but I once got a call from Richard Press, the former President of J. Press. It was great because Iâve always been a huge fan of the company. He called and said, âI may have some clothes that will be of interest to you.â We later met up and he introduced me to a tailor that use to work for J. Press from the 1960s through â80s. It was the tailorâs personal wardrobe and he had hundreds of ties, sport coats, trousers, and deadstock shirts. It was so great to see Richardâs face light up, to see how excited he got about clothes. I feel like itâs so easy to get jaded about things, especially in the fashion industry, but Richard had this youthful excitement about him when he saw old things from his familyâs store. It was really special.
Are there things youâve picked up along the way that youâve decided to keep it yourself?
Well, I always want to give my customers the first crack. Iâve always hated those vintage stores that dangle the best stuff from the ceiling, but only for decoration. That said, Iâm an outerwear nut and NYC winters can be brutal, so I was pretty excited to get a Brownâs Beach jacket to go along with the vest. The jackets are rarer than the vest, and I was lucky to find one that fits. My 1940s USN deck jackets is also a favorite. Mine is olive; the navy one is a bit of a unicorn.
A lot of the stuff I wear, however, isnât that rare. I like madras shirts, old Brooks Brothers button-downs. I like cut-off military khakis, vintage military jungle jackets. Anything from that â60s and â70s Vietnam War era, in the OG-107 cloth. Some of those vintage military fabrics were made from a cotton-poly blend, especially in the later years, but the earlier stuff was often pure cotton. Thatâs the stuff you want because it ages in a really nice way.Â
As a guy who cleans and repairs things for his store, do you have any tips on how to clean vintage clothing?
A lot of it is common sense. Cotton things can be thrown into the wash; wool items will often need to be hand-washed or dry cleaned. A lot of what I buy is vintage workwear, so theyâre things that have been through a lot â a washing machine isnât going to hurt them. There are some things I leave behind because theyâre too raggedy, but thereâs a lot you can save with a bit of mending and cleaning.
If you find a vintage item with a musty smell, you can also spray it with a 50/ 50 mix of white vinegar and water. It helps freshen it up a bit. The vinegar smell goes away, and with it, it takes out some of the smell you occasionally find in vintage clothes.Â
For readers who are interested in trying out vintage clothing, do you think there are some pieces that are easier to wear than others?
Definitely, go with the classics. A French chore coat or a Leviâs trucker jacket. Unless youâre shopping at the very high-end of the market, buying brands such as The Real McCoys or RRL, you can often get a vintage piece thatâs cheaper and cooler than more mainstream items. Even a Leviâs trucker jacket from the 1980s is going to look better than a mainline Leviâs jacket in the same style, but new.
I also really like getting guys into bigger pants. The pendulum has swung so far into the slim-fit trend that guys can feel like itâs a revelation when they wear something fuller. Maybe a pair of fatigues isnât right for the office, but theyâre great for the weekend. For spring and summer, you can wear them with simple, canvas sneakers, such as Jack Purcells or Chuck Taylors. For fall, they look great with brown, plain-toe service boots. For me, the key to wearing fuller pants is that you donât want a break. Otherwise, they can look really messy. If you roll them up a little, you get a fuller cut without any of the bagginess.
M-65 style military jackets are also really easy to wear. 1950s and â60s military issue khakis. Denim chore coats. Especially with chore coats, if youâre not a connoisseur, youâre not going to care if a piece is from the â40s or â50s or â60s. The look is the same, which means you can come up on something that looks great, but is reasonably affordable. Again, they go great with jeans, sweatshirts, and heavy boots. They can fit a bit roomy, but I think thatâs the charm.
I know what you mean. Sometimes when the fit is too precise, especially with workwear, an outfit can seem too precious. Ethan Newton once told me how he likes vintage leather jackets because they fit in idiosyncratic ways â which is just another way of saying they donât fit perfectly. I think that can be good with certain looks.
I agree. Weâve spent so much time talking about effortless style, but sometimes guys get too worked up over details. Just put on the jacket and wear it. A lot of this is much simpler than sometimes itâs presented online. It goes back to the first day of school and wearing a jacket that makes you excited, a jacket that makes you feel cool. It can be about a feeling.
Thanks for your time, Brian.Â
Readers interested in Wooden Sleepers can visit them in Red Hook, Brooklyn or shop from their new online store. Theyâre also on Instagram and Twitter, where you can keep up with their daily happenings.Â
Oddly compelling article. Perhaps itâs all the lovely photos.
I went on a pretty good twitter rant on the subject of sexism in film industry based on my personal experience while working. Which was a reaction to these very sound tweets on the subject. Saving for prosperityÂ
Your Efforts
I flattened my feelings
And tucked them inside myself
I became your toy
You placed me back on the shelf
I forgot the lies you told me
I folded into the shape
You needed
So that I could
Touch you again
You let me go
Into the margins between
Love and security
My heart poured out
To fill the vacuum
Words crumpled inside my mouth
Tied up in longing
Your silent indifference
A collection of hurts
Pulled us apart
You said your efforts were greater
Than the sum of my therapy
How do I look forward?
Do I pretend that I do not need
Your recognition?
Iâm still working out when
The tether between us
Will break.
How do I let go
When you changed
my life so profoundly?
My boyfriend talks in his sleep and because heâs bilingual, he says some hilarious/weird/sometimes creepy shit. I ask him every morning if he remembers saying this stuff and he has no idea about any of it.Â
Here are some of my favorites:
-âBabe, can you please turn down the brightness of your skinâ -After stealing all of the blankets: âThis is my right as a humanâ -After I take the blankets back: âI donât want your freedom, America. Just blanketâ -Sometimes he just says âHello?â as if heâs answering a phone call -One night he just said âCabbageâ which is weird because he doesnât know the english word for that when heâs awake. -After spooning me: âYou have a nice buttâ -âWho is that in the corner?â (terrifying) -âWatch out for the red ladyâ (even more terrifying) -Sometimes he will say things in German and it sounds like heâs speaking Parseltongue -One time I actually think he said something in Parseltongue -One time he talked about buying a ticket to âeverywhereâ and then just said âhello?â after two minutes of silence -And my all time favorite: âThis is MY yogurt, Satanâ

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(Spec)tacular for #NYFW
The signature brand of Hipsterism in the early 2000 has finally called it quits. American Apparel is no more.
Donât cry for sex-pest CEO Dov or his advertisements styled after exploitation-porn (though a few tears for his suddenly unemployed workers), but remember AA is to thank for all brands realizing they didnât have to make T-shirts as floppy oversized tents.
(Okapi illustrations from the Field Guide; poses from actual American Apparel ads. Gross.)
Sushi catÂ
Zaynâs New Direction - GQ, September 2016
Eron

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Sheâs not there, NoĂŠ Sendas
Flower eater, Colleen Tighe