When you have a lot of emotions, people start discounting them, and that's just not fair
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@rowanemmalie
When you have a lot of emotions, people start discounting them, and that's just not fair

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“She had lived her early years as though she were waiting for something she might, but never did, become.”
— Marguerite Duras, The Ravishing of Lol Stein
“Take wrong turns. Talk to strangers. Open unmarked doors. And if you see a group of people in a field, go find out what they are doing. Do things without always knowing how they’ll turn out. You’re curious and smart and bored, and all you see is the choice between working hard and slacking off. There are so many adventures that you miss because you’re waiting to think of a plan. To find them, look for tiny interesting choices. And remember that you are always making up the future as you go.”
— Randall Munroe, xkcd: volume 0
“And that’s how you go on. You lay laughter over the dark parts. The more dark parts, the more you have to laugh. With defiance, with abandon, with hysteria, any way you can.”
— Laini Taylor, Strange the Dreamer
“‘This is the only country in the world,’ said Wednesday into the stillness, 'that worries about what it is…The rest of them know what they are. No one ever needs to go searching for the heart of Norway. Or looks for the soul of Mozambique. They know what they are.’”
— Neil Gaiman, American Gods

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“Sometimes, I feel the past and the future pressing so hard on either side that there’s no room for the present at all.”
— Evelyn Waugh (born on this day in 1903)
I am made and remade continually. - The Waves, Virginia Woolf
“She and I were storytellers. Swapping stories constituted our good times. That’s what sustained our marriage until, I guess, stories weren’t enough.”
— Adam Johnson, Fortune Smiles
“But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself, into the pure present, making us sad or teaching us vicariously…”
— Julio Cortázar, Hopscotch
“Human existence being an hallucination containing in itself the secondary hallucinations of day and night (the latter an insanitary condition of the atmosphere due to accretions of black air) it ill becomes any man of sense to be concerned at the illusory approach of the supreme hallucination known as death.”
— Flann O'Brien, The Third Policeman

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“Why am I so anxious? And then it hits me. I’m not anxious, I’m lonely. And I’m lonely in some horribly deep way and for a flash of an instant, I can see just how lonely, and how deep this feeling runs. And it scares the shit out of me to be so lonely because it seems catastrophic – seeing the car just as it hits you.”
— Augusten Burroughs, Dry
“No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die.”
— Don DeLillo, White Noise
“I’m trying to find some piece of myself that is truly me, a part that I would be willing to wear like a jewel around my neck.”
— A. M. Homes, The Safety of Objects
“Writing turns you into somebody who’s always wrong. The illusion that you may get it right someday is the perversity that draws you on.”
— Philip Roth, American Pastoral
Susana (Luis Buñuel, 1951)

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I found this and I love it so much. Compassion is so underrated these days. Spread kindness and be kind.✨
“Who has known the ocean? Neither you nor I, with our earth-bound senses, know the foam and surge of the tide that beats over the crab hiding under the seaweed of his tide pool home; or the lilt of the long, slow swells of mid-ocean, where shoals of wandering fish prey and are preyed upon […]. Nor can we know the vicissitudes of life on the ocean floor, where the sunlight, filtering through a hundred feet of water, makes but a fleeting, bluish twilight, […] where swarms of diminutive fish twinkle through the dusk like a silver rain of meteors, and eels lie in wait among the rocks. Even less is it given to man to descend those six incomprehensible miles into the recesses of the abyss, where reign utter silence and unvarying cold and eternal night. […] Increasing with every foot of depth, enormous pressures reach, three thousand fathoms down, the inconceivable magnitude of three tons to every square inch of surface. In these silent deeps a glacial cold prevails, a bleak iciness which never varies, summer or winter, years melting into centuries, and centuries into ages of geologic time. There, too, darkness reigns – the blackness of primeval night in which the ocean came into being, unbroken, through eons of succeeding time, by the gray light of dawn. […] Preying one upon another, the abyssal creatures are ultimately dependent upon the slow rain of dead plants and animals from above. Every living thing of the ocean, plant and animal alike, returns to the water at the end of its own life span the materials that had been temporarily assembled to form its body. So there descends into the depths a gentle, never-ending rain of the disintegrating particles of what once were living creatures of the sunlit surface waters, or of those twilight regions beneath. Individual elements are lost to view, only to reappear again and again in different incarnations in a kind of material immortality.”
—
“Undersea”, from Lost Woods: The Discovered Writing of Rachel Carson, ed. Linda Lear