Kyosuke Chinai aka ćşĺ ĺ ĺŠ aka Kyosuke Tchinai (Japanese, b. 1948, Namikata Ochi, Ehime Prefecture, Japan) - çĄä˝ćéˇ ĺąąĺŽčąćă from Utopia exhibition Paintings: Acrylics on Board
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Kyosuke Chinai aka ćşĺ ĺ ĺŠ aka Kyosuke Tchinai (Japanese, b. 1948, Namikata Ochi, Ehime Prefecture, Japan) - çĄä˝ćéˇ ĺąąĺŽčąćă from Utopia exhibition Paintings: Acrylics on Board

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Exit Interview with Deborah Forde, outgoing Executive Director of the Quebec Drama Federation
By Caleigh Crow âWeâre not trying to be rebellious or provocative for the sake of it,â Anthony Kennedy says, âthis is just what makes sense to us.â Anthony Kennedy is the director and one of âŚ
The piece was assembled by the CABAL collective, and centers around the push and pull between feminism and femininity in the age of the selfie and late capitalism. We joked about how every woman must have Rosie the Riveter Girl Power professional chutzpah, otherwise youâre just not trying hard enough, but the underlying truth of that joke is what the Tragic Queens team is getting at. âBe assertive, take over in the workforce, make a lot of money, be powerful, practice positivity,â Anthony says. âWhich in some ways can be quite good, but it puts the onus on women, rather than acknowledging that the problem with the world is not women being positive enough, itâs patriarchy.â
By no means virgin territory and they know it, which is why Anthony pays due deference to the artists and authors I mentioned above, and others like Mary Beard, Anne Carson, and Maggie Nelson. CABAL use their influences to discuss contradictions of being a woman, the opportunities and disadvantages, and the extent to which women can control it all. âItâs quite simple,â Anthony explains, âthereâs a lot of reasons why women and girls are discontent with the world. Itâs not a place thatâs set up to serve them, in fact itâs quite the opposite, it can be a dangerous place and really unkind. So, itâs perfectly reasonable to respond to a world that is messing with you and to be discontent.â Tragic Queens is one such response.
By Caleigh Crow âWe donât think of the Greeks as musical theatre,â says Joseph Shragge, âeven though the choruses were sung and danced to.â Joseph sits across from me at the ubiquitous woodeâŚ
If itâs a translation then, it comes with all the quirks of trying to extract meaning from a highly representational art form: language. Joseph recounts the challenges that arose from trying to decipher two words: âthe sameâ. In the scene, Oedipus is speaking with Tiresias, whose translated line âYouâre speaking against the order of the cosmos, so speak no more, and spare me suffering the sameâ had Joseph in a tizzy. âWhatâs the same? Thereâs certain ways if you order the sentence it seems like it makes sense, but why the same? The same suffering? It means Tiresias is outside the cosmic order orâŚâ he shakes his head. âThereâs a lot of that.â
I glean that Joseph is fond of Tiresias (who doesnât love a blind prophet), from his care in determining whatâs âthe sameâ, and that he and I agree casting Leni Parker in that role is inspired. When asked what scene heâs most excited to see brought to life, Joseph answers âWhen Tiresias comes out and tells Oedipus youâre the pollution â and oh my god, that wordâŚâ he pauses to think about it. âFor now, itâs pollution. But it could be contagion,â he canât help himself, heâs a writer. He continues, âWhen Tiresias comes out and says youâre the cause of this plague, itâs such a powerful attack, revelation. That character has so much ferocity, and that is Leni Parker, and I know sheâs going to excel.â
Psychic City, August 19, 2017
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I believe that there are people who truly dislike romantic gestures, in the same way that there are people who truly dislike sweets. And itâs certainly true that a lot of what passes for âromanceâ in our broad cultural definitionâthe Jumbotron proposal, the bed covered in rose petalsâhas been neatly split from genuine emotion, like a painted eggshell blown clear of its guts. Itâs a charade of romance, a mask we give straight men to wear when theyâre frightened or confused by showing their naked face. I truly did not want that, and I still donât, and I never will. Being dragooned into acting as a partner in these romantic pageants is like having one of those dreams where youâre hauled up unprepared on stage. But attentiveness, consideration, compliments, small and large kindnesses, feeling truly loved, having someone put you first while you put them first because youâre in cahoots to make each otherâs lives easier and better: most people do like that, when itâs thoughtful and sincere. Itâs here, more than in the big gestures, that romance lives: in being actively caring and thoughtful, in a way that is reciprocal but not transactional. And yet, for most of my life, I never would have asked for or expected such a thing. Many women wouldnât, even the ones who secretly or not-so-secretly pine to be treated like a princess. Itâs one thing to fantasize about a perfect proposal or an expensive gift; thatâs high-maintenance, sure, but itâs also par for the course. Itâs asking something from a man, but primarily itâs asking him to step into an already-choreographed mating dance. But asking to be thought of, understood, prioritized: this is a request so deep it is almost unfathomable. Itâs a voracious request, the demand of the attention whore. Women talk ourselves into needing less, because weâre not supposed to want moreâor because we know we wonât get more, and we donât want to feel unsatisfied. We reduce our needs for food, for space, for respect, for help, for love and affection, for being noticed, according to what we think weâre allowed to have. Sometimes we tell ourselves that we can live without it, even that we donât want it. But itâs not that we donât want more. Itâs that we donât want to be seen asking for it. And when it comes to romance, women always, always need to ask.
Jess Zimmermann, Hunger Makes Me (via oaluz)
It is no accident that our age of hyper-capitalism is also one of aggressive âfamily values,â pursued in popular culture and legislation alike.
Homer J. Simpson is one of contemporary pop cultureâs exemplars of alienated labor. A man of considerable sloth and selfishness, he continues to clock into a job at Springfieldâs nuclear power plant that he loathes and at which he is worryingly incompetent. Why does he put up with it? In one of the seriesâ finest episodes, we learn that Homer had once had the opportunity for joyful employment at the local bowling alley. In a cruel irony, it was precisely Homerâs joy at the job that led to Margeâs pregnancy. Responsible for a child that he could not afford, he returns to the power plant. The scene is a gut-wrenching reminder of the affective logic of modern capitalism. Why does he stay? The sign that Homer fashions at his station answers in four simple words: Do It For Her.
As atomized individuals, we might prefer a life of freedom. But we are not atomized individuals. We are parents and childrenâand everyone has bills to pay. This might explain why the great utopiasâwhether imagined, as in Platoâs Republic, or real, as in Oneidaâhave sought to weaken the ties that bind parents to children. Our affective investment in our own children becomes a disinvestment in those around us, and even in ourselves. As Nikole Hannah-Jones reported in 2016 in the New York Times Magazine, even principled Brooklyn progressives lobby to maintain unequal, segregated schools when their own children are at stake. I can relate. Since having a child, I have moved to a âbetterâ school zone and begun dutifully saving up for college, all in the hope of maintaining a position of privilegeânot for myself, but for my son. This might be a moral weakness of my own, but it is shared by millions of others. And a moral weakness shared by millions is not really a weakness at all, but a politics.
It is no accident that our own age of hyper-capitalism is also one of aggressive âfamily values,â pursued in popular culture and legislation alike. Recognizing that a society of true free contract would fall apart, apologists for free-market capitalism have usually acknowledged that markets depend on unpaid labor. Consider, for instance, Margaret Thatcherâs famous remark that âthere is no such thing as society.â This is often the starting point for a pious reassertion of the values of community and politics against the atomizing individuation of market capitalism. This misses her point. âThere are individual men and women,â she continued, âand there are families.â Scratch the surface of the most hardheaded economic rationalistâThomas Malthus in the nineteenth century, Gary Becker in the twentiethâand you will find that the apparent commitment to rugged individualism is more accurately a commitment to family altruism and private relations of dependence. âDo it,â these voices intone, âfor her.â
It is still surprisingly common, in the critiques of neoliberalism that have glutted the progressive public sphere in recent years, to imagine that the withdrawal of the state leaves us atomized and alone. This blinkered view ignores the ways in which modern capitalism creates and reanimates certain forms of solidarity and love while pathologizing others. In North Carolina, for instance, legislators gutted civil rights protections for transgender individuals while simultaneously attacking minimum-wage statutes in the same bill. It is surely inadequate to presume the measure arbitrarily combined together these two policy shifts, but the precise relationship between them can be hard to ascertain. We need a theoretical model, and a historical narrative, that joins capital and culture, revealing how deregulated capitalism relies on reasserting hierarchies of gender and sexuality.
This is the analysis Melinda Cooper provides in her magisterial Family Values, a sprawling book on the history of neoliberal capitalism and the family. She covers a vast number of themes: welfare reform, deindustrialization, the AIDS crisis, incarceration, spiraling inequality, the return of religion, and the role of securitized credit markets in mortgages and student debt. These discussions bring together intellectual, political, economic, and cultural history into a satisfying, and sometimes exhilarating, unity. These familiar stories, she shows, are bound up in one overarching narrative: the installation of the nuclear family, and not the state, as the privileged site of debt, wealth transfer, and care.
For decades, scholars have explored the importance of nuclear families and unwaged labor to capitalist reproduction. What Cooper provides is a history that uncovers the laws and doctrines that structure the precarious families of the present, demonstrating that the history of gender and the family are not merely cultural artifacts, while the real work of capitalist expansion continues elsewhere. At the commanding heights of governance, the family, and not the individual, reigns supreme. To paraphrase Max Horkheimer, whoever is not prepared to talk about the family should also remain silent about neoliberalism.
The pivotal role of the family today is not new, and represents in Cooperâs telling the reappearance of an old tradition. The Poor Relief Act, passed by the British Parliament in 1601, was the first attempt to codify and formalize the political communityâs obligations to the needy. The act stipulated that the community would only step in if family members were incapable of providing relief themselves. Versions of the poor laws made their way into the United States in the colonial period, where they persisted for centuries. In the aftermath of the Civil War, for instance, the Freedmenâs Bureau, in Cooperâs words, âunceremoniously inducted [African Americans] into the poor-law tradition of legally enforceable family responsibility at the very moment that they were welcomed into the world of contractual freedom.â
In the 1930s, the role of the family evolved in ways that opened the door toward a more emancipatory politics. New Dealers insisted that the welfare of families with a male breadwinner had become a public responsibility. In place of means-tested welfare and familial responsibility for the indigent, they supported measures such as social security and unemployment relief, which have shaped the lives of American families ever since. This tradition had its problems, and was implicated in the creation of new forms of racial and gender hierarchy. One of the most pernicious features of that period, and one that remains with us, was a rigid distinction between social insurance, designed for healthy and stable families, and âwelfareâ programs like Aid to Families with Dependent Children (AFDC), designed for stigmatized or deviant populations. All the same, a generation of welfare-rights activists in the 1960s and â70s fought, with some success, to create more equitable forms of welfare, and ones that were more available to non-normative families (for instance, unmarried women with children). Even Richard Nixon supported universal health insurance and universal basic incomeâmuch of which was contained, not coincidentally, in his never-passed Family Assistance Plan.
The expansion of the welfare state, coupled with attacks on the nuclear family by feminists, gay rights activists, and other countercultural forces, generated a backlash that, in the 1970s, united neoliberal economists and a new generation of social conservatives. They found surprising common cause around opposition to inflation, depicting rising prices as a consequence of unrestrained deficit spending necessitated by the Woodstock generationâs out-of-control sexual morality and sense of entitlement. Neoliberal economists like Milton Friedman and Gary Becker shared little, intellectually, with neoconservatives like Samuel Huntington or politicians like Ronald Reagan. Yet they forged a powerful alliance, heralding a sweeping transformation of American political economy from the Reagan years to the present.
This alliance is often noted but seldom understood. Why is the religious right so infuriated by welfare and so committed to the free market? Why do neoliberal thinkers so frequently praise marriage and the family, even while disavowing any commitment to a religious notion of natural law? These questions cannot be answered, Cooper suggests, without considering the economic and moral institution of the family. Neoliberals and social conservatives understand the family differently, to be sure: neoliberals see a cluster of rational actors, social conservatives a sacred institution and buffer against the market. But for both of them the neoliberal family, by privatizing risk and deficit spending, provided an alternative to both the New Dealersâ visions of a family supported by social insurance and the new kinship models proposed by feminists, gay rights advocates, and others.
While sometimes leaving us to our own devices, neoliberalism more frequently rivets us into networks of kinship bound together by shared responsibilities for debt, illness, and care. This is obvious in our daily lives: think of the loans co-signed (or not), the college bills paid for (or not), the agonizing decisions over nursing homes. The real and imagined connection between family values and economic mobility allows for a kindred link between social inequality and family pathology. Even where the discourse of âwelfare queensâ is not present, as in the rhetoric of Barack Obama, responsible fatherhood is often viewed as more important than welfare state expansion. Welfare policy from Reagan to Obama has sought to devolve social responsibility to the family whenever possible, as symbolized by aggressive collection of child-support payments by the state (the Office of Child Support Enforcement was created in 1975).
In a post-industrial age with declining union density, wage growth no longer provides a reliable pathway to social mobilityâit must come, instead, from inherited wealth, home ownership, and higher education. Responsibility for all three, Cooper shows, generally rests on neither the individual, nor the state, but the family. The relentless assault on estate taxes has helped to ensure that family inheritance plays an increasingly important role in the perpetuation of income inequality. As Thomas Piketty has shown, if current trends continue, the role of inheritance in the near future will be as large as it was in the nineteenth century. Both Bill Clinton and George W. Bush saw family home ownership as a lynchpin of economic security, and sought to expand access through the provision of securitized credit markets. As the 2008 crisis has shown, this was a false promise.
The rise of student debt is perhaps the most chilling component of Cooperâs saga. âFor a brief moment,â Cooper writes, âthe expansion of public investment in education replaced private, family investment as a means of access to education.â Public funding of education, however, was viewed as a moral hazard by both neoliberals and social conservatives, who saw the student movement as a baleful consequence of this generous public policy. (Students, the argument went, were frittering away their collegiate lives because they were not paying for it themselves.) Ronald Reagan, who first encountered these issues as governor of California, slashed student aid in the White House, launching us toward our current, debt-soaked student body. This was a catastrophe that befell families, not individual students alone. Even though college students are legal adults, parents are often on the hook for their childrenâs loans, and many take out so-called PLUS loans, allowing them to use their own credit to pay for the education of their children. Higher education, like housing, was transformed from a public good, financed by public spending, to family obligation, financed by private debt.
The hegemony of the neoliberal family has led, predictably, to nostalgia for its New Deal predecessor, where goods like education and housing were viewed as rights, not as privileges to be ruthlessly won. This nostalgia, Cooper shows, is primarily a fixture on the progressive leftâneither neoliberals nor social conservatives are much interested in the trade unionism and social insurance of midcentury America. In her reading, progressive icons like Frances Fox Piven, Wolfgang Streeck, and even Nancy Fraser are unable to think beyond the sexual contract of the midcentury social democracy. They all provide some version of the familiar left argument that feminism, by sending women into the workforce, served as a handmaiden to neoliberalism. Their response, Cooper argues, is to criticize feminism as a mere politics of recognition and reinstate some kind of normative family order in the service of a more properly redistributive politics. Some of these assessments are more convincing than others (the treatment of Fraser, in particular, is rushed, but Cooper does unearth a remarkable call from Piven and Cloward to, in their words, âcreate a stable monogamous familyâ that would give men back their âmanhoodâ). All the same, Cooper has certainly put her finger on something important. Progressive analysts, even those sympathetic to queer and feminist perspectives, have a tendency to reaffirm the gender order that undergirded the social democratic settlement of the mid-twentieth century.
Cooper is not a prescriptive thinker, and her book leaves unclear what we might do about all of this. She is adamant, though, that nostalgia for the midcentury family is a blind alley. She is despondent that the vibrant queer activism of the 1980s became a legalistic pursuit of rightsâspecifically rights of marriage and inheritance that are at the core of the neoliberal family. The only proper response, she insists, is one that links together sexual politics and economic justice. The clearest critique of the neoliberal family today, she suggests, comes from trans politics. Like scholar-activist Dean Spade, Cooper would be critical of trans politics that sought to gain ârightsâ for transgender individuals in a liberal framework. She thus addresses and defuses the persistent, if often subterranean, concern that some progressives are worrying too much about issues of sex and identity. If anything, Cooper suggests, we are not thinking about them enough.
There is, however, a tension in Cooperâs work. On the one hand, she brilliantly shows how enmeshed we are, as political and economic agents, into the family form, and how necessary this is to the reproduction of neoliberal capitalism. On the other, she does not believe that the family itself can be a site of resistance. In fact, she criticizes Fraser because âher analysis leads inescapably to the conclusion that resistance demands the restoration of family, albeit in a more progressive, egalitarian form.â It is unclear why this is a problem, especially as Cooperâs analysis seems to lead to precisely that conclusion. It is as though Marx, after detailing the creation of the wage-labor system, did not believe that unionized labor could provide at least part of the solution. If we inhabit political and economic spaces as a family unit, then our resistance shouldâeven mustâtake a familial form as well (which is not to say that this is the only legitimate form).
What might a more progressive and egalitarian family look like? How does one imagine a family unit that would neither exclude transgender communities, on the one hand, nor reinstate gendered divisions of labor on the other? These are not entirely new questions, although they do not seem to be raised insistently today. Just as history can show us how the nuclear family was enlisted into the neoliberal project, it can show us how feminists and other family activists sought to reimagine the family bond. Many of those energies have either dissipated or been neutralized in calls for charter schools and more generous family leave policies. This, perhaps, is why Cooper mostly ignores them. Those of us already enmeshed in family life need to do better. The âBernie Broâ phenomenon, fictitious as it might have been, points to a moral and political problem that many of us face: what might it mean to be a âBernie Dadâ?

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