There’s rosemary, that’s for remembrance.

im writing one between long time childhood best friends that are EXTREMELY close and im so stuck

Since these two characters have been best friends for a long time, the confession should feel like it’s built off their history together. Maybe start with a memory that’s meaningful to both of them. It doesn’t have to be a huge, dramatic moment, something small but personal, like a time they supported each other or a running joke they’ve had forever.

For example, one of them could say something like

“Remember that time we got caught in the rain walking home from school, and you made up that ridiculous song to keep me from freaking out? I’ve been thinking about that a lot lately… and I realized that’s when I first started seeing you differently.”

When people confess their feelings, especially in a real and vulnerable way, it’s usually not in flowery language. If you try to make it too poetic or dramatic, it might feel forced. Instead, keep it honest and straightforward. They don’t need to say “I’ve loved you all along” in some grand, movie-like way. Let the confession come out more naturally, almost like they’ve been fighting it for a while and finally just have to get it off their chest.

You could have them say

“I don’t really know how to say this, and it might sound weird… but somewhere along the way, I started seeing you as more than just my best friend.”

There’s no way for this kind of confession to be totally smooth, and honestly, that’s what makes it feel more authentic. They’ve been best friends forever, so there’s going to be nerves, maybe some hesitation or stumbling over words. Lean into that awkwardness, it actually makes the moment more relatable and shows how important it is to them.

Maybe one of them starts talking, realizes they’re rambling, and tries to correct themselves. Like

“Okay, wait, that sounded dumb, let me start over. What I’m trying to say is… you mean a lot to me, more than I’ve probably ever said out loud, and it’s kind of terrifying because I don’t want to mess things up between us. But I’ve gotta be honest, this is how I feel.” The vulnerability in admitting they’re scared to ruin the friendship makes it more heartfelt and real.

This is probably the most important part! These two aren’t just falling for each other out of nowhere, they’ve built this strong, deep friendship over the years. So the confession should acknowledge how much that means to them. Make it clear that the romantic feelings don’t take away from their friendship but add to it.

You could have one of them say something like

“You’ve always been the person I turn to for everything, and that’s not gonna change, no matter what. But lately, I’ve been feeling something more, and I can’t keep pretending it’s not there. I just hope it doesn’t mess things up between us.” This way, they’re emphasizing that the friendship is still the foundation of everything, but they can’t ignore the fact that it’s evolving into something deeper.

Overall, just make sure it feels true to the characters and their relationship. Don’t feel like you have to tie it up neatly with a perfect line or a romantic kiss right away. The beauty of this kind of love confession is that it’s messy and emotional, and it should reflect the complexity of their relationship. They don’t need to have all the answers right away. Let the moment be about the honesty and the fact that they’re finally admitting something that’s been building for a while.

Maybe end with something like

Characters who’ve been told that’s why your important. Your worth something because this other person/ thing is important, and you are here solely to keep them safe.

Fundamental Laws

1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.

3. Law of Equivalent Exchange- To gain something, an equal value must be given.

5. Law of Magical Exhaustion- Using magic drains the user’s energy or life force.

Interaction and Interference

4. Law of Magical Interference- Magic can interfere with other magical effects.

6. Law of Magical Contamination- Magic can have unintended side effects.

8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.

Resonance and Conditions

7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.

9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.

11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.

Balance and Consequences

10. Law of Magical Balance- Every positive magical effect has a negative consequence.

12. Law of Magical Limitation- Magic has limits and cannot solve every problem.

14. Law of Magical Rebound- Misused magic can backfire on the user.

What’s their vibe on romantic love? Does your character buy into the whole “true love” thing, or are they more of a realist? Maybe they’ve been hurt before and think love’s just temporary, or maybe they’re the type who believes in the magic of it, like something out of a movie. Whatever their perspective, it’s shaped by their experiences and personality, so dive deep into why they feel the way they do.

First heartbreak, what happened and what changed? The first real heartbreak is a big deal. How did it go down for your character, and what kind of impact did it leave? Maybe they were completely crushed and it made them put up walls, or maybe they learned a valuable lesson about what they don’t want in future relationships. First heartbreaks can set the tone for how they approach love going forward, are they more cautious now, or did it make them tougher?

Do they believe in soulmates, or nah? Does your character believe there’s just one perfect person out there for everyone? Or do they think you can have many different kinds of love throughout life? Their answer says a lot about their outlook—are they hopeless romantics or more logical about relationships? And why do they believe that? Is it because of something personal, like their parents being soulmates (or the opposite)?

What traits are they attracted to? What qualities does your character find most attractive in someone else? Is it all about looks for them, or do they care more about deeper stuff, like a sense of humor, intelligence, or kindness? Maybe they’re into people who share their passions, or maybe they like someone totally different from themselves because it adds balance. Attraction is super personal, so think about what makes someone stand out to them.

What freaks them out the most in a relationship? Everyone has fears in relationships, right? For your character, what’s the scariest part? Is it being vulnerable, getting cheated on, or maybe just losing themselves in the relationship? Maybe they’re scared of being abandoned, or they worry that they’ll never be enough for their partner. Fear can drive a lot of their actions in love, so knowing what freaks them out gives insight into why they behave the way they do.

How do they handle jealousy or insecurity? Does your character get jealous easily, or are they super confident? Maybe they try to hide their jealousy, but it shows up in small ways. Or maybe they’re really insecure and that causes problems. Do they lash out, try to keep it cool, or straight-up talk it out with their partner? How they handle these feelings says a lot about how mature they are in relationships.

Is there a past relationship that still affects them? Even if a relationship ended, that doesn’t mean it’s completely over in their mind. Is there an ex or someone from their past that still messes with their head? Maybe they never got closure, or maybe they’re still hung up on someone who’s moved on. This can have a huge influence on how they act in current relationships, whether they’re afraid to commit or always comparing new people to the old flame.

How do they show love? What’s their love language? Are they the type to shower someone with gifts, constantly tell them how much they mean to them, or do they show love through actions, like doing little things for their partner? Maybe they’re super affectionate physically, or maybe they’re more reserved but express love in quieter, thoughtful ways. It’s important to know how they give and receive love because not everyone does it the same way.

How has their understanding of love changed? People grow and learn over time, and so should your character. Maybe they started out thinking love was all about passion and drama, but now they realize it’s more about trust and commitment. Or maybe they used to think love wasn’t for them, but now they’re open to it. Whatever the case, their experiences should shape how they see love now compared to when they were younger or less experienced.

What sacrifices have they made for love, and do they regret it? Love often comes with compromises and sacrifices. What has your character given up for someone they love? Maybe it’s something small, like time or hobbies, or maybe it’s something huge, like a dream job or even a piece of their identity. Do they think it was worth it, or do they regret it? How they handle these sacrifices shows what love means to them, are they willing to give up everything for it, or is there a line they won’t cross?

How do their culture or family views influence their ideas about relationships? Culture and family play a big role in shaping someone’s views on relationships. Does your character come from a background where marriage is super important? Are they under pressure to settle down, or maybe they’re expected to stay single until a certain age? Do they rebel against those expectations or follow them? Their family’s influence could either push them toward certain relationships or drive them in the opposite direction.

Do they have a misunderstood relationship? Maybe your character has a connection with someone that other people don’t understand. It could be a deep friendship that looks romantic from the outside, or maybe they’re in a relationship that people think is toxic, but it makes sense to them. How do they deal with people not getting it? Do they explain themselves, or do they keep it private?

How do they deal with rejection or unrequited love? No one likes being rejected, but how does your character handle it? Do they get super down about it, or are they able to move on quickly? Maybe they obsess over it and can’t let go, or maybe they act like it doesn’t bother them even though it really does. Their reaction to rejection shows how resilient they are and how they handle emotional pain.

What lesson about love are they still trying to figure out? Love is complicated, and your character doesn’t have to have it all figured out. What’s one thing they still don’t get about love? Maybe they don’t know how to fully trust someone, or they struggle with letting people in. It could be that they’re always searching for the “perfect” relationship, not realizing that perfection doesn’t exist.

Build the Emotional Tension Before the big confession, let the tension simmer between the characters. Maybe they share little glances across the room, or their hands brush accidentally but neither pulls away. Every shared laugh or lingering look should leave the reader wondering “Is this it?” When the confession finally happens, it’ll feel like the natural next step, as if both characters have been teetering on the edge of admitting their feelings for a while.

Inner Turmoil Leading Up to the Moment No one’s ever totally confident before saying, “I like you,” or “I love you.” Show the character’s inner freak-out. Maybe they’re wondering if they’re about to ruin everything, or if the other person feels the same. Let them overthink every detail, what if they mess it up? What if they say the wrong thing? This nervousness is super relatable and makes the confession way more intense and vulnerable.

Choose the Right Setting Where the confession happens can completely change the vibe. If it’s somewhere quiet and personal, like on the roof under the stars or sitting close on a couch, it adds a sense of intimacy. But maybe it’s in the middle of a party or a chaotic situation, where emotions are running high and everything’s on the line. The setting should fit the emotions—are they scared? Excited? Confused? Let the environment match their energy.

Don’t Make It Perfect Real life is messy, and confessions of love are no different. Maybe the character fumbles their words, says something awkward, or has to start over. Maybe they get interrupted, or they laugh nervously halfway through. These imperfections make the moment feel real. It’s not about saying the perfect words, it’s about what’s in their heart. Let the raw, unpolished feelings shine through.

Balance Between Show and Tell Obviously, they’re going to say something like “I love you” or “I can’t stop thinking about you,” but actions and body language speak just as loudly. Maybe their voice cracks, they shift closer without realizing it, or they can’t seem to meet the other person’s eyes. Maybe their hands are shaking, or their heart is pounding so loud they can’t hear anything else. Let those little details paint the full picture of how much this confession means.

The Other Person’s Reaction It’s not just about the person confessing, the other person’s reaction is a huge part of the scene. Are they completely shocked? Do they hesitate, or respond right away? Do they get teary-eyed or try to play it cool? The way they react adds layers to the moment. Even a pause before answering can make the scene ten times more intense. Their response shows how much they’ve been waiting for or dreading this confession too.

A ruthless character is all about the endgame. They don’t care how they get there, lying, cheating, using others, it’s all fair game as long as they win. When writing them, show how they can cut off any distractions or emotions, making decisions that others would hesitate over.

These characters don't let feelings get in the way. Compassion, guilt, regret? Nah, they don’t have time for that. Show how they can turn off their emotions and make choices purely based on logic. They’ll do things that seem heartless to everyone else, but for them, it’s just another part of the plan. It’s not that they don’t feel anything, they just choose not to.

Boundaries? What boundaries? A ruthless character doesn’t care about rules unless they can bend them to get ahead. They’ll do things no one else dares, crossing lines others are too scared to even approach. The more uncomfortable their actions make people, the more it emphasizes just how far they’re willing to go. For them, pushing limits is just another day.

They don’t act on impulse. Every move they make is planned, and every risk they take is calculated. They weigh the pros and cons before acting, and they’re always three steps ahead of everyone else. Writing a ruthless character means showing that they’ve already figured out how to win while everyone else is still trying to figure out the rules.

Hello Heather! I just finished the MLTS series and became a new fan of you! This story is truly a masterpiece! Besides, I'm really surprised to find out that you have kept writing the story for such a long time. And you're so kind and patient when answering all the readers' questions. It's so nice of you :)

I have drawn a fanart for the camping scene in chapter 32. Love the peaceful and intimate vibe in this scene. (I know Tom probably didn't have his flask here, but I still want to draw it anyway XD). And, just for fun, I added the subtitles in another version. Hope you like my little present! You are a very talented writer. I will keep anticipating the update of Always Gold. Wish you all the best!

AWWWWWWN <3 <3

That's so beautiful!!! The color composition is so soothing it warms my heart. Thank you so much <3 Life's been pretty hectic for me lately and I haven't got as much time to write as I usually did, but wonderful asks like yours are what keep my motivation to write keep going :D The camping scene in MLTS especially was one of my top 10 favorite moments so it's extra endearing to me that you would go out of your way to draw this.

And how one of those universal struggles of people, especially in the context of growing up (including but not limited to childhood) is dependence vs. independence. Wanting a hand to hold and wanting to be able to drop it at will. And how some people need to hold that hand less often than others, and how some people really don’t want to even when they really need to.

Finn and Jake get frustrated with each other and try to solve a dungeon separately, only to be met at every turn with a challenge that they can’t face without the other. Marceline travels for a thousand years and settles down here and there and picks back up because the people around her aren’t constant so she doesn’t want to be either. PB and IK each create an entire kingdom because they’re lonely, and neither of them feel whole because, just like the quarters of Ooo in Elements, living in those kingdoms is too much like living inside their own heads.

Every episode of Distant Lands is about characters who both resent and long for the versions of themselves they used to be— the versions who needed other people, the versions who could still insist they didn’t — and have to reconcile with the fact that they never really stopped being those people, but also that they can never really be those people again.

In Rick & Morty, the immediate conclusion of the existence of a multiverse is nihilistic and individualistic, that nothing makes sense, and everything is replaceable, yourself especially included. Nothing is beautiful, because nothing is unique. Consequently, the characters are all depressed, self-hating, alcoholic, or generally miserable.

On the contrary, in Fionna and Cake, the multiverse is pictured as infinite beauty and discovering opportunities. Every universe, even cheap fan-made ones, is worthy of being cherished, loved and appreciated. The characters want to fight for their universe, because they love it and despite the comparison to the others. Even when they're insane the characters can be happy, they can heal from their depression, etc.

Coincidentally, this leads Adventure Time to tackle the notion of "multiverse" much better than Rick and Morty by really exploring the possibilities it offers. In Rick and Morty different universes are mostly "same universe but everyone has a mustache" or "same universe but Morty is inherently evil" (which has consequences for the plot, but not his own universe) or "same universe but in this one Rick OOC failed an experiment and died there". Universes from Adventure Time are treated with imagination, intelligence and beauty, and even "sad" universes like the post-apocalypse one. "She didn't have a me" is a so powerful line, and the way Bubbline is pictured in this universe is so poetic, for me it crystallizes all the difference between the two shows.