Review: The Secret History
Donna Tartt’s first novel is a book I’d been meaning to read for a very long time, but for whatever reason never got round to buying. Fortunately it was given to me for my birthday (LAST DECEMBER because that’s how long it’s taken me to get ‘round to writing this review) by my old flatmate/good time gal/pizza partner Holly (ashheapsandmillionaires) who insisted I had to read it before we left university. She was right about that (though sadly not about anything else ever) because - like reading The Catcher in the Rye in your 20s or 30s and trying to relate to a character who in actual fact is relatable in no way unless you happen to be a pretentious 16-year-old boy who thinks he’s special because he has somehow broken out of the rigid masculine power structure by being “sensitive” but in actual fact just wants rewards for being a human being with thoughts and feelings - reading The Secret History when you’re not at university (or at least towards the end of high school) simply will not work.
Oh, sidenote: I really didn’t like The Catcher in the Rye, could you tell?
I had a really enjoyable time reading The Secret History; it was the first thing I turned to after a semester of nothing but Virginia Woolf and dissertation research, so reading it was a bit like having a nice lie down after doing some heavy lifting. Y’know, in that you’ve been productive and done something rewarding but then you’re…well, done. And you want a cup of tea. I feel this analogy may have gone a bit awry, but you understand.
On to a synopsis! Spoiler-free, of course. Richard, who narrates the novel, goes to a New England college and meets a bunch of edgy hipsters who really love Ancient Greece. At first he’s mainly just worried about fitting in, but then it all gets very dark and very serious and very gripping. The Secret History really has it all: fast pace, great characters, wonderful setting, thrilling plot, and some wanky cultural references. Death, sex, poetry.
It also reminded me how much I love mystery novels, which are a seriously overlooked genre in my reading habits. I raced through the first half, with its intrigue and scheming and perfect character development, and although I found the second half lost itself and its momentum a bit, I still enjoyed it enough to do something I very rarely do: I put aside the last twenty pages for a few hours to delay gratification. Adulthood, you guys.
Final Word: Like if The History Boys took a dark turn. You’re thinking Dead Poets’ Society? Think more scandalous and you’re there.

















