Iāll look after you. All right? Iām serious. I will.
let's talk about Bridgerton tea, my ask is open

ē„ę„ / Permanent Vacation
noise dept.
$LAYYYTER

Kiana Khansmith

⣠Chile in a Photography ā£
will byers stan first human second
i don't do bad sauce passes

PR's Tumblrdome
Keni
Jules of Nature
Misplaced Lens Cap

ā
"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
Sade Olutola
he wasn't even looking at me and he found me
RMH
Three Goblin Art
Show & Tell
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@rominatrix
Iāll look after you. All right? Iām serious. I will.

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from vultureās interview with mark mylod
Christmas FavoritesāChristmas Cookies
Small landscape paintings from 2016.Ā

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āI held my grief like two limp tulips. What am I allowed to have? Iām still here. Iām still hers. Iām still a body licked by stars.ā
ā āDepartureā byĀ Erika L. SĆ”nchez (via decreation)
water moment
āYouāre marrying a man fathoms beneath you⦠because you donāt want to risk being betrayed!ā

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THE ROCKY HORROR PICTURE SHOW (1975) dir. Jim Sharman
Above all: donāt lose hope.
Life of Pi (2012), dir. Ang Lee
ā Cinematography by Claudio Miranda
Come on, Roman. Letās get away from these fucking Jacobins. Iāve got you. Come on, letās discuss. Hey, Dad, I⦠I know what he said, I was there, but, um, really, with Matsson calling the shots, weāre⦠weāre strung up in the town square.
āIn that final moment when Kieran found his way to the ground, that was just really intuitive. I canāt remember the stage direction that Jesse [Armstrong] had written, but it was along the lines of, you know, in this moment of desolation and defeat that they have each other. That was the moment of hope for me and the actors responded to that⦠Kieranās instinct was to go to ground there and Jeremyās was to support him, as his brother had done for him.ā
Youāre not a real person. Youāre not real.

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Mheer, the Netherlands
I moved on. You moved on. Weāve gone down different paths for so long. We made choices. I chose Wendy. Thatās her family down there. We care about each other, you know? You know, you donāt always get the dream house, but you get awfully close.
13 GOING ON 30 2004 | dir. Gary Winick