Pretty Good
i don't do bad sauce passes
Misplaced Lens Cap
occasionally subtle
Alisa U Zemlji Chuda
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
TVSTRANGERTHINGS
Monterey Bay Aquarium
cherry valley forever

YOU ARE THE REASON
Jules of Nature
Peter Solarz

ellievsbear
DEAR READER
trying on a metaphor
ojovivo

Kaledo Art

seen from Türkiye
seen from Netherlands

seen from Türkiye
seen from United States

seen from Malaysia

seen from Russia

seen from Italy

seen from Türkiye

seen from United States
seen from United States
seen from Germany

seen from Spain

seen from Türkiye
seen from United States
seen from Sweden
seen from Germany

seen from Italy

seen from Japan
seen from Italy
seen from United States
@rockist
Pretty Good

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Frontal crest (maedate), mid-Edo period, 18th century, lacquer, gold, horsehair. Photograph by Brad Flowers © The Ann and Gabriel Barbier-Mueller Museum, Dallas. Courtesy Museum of Fine Arts, Boston
Pick two.
Pain-proof, Daehyun Kim

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Otto Dix, Masks as ruins, 1946
(via: biblioklept)
Francisco de Goya - The Bewitched Man
Robin de Lavis
Fischli and Weiss. Untitled (F/W 2/13), The Right Way, Three Sisters, Rat and Bear, Airport, Romance Love etc. 1984-1997.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
2nd postcard of 5 from my upcoming pack ~ . ~
London drawings
Jun Togawa
Annie Wu

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Richard McGuire: “Here” (2000 version)
This little-known, color version of “Here” was published in a special edition of Strapazin #59, which also acted as a catalog for the "Bubbles ‘n’ Boxes ‘n’ Beyond" exhibition (June 1st to August 19th 2000).
The exhibition (which I was lucky to attend) showcased the work of 14 artists, including a 3-D version of McGuire’s “Here” with a revolving mobile of panels distributed in a room.
Xia Xiao Wan