Roberto Makoto

"For The Miracle

Dolemite Is My Name is straight up wonderful, right up there with Ed Wood as one of my favorite biopics. Eddie Murphy’s take on the mighty Rudy Ray Moore was so good but the real standout of the film without a doubt is Mr. Wesley Snipes, with a hilarious, Oscar-worthy performance.

There’s something so strangely voyeuristic about capturing a person losing their grip on reality. Sure you feel for them but deep inside you hope their descent into madness is colorful and entertaining, or at least memorable. Censor is more than just memorable, it’s a masterpiece.

Sometimes the best thing a horror film can do is take things slow. Specially if it’s got something to show you or somewhere it wants to take you. The Blackcoat’s Daughter just took me there, like a long line of gunpowder slowly inching towards a powder keg of sorrow and damnation.

That has got to be one of the most thrilling gunfights I’ve ever seen.