The Tobacconists at Gunther, 8.4.12
RIP Scott Foust

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2025 on Tumblr: Trends That Defined the Year

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@risikopress
The Tobacconists at Gunther, 8.4.12
RIP Scott Foust

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Poster by Linus Bonduelle & Marie Quataert
Souvenirs From Imaginary Cities presents Curio Cabinet: Sòn Du MaquĂs, Marathon Man, Kuswolf, Fry Ry, 20.12. at De Zaak, Antwerp. Design by Floris Machiels. Brown riso on sun yellow paper.
Desinteresse + De Vergissing live at Blikfabriek
SteroĂŻd Patrol and Shewolff at Antwerp Music City, poster by Thomas Peeters.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Catherine Graindorge at Het Bos, poster by Emma Burel
Rufus Michielsen & Tom Volkaert — Stab Candy at Pizza Gallery Gent.
New colour: burgundy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Minami Deutsch and Weite at Het Bos, 20.11.205. Poster by Martha Maieu.
Mark Ernestus, Ndagga Rhythm Force, Prisca-Agnes Nishimwe en Frederik Meulyzer at Het Bos, 6.11.2025. Poster by Susanna Ignoli.
LA Jungle, Frog, Swells at Het Bos. Poster by Thor Daems.
10 years of Articulate at Het Bos. Poster design by Jan Komarek, font: Alice Bransten.
Stakattak, H.U.T. and Brakwater at Het Bos. Poster by Niels Goos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Noise floor by Henrik Follesø Egeland
Taking the reparation and servicing of a 1970’s tape recorder as its point of departure, Noise floor intersects the development of recording technologies with ideas of a sonic presence. With the repair manual as an informing framework, the work intermingles appropriated advertising blurbs with Follesø Egeland’s own writing; technical photography with photographic abstraction. Combining these different voices, the publication examines notions of a sonic-self, through the recording industry’s race for higher sensitivity and lower noise.