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Game of Thrones Daily

Love Begins

#extradirty
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap

祝日 / Permanent Vacation
Monterey Bay Aquarium

Janaina Medeiros

if i look back, i am lost

oozey mess

blake kathryn
hello vonnie
macklin celebrini has autism

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cherry valley forever
Lint Roller? I Barely Know Her

JBB: An Artblog!

JVL

❣ Chile in a Photography ❣

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@rimonitmd

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Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
The shot I took from our doorway last week, looking across the Manukau Harbour as the sun dipped behind Awhitu Peninsula.
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Wall have ears. They also love gossip and having your attention 🫶✨
New work by artist Dustin Yellin. ‘Melted by harps (Study for Psychogeography), 2024. Glass, epoxy, acrylic paint. 19” x 8” x 6.3”. Get art in your inbox. 🖼️📥❤️

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don’t stop talking about what’s happening
Shadi Abousada. Red Watermelon, 2023.
In the artist's words: Red watermelon has been considered one of the icons of the Palestinian struggle against occupation for decades due to its similar colors to the colors of the Palestinian flag, and it has returned to the forefront in the past amid attempts to escape censorship on social media sites.
Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs
In ‘Wharenui Harikoa,’ Lissy & Rudi Crochet a Māori ‘House of Joy’ From 5,000 Balls of Wool

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Jewel Ham - And what about it?, 2022
Anna Hüfner.
(insp.)
“I’ve seen things you people wouldn’t believe” - R. I. P Rutger Hauer
Hyperrealistic Portraits by Yasutomo Oka
Yasutomo Oka was born in the Aichi prefecture, Japan in 1983 and graduated from Tama Art University in 2006. He is so successful in hyperrealism that his paintings can’t be distinguished from photographs. While Oka says there are real-life models for the women he paints, their actual appearance is merely the starting point from which he makes alterations to arrive at the image he wants to create. For more check out his blog and Twitter.
Keep up with all your favorite artists on our Facebook page.
posted by Margaret from tu recepcja

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Miena: New Work
Miena has been featured previously in Cross Connect. Miena creates evocative and moody landscapes similar to that of Yutuu Toyoi (of 1040uu fame). She delicately balances the drawing and the motion together in exactly the right proportion so that you feel that you are in that particular place; reading a book, having some tea, and feeling the gentle breeze in your hair.
Posted by David
More unique art on Cross Connect Magazine:
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Planning and execution.