moved to truempathy

❝ I’m not great at farewells, so, uh, that’ll do, pig. ❞

❝ Is that how you say hello where you come from? ❞

❝ I’ve never hit a kid before. ❞

❝ It was my bad. I was never a very good practical joker. ❞

❝ So do you have any regrets? ❞

❝ Time to nut up or shut up! ❞

❝ Are you fucking with me? ❞

❝ I hate coconut. Not the taste, the consistency. ❞

❝ Twelve’s the new twenty. ❞

❝ You got taken hostage by a 12 year old? ❞

❝ Don’t kill me with my own gun. ❞

❝ I haven’t cried like that since Titanic. ❞

❝ Let’s play the quiet game. ❞

❝ You see? You just can’t trust anyone. The first girl I let into my life and she tries to eat me. ❞

❝ It’s amazing how quickly things can go from bad to total shit storm. ❞

❝ You are like a giant cock-blocking robot, like, developed in a secret fucking government lab. ❞

❝ You can do anything you want to a man, but do not fuck with his Cadillac! ❞

❝ Where are the fucking Twinkies? ❞

❝ FYI, I have beat wholesale ass for a whole lot less than that. ❞

❝ She’s only famous when she’s Hannah Montana! When she’s wearing the wig! ❞

❝ Oh, this is so exciting, you’re about to learn who you’re gonna call… it’s Ghostbusters. ❞

❝ Poor, fat bastard. ❞

❝ You almost knocked over your alcohol with your knife. ❞

❝ See, I told you we should have gone to Russell Crowe’s! No one listens to me! ❞

❝ Here’s the deal: I’m not easy to get along with, and I’m sensing you’re a bit of a bitch. ❞

❝ Are you one of these guys that tries to one-up everybody else’s story? ❞

❝ You wanna feel how hard I can punch? ❞

❝ Finally got to first base. Not bad for that scrawny little spit-fuck. ❞

❝ Believe it or not, Twinkies have an expiration date. ❞

❝  Hey, a little help with movin’ the couch. We’re makin’ a fort. ❞

❝ Have you ever read that book “She’s Just Not That Into You”? ❞

❝ You have just survived the zombie apocalypse and drove half way across the country… where are you gonna go? ❞

❝ Thank God for rednecks! ❞

❝ You see, that why i don’t let people close, you only get burned. ❞

❝ Where are you, you spongy, yellow, delicious bastards? ❞

Oooh!  Yes!  I love kisses.  Kisses are where it all starts ;).

Okay, first, remember that a kiss is much, much more than just lips.  It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats,  breath, voice- and most importantly, a kiss is emotions.  A kiss without emotion is just wet mushy lips stuck together.  Ew.  Gross.  The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.

Okay so:

lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other.  They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy).  If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?).  Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.

tongue- Tongues are always wet, and always warm.  They’re very versatile.  They can trace over lips, teeth, or another tongue.  They can be smooth and graceful or teasing and flicking.  When tongues are involved, there is drool.  It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P

teeth- teeth can clack together awkwardly, or teeth can bite down sensually.  A person biting their own lip is cute, a person biting another’s lips is sexy.  A person biting gently is sensual, a person biting roughly is sexual.

eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure.  Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters.  Have them do whatever you like, but don’t leave them out- give them at least a mention!

faces- Faces are what the lips are attached to.  Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax.  Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats.  Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual.  And a kiss on the lips can be all of those! <3

hands- Hands are super-important.  In order to describe a kiss, usually you want to also describe the hands.  Where are they?  Does one character have their hand behind the other’s head or back, holding them close?  Are they on someone’s shoulders pulling them near, or pushing them away?  Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.

noses- Noses are annoying.  They easily get in the way, especially for first kisses!  People have to tilt their head to one side or the other, and if they don’t, noses bump.  I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.

bodies- bodies are either close together, or far away.  Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them.  Bodies are warm or hot, they are calm or nervous, relaxed or tense.  Body language says a lot.  Is your character pulling away, or moving closer?

heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do!  A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy.  Hearts can glow, cower, or shatter.  When you really want to drive the emotions of a character home, mention the heart.

breath- To me, the most consuming part of a kiss is the breath.  The air that someone else has just breathed going deep into your lungs is very intimate.  Lips and tongues don’t have a taste, but breath does.  Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath.  Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening.  It is something that is very present and should not be left out.  A lot of writers leave breath out.  And it’s so important; it’s the most intimate part of a kiss.  Someone else is breathing into your lungs, and it’s either heaven or it’s hell.

voice- Voice conveys much, even without words.  A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh.  Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.

emotion-  Emotion is the most important- and the thing you try not to say.  You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”.  If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly.  If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder.  If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open.  Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.

Wow, that was a lot!  Gosh I hope it wasn’t too much!  Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make.  Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss!  If you want a long kiss, you need long sentences that make the reader linger.