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Sweet Seals For You, Always
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JBB: An Artblog!

Love Begins
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祝日 / Permanent Vacation
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@rgf-wallsplus

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Underpass. Northampton, July 2015.
Via roamandreno on Instagram:
Le Mime et l’Étoile (The Mime and the Star) at Puy du Fou, Les Epesses, France
Background set is a massive, physical, 30-meter-wide by 10-meter-high sequence of storefronts and house facades. The show is designed to look exactly like a 1914 silent, black-and-white movie filmed in real-time, effectively creating a giant, live-action tracking shot (a traveling camera shot) that spans a simulated distance of nearly 2 kilometers, and everything on set meticulously styled in exact shades of grey.
Puy du Fou utilizes the Naostage K automated tracking system, using hidden beacons and tags on the actors. With sets constantly moving, a powerful media server (Modulo Kinetic) recalculates the exact 3D geometry of the rolling walls millisecond by millisecond, allowing 4K projectors to seamlessly project realistic texture-like shadows moving behind window panes or flags fluttering on the buildings, perfectly locked onto the moving physical structures.

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The Story Brook Mural
You can see it at the Keller Public Library in Keller TX.
BURFORD: the Cotswold village has one of my favourite churches. It has a surprisingly sumptuous interior, with Gothic fan-vaulting, the wonderful tomb to young Lucius Cary (complete with marble skeleton underneath), amongst other remarkable tombs. It was a very wealthy parish due to the Medieval wool trade. Take a particular note of the depiction of the Walls Chocolate Viennetta folds of the robes of the reclining figures and the weight of the bodies on the carved pillows. #architecture #gothic#burford #churcharchitecture #gothicarchitecture #fanvaulting #tomb #medievalarchitecture #cotswolds (at Burford Parish Church) https://www.instagram.com/p/CRdedKYF4VV/?utm_medium=tumblr
Gas station, by 51N4E (2006).
Tirana, Albania.
© Roberto Conte (2026)

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Sven Hedin, a Swedish explorer, documented Zoroastrian Towers of Silence (dakhmas) near Tehran, Iran, around 1898. These circular, raised structures were used for excarnation, where bodies were exposed to vultures and the elements to avoid contaminating the earth.
Source

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Lara Agosti - A Grandma’s Kitchen, Measured, 2012
Tokyo, Japan. 2026.