Nexus8e

Florence Henri, Autoportrait, 1928.

1970s

A CONTEMPORARY LANDSCAPE OF A NIGHT SCENE Japan, oil on canvas, signed in Japanese, "Hakozaki Masaaki," on a label in the back with a title, meaning a landscape of Urayasu, framed, 42 x 59 7/8 overall, painting 36 1/2 x 55 in.

Joan Mitchell.

Beate Kuhn, ceramic

“My father dared to unveil white culpability, our shared role in allowing the racist terror that he had witnessed since boyhood, when the Klan marched openly by the thousands in the streets of Los Angeles. As poor Jewish immigrants, his family fled extermination in the Ukraine. He understood what hatred was. It was the subject of his earliest works. […] This should be a time of reckoning, of dialogue. These paintings meet the moment we are in today. The danger is not in looking at Philip Guston’s work, but in looking away.” - Musa Mayer

Joseph Beuys

Sterling Ruby, EXHM, 2012

Robert Rauschenberg, Castelli / Small Turtle Bowl (Cardboard), 1971 Cardboard fragments stapled on cardboard 94 1/2 × 145 × 2 in | 240 × 368.3 × 5.1 cm

Helen Frankenthaler (1928-2011) [USA] — ‘Untitled’, 1979. Acrylic on canvas (54 x 43.8 cm).

Agostino Bonalumi (1935-2013) [Italy] — ‘Marrone‘, 1964. Shaped canvas and vynil tempera (100 x 100 cm).

unknown artist

beeple-crap.com

estela sokol

Copyright ‘The World of Lygia Clark’ Cultural Association, Rio de Janeiro

Robert Rauschenberg

Mirco Marchelli Canzone in levare, 2025 Jute, white cement, white mortar, plaster, fabrics, acrylic and wax on wood panel 152 x 125 x 6 cm

Christo (b. 1935) Wrapped Couch (Project), 1973.