S4 MIRACULOUS HOLDERS
Pigella (Rose, pig miraculous)
Vesperia (zoΓ©, bee miraculous)
Polymouse (mylène, mouse miraculous)
Tigresse pourpre (juleka, tiger miraculous)
TVSTRANGERTHINGS

Origami Around
Show & Tell

β£ Chile in a Photography β£
"I'm Dorothy Gale from Kansas"
noise dept.
Misplaced Lens Cap


η₯ζ₯ / Permanent Vacation
trying on a metaphor

oozey mess

#extradirty
Jules of Nature
occasionally subtle
wallacepolsom
Alisa U Zemlji Chuda
Cosmic Funnies
hello vonnie

pixel skylines

Kaledo Art
seen from France

seen from United States
seen from China
seen from United Kingdom
seen from United Kingdom
seen from Indonesia

seen from Ireland

seen from United States

seen from Malaysia

seen from United Kingdom

seen from Singapore

seen from TΓΌrkiye

seen from Canada
seen from United Kingdom
seen from United States

seen from United States
seen from Germany
seen from Malaysia
seen from Germany

seen from Netherlands
@remsweep
S4 MIRACULOUS HOLDERS
Pigella (Rose, pig miraculous)
Vesperia (zoΓ©, bee miraculous)
Polymouse (mylène, mouse miraculous)
Tigresse pourpre (juleka, tiger miraculous)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Literally the new heroes
What do you think of Sabrina? Personally I donβt really get her character. On one hand sometimes it looks like she is a victim with ChloΓ© taking advantage of Sabrinaβs desire to help others. In Startrain especially we see that Sabrina can offer to help people who are not ChloΓ©. In the same episode we also understand that her father encourage her to βserveβ others. On the other hand she also shows approval when ChloΓ© hurt others and seems to enjoy being her βfriendβ.
Okay, stay with me, because my key point is going to sound really weird with how we see Sabrina act: Sabrina is, fundamentally, a self-centered person. I'm not talking about the kind of all-encompassing selfishness that ChloΓ© has where she feels entitled to things, so Sabrina can and will do people favors when it's easy for her to do so. In 'Startrain', helping out was as easy as pulling something out of her bag she already had. The only person Sabrina goes out of her way to help is ChloΓ©. Sabrina is a follower, handing off the burden of decision-making to ChloΓ© and just going along with whatever ChloΓ© wants. It's easy and, usually, she even benefits.
Why is Sabrina friends with ChloΓ© even though ChloΓ© treats her like crap and no one else wants to be close friends with her while she's in cahoots with ChloΓ©? Look at the perks. Both 'Evillustrator' and 'Antibug' show that Sabrina likes the things she gets while being ChloΓ©'s friend. She gets to borrow the hottest, most expensive fashion, the brooch she carries is a 'Gabriel' original and that's a gift instead of a loan. Sabrina gets manicures and gets to hang out at the luxury hotel owned by ChloΓ©'s family. She gets to feel like she's part of the school queen's court when ChloΓ© picks on their classmates and even shields Sabrina from the repercussions of participating in said bullying. That's a lot of stuff that even an adult would put up with a douchey friend for.
Then there's also the, as proven by 'Startrain', family value of being helpful and serving the community. Providing a valuable service makes you valuable, and, at least in 'Startrain', Sabrina is so well-equipped, she can answer any common need easily and quickly. And ChloΓ© needs so many things from Sabrina. She probably wouldn't pass school without Sabrina's help. Helping ChloΓ©, by this point, is probably easier than it looks because Sabrina has gotten good at anticipating her.
Sabrina could believe that the pros of being ChloΓ©'s friend outweigh the cons. The material goods, the luxuries, the power and the feeling of being irreplaceable could very well be worth being degraded and having to do ChloΓ©'s share of group projects for her. ChloΓ© and Sabrina have also been shown to have fun together, like when they're playing superheroes, so it's not like ChloΓ© is constantly making Sabrina miserable.
However, ChloΓ©'s treatment of Sabrina has been getting worse ever since she got to be Queen Bee. Ditching Sabrina and seeing her as someone she doesn't need anymore in 'Miraculer' and treating her as a servant in 'Startrain', let alone whatever is happening in season four with her locking Sabrina in her closet to do her homework for her. At this point Sabrina might be suffering from a sunk cost fallacy, where she's already sacrificed so much to be ChloΓ©'s friend, she might as well stick it out.
Sabrina gets victimized by ChloΓ©: ChloΓ© degrades her, her friendship is conditional and she constantly requires Sabrina to put in extra work. An abuse victim sticking with their abuser is never the abuse victim's fault; they've been conditioned into it by getting their self-worth cut down, but Sabrina doesn't seem to be unaware of the negative connotations of her relationship with ChloΓ©. She certainly twigged on her new dynamic with Marinette being similar in 'Evillustrator' and could opt out. In the first season, when ChloΓ© was still doing active bullying schemes before her declawing, Sabrina was often her willing accomplice, who took just as much pleasure as ChloΓ© in making all of those Adrien fangirls cry in 'Dark Cupid'.
ChloΓ© and Sabrina's relationship is toxic, that's 100% certain, but I wouldn't call Sabrina merely ChloΓ©'s victim. She is being victimized, but she's not nearly as hapless in the situation as the scene in 'Sole Crusher' makes her seem. Maybe the relationship just got flanderized as time went on, or maybe there's an in-universe explanation, like ChloΓ© directing her bullying at Sabrina as their classmates become more resistant to her tricks. Maybe the toxicity is going to keep escalating until something has to change, or maybe it's merely being used to remind us that ChloΓ© is still a bad person and she's just running out of victims.
Sabrina is actually a very classic representation of the typical follower of the queen bee character in a school drama settings: she's nasty enough not to mind bullying others, but helpful enough to not be a threat by herself. She's a follower, who probably molds herself after whoever she admires, much like Wayhem.
I really love how this show tells a story without explicitly saying so, especially with how that pertains to ChloΓ©
She canβt be redeemed yet because she doesnβt want it. She hasnβt hit rock bottom quite yet because sheβs still got support if she wants itβ¦but she doesnβt want it. Sheβs pushing everyone away and βQueen Bananaβ uses a nice parallel to show this.
Keep reading
There are plenty of posts going around about Adrien and his responses to trauma, and in light of the recent trailer @flightfoot made this great post about how Kuro Neko highlights Adrien's trauma response
But I want to explain how Marinette's actions this season are also trauma based. Which is why I'm here because you cannot tell the story without both sides.
IMPORTANT: if you like what I wrote and want to share it somewhere else, PLEASE ask me first so I can get credit and monitor the post. I have seen this post on Twitter, Instagram, YouTube, Reddit, and those are just the ones I've found or have been shared with me. I'm flattered you like my post but please ask me first. I've come across people making extremely cruel and invalidating remarks and I am trained to handle that but you might not be. Trauma is an extremely sensitive subject and needs to be handled with care and I don't want to be responsible for causing someone harm without even knowing it.
First a refresher of Mari's trauma: Pressure related to being Ladybug, Losing Master Fu (aka the only person she could trust), and most notably in this instance: Chat Blanc and recently Ephemeral (where she doesn't know what exactly went wrong, only that something did when identities were revealed)
I wanted to find an infographic that had everything I wanted but I couldn't so here's a link to the US Department of Veteran Affairs and common reactions after trauma.
Specifically, I'm looking at this list, where I've highlighted what Marinette has shown in canon since the events of Chat Blanc/S3 finale
I explain each of these with examples under the cut

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
There was no ChloΓ© BourgeoisΒ Redemption Arc
Itβs time to for me to write about the so-called βRedemption Arcβ for ChloΓ© Bourgeois, of Miraculous Ladybug infamy. Many people claim that such a thing existed. These people are wrong. While Miraculous Ladybug may provide the illusion of such an arc, thatβs all it is - an illusion. And like all illusions, it falls apart once you touch it.
Thereβs also some questionable takes in regards to exactly how responsible Marinette is meant to be for ChloΓ©βs βredemptionβ, which need to be tackled since they help feed into the illusion. And also because I find them deeply offensive. To me, personally.
A neccesary preface here is that Iβm not saying ChloΓ© is incapable of redemption. What I am saying, however, is that during seasons two and three of Miraculous Ladybug, the redemption arc people claim existed clearly did not.
Redemption 101
In the most basic sense, a redemption arc is a type of character arc where a bad character decides to stop being bad and start being good. Along the way, itβs generally accepted that they need to atone for their bad actions, and perhaps do something to reverse the damage such actions have caused. A critical component required for this to work is that the character both understands that their actions are harmful, and so decides to act in a better way.
Probably the most famous redemption arc in western animation is Zukoβs, from Avatar: The Last Airbender. Zuko begins the show as an antagonist, directly attempting to capture Aang, the Avatar and Last Airbender. Doing so will allow the Fire Nation to win the war, and also complete their genocide of the Air Nomad people. However, Zuko realises that supporting the Fire Nationβs bid for world domination is harmful to others, and himself. By the end of the series, he has rejected the worldview of his father, grandfather and great grandfather, and indeed helps Aang defeat the Firelord. Along the way, Zuko find a way to help not just Aang, but also Katara and Sokka, who are also victims of Fire Nation Imperialism. Zuko earns redemption not through the decision to be good, but by performing good, and in many cases, reparative actions.
Honestly, from this basic definition, I think itβs pretty obvious that ChloΓ© hadnβt even started the first step of a redemption arc by the time she betrays Ladybug in Miracle Queen. She never accepts her actions are wrong, makes no attempt to change them without an ulterior motive, and generally continues to do bad things for bad reasons. But in spite of this, the claims of this mythical redemption arc donβt just exist, they are considered generally accepted. Why? Itβs complicated, yet simple.
ChloΓ© Who?
On a basic level, ChloΓ© Bourgeois is fairly generic character - the βmean girlβ school bully, who torments the protagonist, Marinette Dupain-Cheng. In keeping with Miraculousβ superhero genre, ChloΓ© admires Ladybug, Marinetteβs superhero alter-ego. How ironic! Generally, ChloΓ© acts as a minor, civilian-level antagonist to Marinette, who gets in the way, while being clearly much less of a deal than Hawk Moth. However, due to the mechanics of akumatization, ChloΓ©βs actions often spiral into larger, supervillain-shaped consequences. Because while she may fit into the bully archetype, there is one thing that makes her somewhat atypical: a reach that extends far beyond the school setting.
AndrΓ© Bourgeois is his daughterβs primary enabler. As a rich person and Mayor of Paris, he has a significant amount of influence. Influence he makes freely available to ChloΓ© for basically any purpose. No grudge is too petty, no problem too small when it comes to indulging her whims, and no bridge is too big burn. Nobody who theoretically has the authority to say no to ChloΓ© actually can, because her father is implicitly approving her every action. Itβs hardly a shock that ChloΓ© is consistently terrible when she faces no consequences for her actions.
But thereβs one last piece in the ChloΓ© puzzle - Audrey Bourgeois. ChloΓ© really wants her motherβs approval, but her mother lives in another country. Audrey is also a terrible person, a character who is literally defined by her vileness. She has ChloΓ©βs attitude, and AndrΓ©βs level of influence, and like her daughter, immediately throws a tantrum when she canβt get her way. The attention Audrey gives towards her daughters is primarily negative, and thatβs when she actually pays attention to them. Thus, Audrey provides ChloΓ© with a Tragic Backstory, and some much needed Sympathy Points. This, of course, forms the foundation of the Redemption Illusion.
The thing about ChloΓ©βs relationship (or lack thereof) with her mother is while it explains her behavior, it doesnβt excuse it. The harm she inflicts is no less because of it, and many of her actions cannot be ignored due to it. I think thereβs a pretty obviously piece of bad logic here. Many characters who undergo redemption arcs are often sympathetic villains. ChloΓ© is a sympathetic villain. But that doesnβt mean that Despair Bear, the episode that introduces this sympathetic side is the start of, nor the foundation of a redemption arc. If anything, Despair Bear shows the primary reason why ChloΓ© isnβt on the path to redemption - her attempts to be βniceβ are motivated entirely to maintain her friendship with Adrien, and once she has what she wants, she immediately reverts to her normal behaviour. This theme of apparently good acts being done for selfish reasons will be repeated later.
Marinette: Victim, Not Victimizer
An important part of the Redemption Illusion is how it ultimately revolves around not just ChloΓ©, but Marinette. ChloΓ© is nothing but negative towards Marinette, but at the same time admires Ladybugβ¦ who is Marinette. This isnβt Alya style βwow look how cool and heroic she isβ style admiration, however. No, ChloΓ©, in a sense, wants to be Ladybug. First by pretending to be her, and later via the Bee Miraculous, which would seem to put her on the same level as Ladybug. But since Ladybug is Marinette, this can only lead to conflict.
While ChloΓ© has perpetrated many on-screen acts that are selfish, obnoxious and downright cruel, something that manages to slip under the radar is her pre-Origins treatment of Marinette. Sabineβs comment about how long Marinette and ChloΓ© have been in the same class indicates that the latter has been bullying the former for at least three years. This has evidently damaged Marinetteβs self-confidence, since even after being Ladybug in part one of Origins, she still thinks she canβt do it, and tries to give it up. She also doesnβt dispute Alyaβs rather hasty assessment of ChloΓ© as evil, and immediately assumes that Adrian is a bad person because heβs friends with ChloΓ©.
Marinetteβs relationship with ChloΓ© is already poisoned at the start of the show. And itβs entirely ChloΓ©βs fault. She didnβt have to bully Marinette. Being cruel to Marinette wouldnβt earn ChloΓ© her motherβs approval. All it achieves is making ChloΓ© feel better, by making Marinette suffer. Three years of bullying isnβt something you can ignore. Itβs not something Marinette can simply βget overβ, even as Ladybug. She probably hates ChloΓ©, and every drop of enmity is earned. But how can I know this all from the limited picture painted by Origins, and the glimpses into Marinetteβs pre-Ladybug life? I donβt. This isnβt something I needed to find from the text or subtext of the show. So then, how do I know?
I know because I lived it. When I was Marinetteβs age, I was bullied. A lot. It hurt. But what people donβt want to acknowledge is that being a victim of bullying doesnβt just make you sad. Itβs deeper than that. It made me angry. At the perpetrators, and the staff who let it happen, no matter how many times it was brought to their attention. Itβs took me years to realise just how much it affected me, how my aggressive behaviour in certain online spaces might be connected to it. In Marinette, I see a part of myself. So when I see people claim that Marinette is somehow to blame for ChloΓ©βs actions, that βMarinette should have given ChloΓ© a chanceβ, it makes me a little angry. If someone told me I should be responsible for making my bullies better people, Iβd tell them to fuck off.
Attempting to shift the responsibility for repairing ChloΓ©βs bad behaviour on to Marinette is simply victim blaming with extra steps. Yes, Marinette is Ladybug, hero of Paris. But Marinette is also Marinette, a long-term victim of ChloΓ©, and someone who ChloΓ© continues to try to abuse, even if the efficacy is no longer there. Itβs also not really fair to ChloΓ©, either, when you think about it. Marinette is positioned to think the worst of ChloΓ©, meaning sheβs likely to see any regression on ChloΓ©βs part as proof that the whole endevour is pointless. For ChloΓ© to escape her toxic behaviour, she needs help from someone she hasnβt caused significant damage to.
And as with the rest of the Redemption Illusion, you have to ignore a lot of the text to make the idea that Marinette is somehow to blame seem reasonable. Marinette shows more compassion to ChloΓ© than ChloΓ© does to anyone in her entirety. It simply doesnβt help, because ChloΓ© doesnβt want Ladybug to be nice to her, she wants Ladybug to accept her as an equal. And when that isnβt given, ChloΓ© isnβt above trying to take it, with disasterous results.
Bad Bee-haviour
A key point in Zukoβs redemption arc is when he joins Team Avatar. This is when he truly abandons the ideals of Fire Nation Imperialism, and chooses to work directly against them. Itβs not the end, but a midpoint. And itβs not a reward - itβs a duty, a commitment to help Aang defeat Ozai. I think itβs worth noting that Zuko actually gets weaker due to this, as he can no longer draw on his negative emotions to firebend. Only by helping Aang discover the pre-imperialism version of Firebending does he regain the ability himself. Rejecting the negative brings Zuko so far, but to be complete he must embrace a positive alternative.
ChloΓ©βs transformation into Queen Bee is her anti-Zuko moment. She doesnβt work to attain it - the Bee Miraculous is literally dropped into her path. It gives her power, yes, which she immediately abuses. Queen Bee doesnβt exist to do good, like the other four heroes at the time. No, Queen Bee exists to exalt ChloΓ©. Becoming a hero doesnβt move her to toward redemption. If anything, it moves her away from it.
It all comes back to ChloΓ©βs first act as Queen Bee. In an attempt to prove that sheβs βexceptionalβ, she transforms and tries to find a problem to solve. But when she canβt find one, she chooses to create one. By paralysing a train conductor, which ends up creating a problem she canβt solve. If it werenβt for Ladybug and Chat Noirβs timely intervention, a lot of people would have been injured, or even killed. All because ChloΓ© wanted to seem like aΒ βheroβ. Itβs an act so callous that it should have marked the end of her career as Queen Bee. Itβs instant, irrevocable proof that she canβt be trusted with a Miraculous, because she nearly murdered a bunch of people with it.
But even if you ignore the train incident, being Queen Bee clearly doesnβt make ChloΓ© better. In both Stormy Weather 2 and Miracular, her cruelty is what triggers an akumatization. In Animaestro, she forms a truce with Marinette entirely for the purpose of harassing Kagami. These are not the actions of someone trying to be a better person. Indeed, they look very much like the actions of a person who doesnβt think they need to change, and is thus continuing as usual.
Yet in spite of the lack of actual progress, Queen Bee is perhaps the keystone of the Redemption Illusion. She wants to be a hero. So it is assumed that if she wants to be a hero, she must be good. I suppose this line of argument sounds convincing, if you only consider it on the surface level. The problem is that it falls apart when you actually examine ChloΓ©βs actual behaviour after becoming Queen Bee. Which is mostly the same as her behaviour before, except sometimes she tries leveraging being Queen Bee for status or bullying. This is because her motivation for being a hero isnβt heroic - itβs selfish.
Malicious Queen
Of course, the Redemption Illusion eventually collided with reality in the form of Miracle Queen. When Hawk Moth offers her the Bee Miraculous, ChloΓ© doesnβt hesitate to take it, and is then willingly akumatized. While I do think this could have had a little more setup, itβs an action thatβs entirely in-character for ChloΓ©. Sheβs selfish, sheβs cruel, and sheβs unwilling to change. But Ladybug couldnβt be bullied or blackmailed via ChloΓ©βs normal methods. So when Hawk Moth offers her a way around Ladybugβs No, of course she takes it. She accepts akumatization because she believes that the best way to prove her superiority to Ladybug is by harming her. The same way she harmed many other characters up to this point. (Including Marinette, who is Ladybug.)
Some people attempt, in the usual poor manner, to deflect ChloΓ©βs responsibility for her actions onto Ladybug. Gotta keep that victim blame train going, I guess. The logic is that because Ladybug chose Kagami to help fight Heart Hunter for selfish reasons, ChloΓ© is magically absolved of her guilt. I canβt disagree that picking Kagami in order to break up her date with Adrien was a bad thing, but in the grand scheme of things, itβs not that bad. The fact of the matter is that Ladybug probably wasnβt going to bring back Queen Bee, no matter the situation. Itβs not her job to make ChloΓ© a better person, and itβs not her responsibility to stop ChloΓ© from making bad decisions.
Marinette made a dodgy decision because of a teenage crush and suffered massively disproportionate consequences. ChloΓ© decided to help a terrorist because she felt entitled to the Bee Miraculous, and could still go back to her incredibly privileged life afterwards. Itβs Marinette who had to live with the consequences of both their actions, becoming Guardian far earlier than she should have. A consequence that only occured because ChloΓ© decided to help Hawk Moth. Once again, Marinette is not the problem; ChloΓ© is the problem.
Ultimately, Miracle Queen is entirely in-character for ChloΓ©, because ChloΓ© has never been a good person. The Redemption Illusion persists, however, because people seem to have blended her few sympathetic traits with her occational (and temporary) good actions to create a version of ChloΓ© who doesnβt exist within the show. Along with one last act, that really isnβt as heroic as it might seem on the surface.
The One Where She Isnβt Akumatized
In Miracular, Hawk Moth tries to akumatize ChloΓ© and fails. Up to that point, akumatization had been presented as 100% effective, with no attempts to resist being successful. This is occationally used to suggest that ChloΓ© is becoming good, which ignores basically all information the show provides about akumatization.
Throughout Miraculous Ladybug, succumbing to akumatization is never considered to be an immoral act. Indeed, the reasons for akumatization vary, from completely unjustified selfish reasons, to justified selfish reasons and more community-minded reasons. But no matter what a victimβs starting intentions are, Hawk Moth twists them around until he can make them into a supervillain. People are even akumatized over stuff like βkids donβt respect panthersβ and βice cream was wrongβ, which arenβt really things you can appy a moral judgement to.
Since being akumatized is not a moral failure, it follows that resisting is not a moral success. While breaking the akumatization is impressive, with very few people achieving it, that doesnβt mean ChloΓ© gets merit points for it. Indeed, ChloΓ© resists akumatization on the basis that she believes she can still be Queen Bee. She rejects Hawk Mothβs offer not because itβs the right thing to do, but because she thinks she doesnβt need it. Which is why once it becomes clear that Ladybug wonβt be giving her the Bee Miraculous, she willing accepts akumatization.
But the real killer problem is that Sabrina is able to be akumatized into Miracular because of ChloΓ©βs actions. When Lilaβs fake Ladybug dance fails, ChloΓ© takes it out on Sabrina, in a way thatβs just, look, hereβs the exact quote:
PLAY? With you!? Who are YOU anyway? You donβt have any powers! Youβre a nobody! Iβm a superheroine, okay? Iβm Queen Bee! You and I have NOTHING in common! Go away!
Thatβs a horrible thing to say to someone, especially a friend! She explicitly ties Sabrinaβs worth (or lack thereof) to having powers. And the real kicker? This is the last thing she does before the failed akumatization. Out of context, ChloΓ© resisting akumatization might seem heroic. With this context? Itβs anything but.
The Overdue Conclusion
Ultimately, a Redemption Arc is a narrative process for developing a character. Itβs a trope, a storytelling pattern. The key element of such an arc is change. A static character cannot undergo a redemption arc (or indeed any arc), because the arc is the process of transformation, of becoming a better person. Not just on the surface, but in a fundamental way. A post redemption character is, in some ways, a different person to who they were before.
During seasons two and three of Miraculous Ladybug, ChloΓ© does not change in such a way. Sheβs just as cruel and spiteful after becoming Queen Bee as she is before. She does bad things for bad reasons. Her motivation for being Queen Bee is entirely selfish. Indeed, while there is some feeling of a divide between Marinette and Ladybug, Queen Bee is simply ChloΓ© with superpowers. And while she may be a victim of abuse from Audrey, that doesnβt mean she is excused from abusing others herself.
ChloΓ©βs tragic flaw is her desire to be exceptional, in a way that places her above other people. This is why she fails to change. In the narrative of Miraculous Ladybug, the exceptional that matters is to be exceptionally kind, exceptionally couragous, exceptionally selfless. Character traits which ChloΓ© displays sparingly and insufficently, because she believes she is above them. But without humility, there can be no change. Without change, there can no redemption. And while others might provide a catalyst for such a change, ultimately it must come from within.
The concluding point is that I still donβt think there was a ChloΓ© Bourgeois Redemption Arc, but I can sort of see how youβd fall into thinking one existed. But when you actually examine the characterβs behaviour, the illusion quickly crumbles. At this point, the whole thing has clearly taken on a life of its own beyond the source material, and is perhaps unstoppable. Will my long, somewhat rambly Tumblr post make much of a difference? Perhaps not.
But there are harmful ideas attached to it. As long as people try to make Marinette responsible for ChloΓ©βs actions, it adds, however slightly, to the notion that the abused are responsible for the actions of their abusers. In many respects, I donβt care that strongly about these particular fictional characters. Yet other people do, and in doing so I see how they distort the role of victim and victimizer, and I care about that. I understand that itβs not a big serious issue, but it matters to me. So Iβll say my piece, and move on to other thoughts.
went down an ao3 rabbit hole and this is the first time in my life iβve seen a dni against women
wwwwwwwwwwww pout
you like flowers, don't you?
The Calypse marriage is a poly one, Riftan, Maximilian and Ruth
Ruth is Asexual so he don't get in the games but he loves and is loved just as much as the other

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
seele impact
moment of birth
following my hc that rex lapis used to hold banquets between the adepti and humans and xiao often dresses up so as to avoid intimidating humans with his presence
minimal shading
quick sketch on a 10% batt. i wanted to create a sort of prince-y vibe for malik,,,

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
addicted to ryou in a ponytail :β)