$LAYYYTER
Discoholic 🪩
taylor price
Today's Document
shark vs the universe
Origami Around
almost home
Kaledo Art
Claire Keane
2025 on Tumblr: Trends That Defined the Year
Three Goblin Art
Janaina Medeiros
Xuebing Du
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
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he wasn't even looking at me and he found me
if i look back, i am lost
seen from Philippines
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@remonts
Two cigarette butts— left by you
the first time you visited my apartment. The next day
I found them, they were still there—
picking one up, I put my lips where yours had been…
*
Our not-love is like a man running down a mountain, who, if he dares to try to stop,
falls over— my hand wanted to touch your hands
because we had hands.
— Frank Bidart, from “In the Western Night”
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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from the inhabit manifesto
𝙹𝚊𝚗𝚞𝚊𝚛𝚢 𝟸𝟶, 𝟷𝟿𝟸𝟸 𝚃𝚑𝚎 𝙳𝚒𝚊𝚛𝚒𝚎𝚜 𝙾𝚏 𝙵𝚛𝚊𝚗𝚣 𝙺𝚊𝚏𝚔𝚊, 𝟷𝟿𝟷𝟺-𝟷𝟿𝟸𝟹
INTERVIEWER: When I consider what a risk it must have been to write about homosexuality when you did…
BALDWIN: You’re talking about Giovanni’s Room. Yeah, that was rough. But I had to do it to clarify something for myself.
INTERVIEWER: What was that?
BALDWIN: Where I was in the world. I mean, what I’m made of. Anyway, Giovanni’s Room is not really about homosexuality. It’s the vehicle through which the book moves. Go Tell It on the Mountain, for example, is not about a church and Giovanni is not really about homosexuality. It’s about what happens to you if you’re afraid to love anybody. Which is more interesting than the question of homosexuality.
— James Baldwin, from an interview with The Village Voice
Auguste Belloc (French, 1800–1867)
Female Nude on Chaise Lounge, 1850s
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Domenico Gnoli (1933-1970). Camicia a righe, 1966.
Christie’s
si no tenemos hogar lo construimos juntes
https://instagram.com/p/CYkg8B5tILF
Franz Wright, from God’s Silence
[Text ID: The mask was gone now, burned away / (from inside) / by God’s gaze // There was no / I, there // was no he— / finally // there was no text, only / what the words stood for; / and then // what all things stand for.]
'White Cup and Saucer' by Henri Fantin-Latour (French, 1836 - 1904)
Melanie Parke - Lemon Rider
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instagram | prints
Portrait of Mrs. Lanyin, 1936
François Kollar :: Portrét pani Lanyin | Portrait of Mrs. Lanyin, 1936. | src webumenia.sk
I HAVE NEVER LIKED THE IDEA OF SOUL MATES
IF MY LOVERS ARE MADE FOR ME BY THE WORLD I DO NOT WANT THEM FOR THE SAME REASON THAT THE WORLD MADE WHEAT BUT NOT BREAD MADE SOUND BUT NOT SONGS MADE MICHELANGELO BUT NOT HIS DAVID
I DEMAND THE LABOR OF LOVE SO THAT I MAY MAKE IT CRAFT SO THAT I MAY MAKE IT ART SO THAT I MAY MAKE IT MINE
Leaves | Lloyd Schwartz
Himani Bannerji
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Thinking about my first apartment in Portland. Text at top right reads, “I moved in during the golden hours.”
Laura Reading, Walter Crane, 1885
Oil on canvas 36 x 15 in. (91.5 x 38 cm)
