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Hi love
A lot of ppl on twt are saying not to read choices because of the use of sa and that Mary’s sa was only used as plot device, could you explain why you chose to include this in your fic?
I mean, I can, I have done this a lot and i'm a bit tired of it honestly, but
the very simple answer to this, is that, canonically, the only thing we know about Mary is that she was attacked by a bunch of death eater wannabes (Mulciber specifically) in her year
that is why Mary is attacked in Choices, it's canon.
why is it SA? because, in my experience, men, who feel entitled to respect and power, tend to use SA as a means of acquiring it.
it felt realistic to me.
i drew from a lot of experiences i have had, friends of mine have had, and just stuff that has happened around me. the way it's handled by Dumbledore, for example, is how my university handled a similar instance of girls being targeted by their male classmates
i tried to do it respectfully, i tried to make sure that it was about Mary, about her character, her experience as a Muggleborn in this society on the cusp of, essentially, a race war. I tried to make sure that James was not the hero of that story, and that Regulus wasn't able to walk away from it completely clean. I tried to make it complex.
in my opinion, people who have issues with it generally fall into two categories: 1) they are upset that James doesn't save the day. that James doesn't handle it perfectly, that he doesn't immediately cut Regulus out of his life once he realizes he was somehow involved, and therefore, they argue that I'm clearly saying that SA is somehow okay. I would hope that it is clear from Mary's chapter and her POVs that that's not what I was trying to do. I would hope that the fact that she never forgives James completely would also make that clear. And the fact that it's something both Regulus and James are haunted by until they die. i didn't want James to automatically know how to handle that situation, because he's a teenage boy, and i think he can care about Mary and still struggle with cutting Regulus off. like i don't know what other people's experiences are, but it is in fact very difficult to accept that the people you love can do bad things. it takes time. and again, i didn't want Mary's SA to be a moment for James Potter to be the hero. 2) people seem to just be upset that i wrote about SA in the first place. to which I say: fine, do not read it. but i think it is important to write about these topics. representation matters, showing how these things happen, showing how victims of SA are treated, how they feel, and process these things, how their relationships with their friends and families, and even with themselves, are altered by these experiences, i think is important. i TW all the chapters that dealt with it, i put it in the tags. if people don''t want to read about SA that is totally their prerogative, but they don't get to dictate what i do, their righteous anger is unjustified, and, quite frankly, the harassment i have gotten from them is vile and ironic since they are claiming that i am the one causing harm.
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oval still life portraits of percy shelley, mary shelley, and lord byron <3

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After reading a letter about a major upcoming school project from El. Mike fixates on a small detail and attempts to reach out to Will about it.
mike’s face right before he promises to take el to the snowball
mike’s face before telling el he loves her
he’s hesitant both times because he knows the impact those words will have and he knows he can’t take them back but he thinks el needs them in order to pull through and survive. mike and el’s relationship has been falling apart before it even started because of mike not truly wanting to dedicate himself to her romantically
Original dialogue by @doriandrifting
#same energy
POST THE SCENE PLEASEE( obviously only if you want to)
Okie dokie, idk how actually interesting this will be, but this was Reg and Snape emotional bonding take one (the 1st paragraph is in the final draft and then it's all cut stuff, just so there's some context): tw homophobic language

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So, I finally watched Fast Times today and you all need to know some things!
Phoebe Cates character, Linda, has a long distance boyfriend who she seems like she is making up 90% of the time. (Similar to the Dustin and Suzie thing) She paints him and herself up on a pedestal in what seem like blatant lies. (like Mike and El for Mike especially) For example Linda claims she’s engaged but there’s no ring, she apparently sees him all the time but there seems to be no time in the film she could. Basically she seems like she’s lying to make herself seem better than she is. (like El)
At the end of the film she breaks up with him via LETTER because she feels like he doesn’t love her because he wouldn’t come to her graduation dance.
Despite crying Linda wrote the breakup letter and ends the film optimistic about her future love life.
Beyond the Mike & El stuff! This film is very Steve like it seems like a film he would love blatantly. A lot of the film is set in a mall which could’ve had some influence on S3 scenes as well. There’s bit of each character in different moments of the film. Nothing super direct parallel wise but seems like mostly set, tiny plots, and character inspo.
Sage Sohier chronicled the love of gay couples in the 1980s in her collection At Home With Themselves. Spurred by the AIDS crisis and the media representations of promiscuity and disease in the community, the project aimed to dispel stereotypes about gay love and showcase lesbian and gay couples of all ages, backgrounds and proclivities, capturing a visual that often went unseen.
“I was interested in how, as a culture, we weren’t used to looking at two men touching, and was struck by the visual novelty yet total ordinariness of these same-sex relationships. The visual ambiguity of same-sex relationships also intrigued me: were these sisters or friends or lovers or a mother and daughter?“
The photographic endeavor was also prompted by Sohier’s father. The book is dedicated to him and his partner Lee.
but like, what if instead of Regulus being a figure skater and James being a hockey player, they're figure skating partners??? And they are reluctantly pushed together because the big championship is coming up and the partners they normally skate with have been injured (or something...i'll figure it out) and so they have no choice but to work together or wait until next year (season? idk how figure skating works). And at first Regulus can't trust that James is gonna be there to catch him, but slowly, over time, they get there. And at some point they realize that while they've been building this trust and intimacy and ability to sense one another on the ice and know where they're gonna be and know how to catch them and hold them and be in sync with them - they have also fallen in love. and then they perform this exact masterpiece of a routine (also the end, look at how they act at the end! tell me Scott isn't James you can't) :
thanks for coming to my tedtalk
Regulus never wanting to sit anywhere else and James not letting him get up

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hlayk sneak
HLAYK sneak