Ride the elevators where they work,
See how the bus boy is treated,
Go into the basement of the post office and live
That world for a time, visit their rooms, you see.
*
from “I WAS A TWENTY-FOUR-YEAR-OLD SEPARATIST” by Kimberly Alidio
occasionally subtle
I'd rather be in outer space 🛸
$LAYYYTER
noise dept.

Origami Around
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
Jules of Nature
Xuebing Du
Monterey Bay Aquarium

if i look back, i am lost
Today's Document
Three Goblin Art
AnasAbdin

#extradirty
DEAR READER
cherry valley forever
sheepfilms
seen from United States

seen from United States

seen from United States
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seen from Bulgaria

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
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seen from Oman
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seen from Singapore

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seen from United States

seen from Germany
@recklessyokohama
Ride the elevators where they work,
See how the bus boy is treated,
Go into the basement of the post office and live
That world for a time, visit their rooms, you see.
*
from “I WAS A TWENTY-FOUR-YEAR-OLD SEPARATIST” by Kimberly Alidio

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Koko Taylor’s powerhouse vocals and Little Walter’s harmonica brilliance electrify the stage of the American Folk and Blues Festival in 1967.

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Harlem, New York. Photograph by Martine Barrat (1990s)
ida karpik, the wind
John Baldessari. National City, sunset, 1966

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sophie calle: take care of yourself

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ofra Lapid