To me, Din is like if a rhinestone cowboy was butch and a Scientologist π₯°π₯°
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@raginglark
To me, Din is like if a rhinestone cowboy was butch and a Scientologist π₯°π₯°

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Noble Eucalyptus Leaf Beetle (Paropsisterna nobilitata), family Chrysomelidae, Australia
photographs by Hongming Kan
There are some gems in YouTube comments
Can we talk about how pantheon weaves the exploration of grief into every aspect of its story!!!!!! Specifically, the show captures the complex nurture of grief by highlighting the different stages of grief through its individual character and how they progress throughout the story
First, you have Ellen, who represents denial. She lost her husband, David, and somewhat forces acceptance upon herself and her daughter. Even though the story picks up after Davidβs death, we see Ellenβs journey through grief when David comes back. Ellenβs acceptance of her loss is juxtaposed with denial. When her husband comes back, sheβs confused and hurt. She doesnβt want to accept heβs back because, well how could she? Sheβs lived two long painful years without him. Sheβs gone through so much, having to accept that heβs gone just for hime to come back. Sheβs terrified with the pain that comes along side embracing him. If she accepts him as alive again, she also has to accept the possibility of losing him again. She has to learn to accept the pain that accompanies love. Even though she eventually accepts David, her denial to his resurrection is still highlighted earlier on in the show.
Thereβs also Chanda. He is a not so subtle representation of the anger associated with grief. He literally burns a building and kills a family because he was blinded by his grief. He was grieving his life, and how he would never live as he once did. All of his actions are propelled by his anger over the loss of his life. He is desperately trying to achieve what he never got the chance to while he was human. Heβs trying to create the world he never got to live in. He canβt accept the way things are because heβs still stuck in his anger over his loss.
Next, thereβs Cody. He represents bargaining. He canβt accept the loss of his wife, so he does anything minimize and postpone his sadness. He doesnβt question or deny Laurie when she comes back like Ellen did with David. Rather he accepts her without a second thought. His actions arenβt solely propelled by love, but rather his avoidance to pain. Even before he knew Laurieβs upload was successful, he didnβt accept that she was gone. He still felt that she was alive and the same as she had been. When she came back, he did anything for Laurie because he didnβt want to lose her or accept that things had changed. He did everything in his power to keep things the same and try to live as he did before. When Laurie is prepared to die to spread her message to the world, he doesnβt accept losing her again. Rather, he prepares to βrebootβ her and keep thing the way the are, even though theyβre not.
Next thereβs Capsian, who represents depression. Now the thing heβs mourning is a bit different from the other characters in this analysis. He isnβt mourning the physical death of someone, but rather the death of his innocence. He found out he was a clone and that his entire life was a lie. Everything he thought he knew wasnβt real, and thatβs terrifying. While he goes through the other stages of grief, the show draws attention to the depression part of grief through Caspain. He quickly recognizes the true extent of his loss but still struggles to accept and cope with it. Thus, he is easily manipulated by Pope and throws himself into curing the flaw because to him itβs a way to avoid the looming hopelessness of his situation. Heβs lost interest and passion for the things he once cared about, and focuses on what he feels he has to do. He feels hopeless, and desperately trying to cure the flaw is his way of trying to reclaim agency. If he solves the problem, he regains some control over the hopelessness he feels.
Finally, there Maddie, who represents the complex journey to acceptance. Throughout the show, she experiences all the stages of grief. The show focuses on her journey to accepting the loss of her father and the life she once had. We watch her go through the stages of grief at her own pace and eventually come to terms with her loss. We watch her grow into the person that can eventually let her father pass. We watch her move forward despite her loss. She still is in unimaginable pain because of the death of her father, but she still keeps moving.
While all of the characters experience all the stages of grief, it feels like the show focuses on specific stages with specific characters. Pantheon displays how grief is complicated and messy, and not just some straight line. It highlights non-linear growth and how character progress and regress throughout their respective journeys with grief. It shows how grief isnβt something that it easily overcome, but rather a long and exhausting process. It shows through its main cast how each stage of grief is its own journey and hurtle to overcome. Pantheon demonstrates that even after you accept loss fully, it doesnβt take away from the immense pain loss causes you to feel. All you can do is keep moving forward.
CΕngmΓng aka θͺζ (Chinese) - Still Cold, Digital Art

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Bo Katan: You really let a blonde man talk to you like that?
Din: He's not *just* blonde, he's also an eldritch horror and my husband.
Luke, just slightly levitating and emanating vibes both chill and unsettling on an instinctual level: Sometimes I dream about the heat death of the universe :)
Din: See? Adorable.
This makes even more sense when you picture every 1 brain celled thing Dinβs done - swallowed by Krayt Dragon, brought down a Tie Fighter with his hands . . . They are a perfect pair.
Who in the Skywalker Family has the best taste in men and why is it Luke
Omg misread and thought this was about fashion and went - βDefinitely not. But thatβs nice of you to say. Taste in men, for sure - oh itβs dinluke :)β
Why is the American/European business suit standard for important, global meetings? I think itβs ugly and people should feel entitled to dress in the cultural clothing of their nationality. Clothing, formal and informal can have strong historical significance.
Also itβd be more fun if the United States attended UN meetings dressed like this.

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Would Din understand Luke's religious burdens? Or find Luke's isolation to them, and subsequent responsibility in crafting new frameworks too different from the rigidity of his own upbringing?
In most fics, this is best explored by having them FUCK with Luke blindfolded. However, Din bottoming is a deeply underrated -
if i am citizen of the country i am born in, why DOES my proof of citizenship papers require sex and or gender? i'm having big ron swonson feelings about this.
i can leanly follow and somewhat agree on name/ a unique number for filing purposes.
but why else is it the government's business mine, or what genitals my baby is born with? why can't that remain between me and the hospital/doctor? it can't be about public health, because that's a lot of preventative research based on diseases/risk mitigation and response.
"What the Jedi Code Teaches Us About Losing Everything" - Kieran Kelly
Need wolfwren fic recs (also open to more Padme/Sabe) please ππ» I love 3k and 100k fics, unfinished and even abandoned π«
Quality dialogue might be my hard line but down to explore all other grey areas for such a small ship πΈπͺ

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I know it's not Wolfwren week anymore, but here is the picture I drew for one of their banners π
I know it probably won't happen, but if that Mandalorian and Grogu movie comes out, and it doesn't end in Din and Luke walking off into the sunset together I'm going to file a complaint to dysney
your take on dinluke is the best thing ever!
Dave Filoni better take notes
they should let me write the mandalorian and grogu and this would be the ending scene