月桃脛 182/365
"I'm Dorothy Gale from Kansas"


Janaina Medeiros
Stranger Things
almost home

JVL
cherry valley forever
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline
Peter Solarz

RMH
hello vonnie
Cosmic Funnies

❣ Chile in a Photography ❣

shark vs the universe
DEAR READER

祝日 / Permanent Vacation
Claire Keane

seen from Italy
seen from Malaysia
seen from United States
seen from Greece

seen from United States
seen from United States

seen from Malaysia

seen from Türkiye

seen from Canada
seen from Germany
seen from China
seen from Malaysia
seen from United States
seen from Singapore
seen from Canada

seen from Germany

seen from Germany

seen from Malaysia
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seen from Ukraine
@rag-and-bone
月桃脛 182/365

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Eduard Gübelin. Ethiopia, The Tissisat Falls of the Blue Nile, 1960-1970.
Picture painted by Zdzisław Beksiński, 1979
Great perfect conclusion dialogue all evening in summers first thunderstorm #theorysavedmylife

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Frantz Zéphirin (born 1968, in Cap-Haitien, Haiti). He is, by his reckoning, the 24th of his father’s 48 children (born to 19 different women). Zéphirin was raised by his grandmother near her voodoo compound in Cap-Haitien before moving to Port-au-Prince at the age of 16.
As a child, Zéphirin started painting images of colonial houses in 1973 with his uncle, the Haitian master Antoine Obin, but he quickly pulled away from the stylized school of the Cap artists. Since 1987, Zéphirin has shown his work at Haiti’s Galerie Monnin.
His work is instantly recognisable by the human figures with animal heads, which represent his deep cynicism for the country’s ruling class. Zéphirin’s paintings are characterized by their bright colors, patterns and tightly packed compositions. Extremely prolific, Zéphirin is known for his powerful imagination and devastating social commentary. His inspiration comes from the country’s political history, events in the Bible and voodoo mythology. (Smithsonian)
Yo la tengo · gigposter · European Tour, 2019 · Screen printed poster. Limited to 115 copies .1 color. 250gr. recycled ibory paper.61x46cm/ 24×18″ (Münster Studio)
“Forewarned is Forearmed Love me and I will be your friend Love me love me till the end Until the occasion arises Then I will kill you.”
— Lou Reed in a poem to John Cale, 1967. From John Cale’s autobiography, What’s Welsh For Zen

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Coastal Path - Michael Porter , 2012.
British , b. 1948 -
Oil and acrylic on paper , 44 x 38 cm.
Summer school rocks! I'm studying anthropology and environmental poetry
The Jersey ShoreLine - vol 1. no. 4 (1979)
there's more to fish than canned tuna

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Persepolis, Marjane Satrapi