
@theartofmadeline
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Origami Around
EXPECTATIONS
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Claire Keane

Love Begins

izzy's playlists!
todays bird
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PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost

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RMH

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@radioactivegelatine

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¡¡Papa!! - Illustration by García Navarro for Papitu (1935)
many women are excited to get old and weird, but i have great news that it's fully possible to become weird now, before you get old. just imagine the heights of weirdness you will be able to reach in fifty years if you get started now. that's what I think
PINUP POCKET KNIFE | LISTING

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Tired, Langston Hughes
what? oh sweetheart no, you're not weirding me out at all. you're weirding me in. keep talking, freak
Carrion Crow (Corvus corone)
Walthamstow Wetlands, London, UK - 10-08-2025
Yeah i feel a little poisoned But i keep on rocking

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Lee Ufan, Pushed Up Ink, 1964
Robert Smith of The Cure in Madrid, 1987.
“Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two.”
— Zadie Smith, Feel Free
Unknown, Japanese geranium farm near Malibu Beach, 1950s This postcard shows the colorful geranium farm that used to be visible from the Pacific Coast Highway in central Malibu, just west of Malibu Creek. This was the Takahashi Geranium Farm owned and operated by a Japanese-American family from at least the 1940s to the early 1970s. Serra Retreat is visible in the distance at the right of the image. Eric Wienberg Collection of Malibu Matchbooks, Postcards, and Ephemera 0129:
“He was still too young to know that the heart’s memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.”
— Gabriel García Márquez, Love in the Time of Cholera

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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