QUIXOTIC

David Lynch, Cannes Film Festival, May 1990

textile & beadwork piece titled, "The Light Echo" by Margaret Nazon (Canadian Gwich'in First Nations artist)

Shao Fan Rabbit, 2012 oil on canvas

Anastasia Radevich 'Nigredo' heels from her Alchemy series

Alma, Silueta en Fuego, Ana Mendieta “Silueta” series 1973-1978 The “Siluetas” comprise more than 200 earth-body works that saw the artist burn, carve, and mold her silhouette into the landscapes of Iowa and Mexico. The sculptures made tangible Mendieta’s belief of the earth as goddess, rooted in Afro-Cuban Santería and the indigenous Taíno practices of her homeland. Exiled from Cuba at a young age, Mendieta said that she was “overwhelmed by the feeling of having been cast from the womb (nature).” Seeking a way to, in her words, “return to the maternal source,” she used her body to commune with sand, ice, and mud, among other natural media, as a way to “become one with the earth.” https://www.instagram.com/p/DP548ZEApP5/

Lithuanian Grass Weavings

Bjork by David LaChapelle

Rosalind Fox Solomon

Cathleen Clarke (American, 1988) - The Porch of Shadows (2024)

Gerhard Richter

Valerie Hammond (American, 1952) - Traces (Nightshade) (2019)

Small white stalagmite in the shape of a virgin in the Combel room of the Pech Merle Cave (29,000 BP), Occitania, France

Ed Ruscha in His Studio, Los Angeles, c1970s, Mike Salisbury

Bathroom, (1997) from photographer Justine Kurland's collection Girl Pictures

“Brocoh” (1998) by Aube Elléouët ☀ The shell that decided to go for a stroll

'Giochi di Luce' | © Christian Moser Marie Claire Italia (October 1991)