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Aria Aber, from Hard Damage; âStoneâ

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Ădouard Vuillard, Mme. Gillou Chez Elle (Iâaccord Parfait), c.1932-33
Oil pastel and pencil. Phoebe Roze, 2017
I like to watch that kind of banally dissatisfied married mid-30s heterosexual couple consisting of a normcore but generally self sufficient woman who has wanted a wedding and children for as long as she's been alive and a man who is a few degrees away from being a blank slate. they live in the geographic equivalent of a fish bowl. they got together because she thought he was cute and he was somewhat interested in her for reasons he couldn't articulate...but mostly thought that dating was something you were supposed to do. he's either on his phone or waiting for her instructions, not especially resentful towards his lot in life because he's never really thought about what he's wanted either way. this arrangement is usually stressful for the woman because of how inert her partner is, but she often comes from a background where she's had to take charge of household affairs anyway (it's basically the only reason they got to the point of marriage and kids). he's content to be living a life where his physical needs are met and he never has to make any decisions. he watches tiktoks with her and listens to her talk about taylor swift while fully believing that there is nothing beyond this world. until they get divorced and unlock their true personalities.
Errol Le Cain (c. 1980) â The space between âonce upon a timeâ and 'happily ever afterâ

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Antique Stained Glass Windows Italy XIX Century ebay dimanoinmano
once i told an astrology person that they should include where the ISS was in the sky when you were born and she was like thatâs stupid. okay sorry for trying to make this a tiny bit more fun
Milla Jovovich & Jeremy Irons Donna Karan S/S 2001 ph. Mikael Jansson
âThere is a cyborg hierarchy. They like us best with bionic arms and legs. They like us Deaf with hearing aids, though they prefer cochlear implants. It would be an affront to ask the Hearing to learn sign language. Instead they wish for us to lose our language, abandon our culture, and consider ourselves cured. They like exoskeletons, which none of us use. They donât count as cyborgs those of us who wear pacemakers or go to dialysis. Nor do they count those of us kept alive by machines, those of us made ambulatory by wheelchairs, those of us on biologics or antidepressants. They want us shiny and metallic and in their image.â
â Jillian Weise, "Common Cyborg" from Disability Visibility: First-Person Stories from the Twenty-first Century edited by Alice Wong. Edit: Updated. Sorry for the incorrect attribution. I didn't have a copy of the book readily available and assumed deaf authors I follow on social media were correct when they were sharing this quote. Thank you @themathomhouse for bringing this to my attention.
1930 French set of silver plated animal knife-rests by Sandoz for Gallia in the original case. From Art Nouveau & Art Deco, FB.

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Sibylle von Olfers - The Princess in the Forest, 1913
As Republicans tightened work requirements and eligibility rules for Medicaid and SNAP last year, Equifaxâs CEO openly celebrated the profit
Verifying a workersâ income for government health insurance, and Equifaxâs capture of that function, is just one illustrative component of the Rube Goldberg machine that comprises Americaâs rigorously means-tested safety net and its vulnerability to corporate capture. Complex eligibility rules and administrative hurdles to determine who deserves coverage and who does not are fractured across government agencies and jurisdictions. Many research studies, magazine spreads, and books have documented how this complexity keeps millions of eligible people from accessing billions of dollars in benefits they are entitled to â the unemployed are locked out of their unemployment insurance, the uninsured are never enrolled in their health coverage, and the hungry are denied food assistance. Vice President Harrisâ announcement of âa student loan debt forgiveness program for Pell Grant recipients who start a business that operates for three years in disadvantaged communitiesâ is perhaps the best recent caricature of how increasingly complex eligibility rules have failed to deliver for millions of Americans. And this labyrinth of eligibility rules doesnât just fail the intended beneficiaries â the administrative complexity they create presents an enormous opportunity for profit by government contractors. After the COVID-19 Public Health Emergency was ended by Congress in 2023, I led a government team at the United States Digital Service to help fix state Medicaid systems that had fallen into crisis. As we rushed to put out fires in Red and Blue states alike we encountered the same problem â entrenched government contractors like Deloitte had charged millions to build errorâprone systems that state governments had no capacity to fix. Billing by the hour, growing the complexity and incomprehensibility of these systems proved profitable. Changes that my team could make in minutes were quoted as requiring hundreds of billable hours. When we discovered that nearly 500,000 children had lost their health coverage improperly because of software errors, many system contractors were painfully slow to reinstate coverage for those children and fix the errors.
[...]
Again, new work requirements for Medicaid highlight the profits to be made from adding complexity to the safety net. Since Georgia implemented work requirements in 2020, they have spent twice as much on Deloitte consultants and administrative costs as on healthcare for people. As the other 55 states and territories are now forced to join Georgia and implement new work requirements, millions will lose their healthcare and Deloitte will cash in.
28 January 2026
MS Ferguson 6, c. 1500â1600, University of Glasgow Library, Special Collections
P.I. Telegram/ P.I. Facebook
Kurt Schwitters Hey Valentine 1947 Collage composed of watercolor and oil paint, with a variety of cut, laid and wove paper elements, laid down on cream wood-pulp laminate board, laid down on cream wove paper
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Woman Always Gets A Little Rush Out Of Telling People Most Kidnappings Are Not Done By Strangers
Dolce & Gabbana -Spring 1992 RTW