I made a Thai BL recommendations flowchart!
h

oozey mess

Jar Jar Binks Fan Club

gracie abrams
occasionally subtle

Kiana Khansmith
NASA

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Lint Roller? I Barely Know Her
taylor price
Fai_Ryy

Origami Around
π
almost home
Stranger Things
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

romaβ
KIROKAZE

#extradirty
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@qlforlovers
I made a Thai BL recommendations flowchart!

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Surely, I thought, surely there's no way Ai Girl is going to be about a woman falling in love with a robot, right? The robot even has a human doppleganger who, by virtue of behaving like a human adult and also not wearing a horrible wig, is infinitely hotter.
And surely, I thought, surely Gen isn't going to fuck the robot, right?
Gen! What are you doing to that robot?!!!
Me Mind Y, I was foolish to doubt you.
Turns out Jojo is directing PIL!
Watchlist (Week of July 13)
Currently Airing:
A Dog and a Plane [8/10] - This show continues to be extremely charming and the stakes are staying low, which is something I am very grateful for. I need a comfort show in my life.
AI Girl [3/7] - Mildly surprised by how close Gen got to fucking a robot, but after that final shot of Irene/Gen/Ai, my guess is we're moving away from that direction next week.
Don't Be Too Emotional [4/12] - Big Jane continues to demonstrate a truly psychopathic lack of empathy. Like Little Jane, I find him terrifying and compelling. That poor little fly is caught in a spider's web.
The Edge of Horizon [5/10] - A compelling mix of swoony romance and political intrigue. Poor Chat. He's mean and a dumbass of epic proportions but good lord his dad is cruel.
Lost to Light [4/?] - This is a very campy, silly satire of the Thai BL and idol industry. I'm a little confused by who the target audience for this show is, but I'm enjoying it.
Knot [3/12] - As expected, Boat and Oat are both bringing a real earnest commitment to this, for which I congratulate them. I'm impressed by the sheer amount of chemistry Boat has had with a coffee cup and now a button-down shirt.
Payback [8/10] - blah blah plot blah blah character development... in terms of nudity, anatomical specificity, and believability, this was possibly the most explicit sex scene I've seen in a Thai BL, including those from Be On Cloud. To their credit, it felt completely interwoven with (and even inextricable from) the plot and character development.
Peach and Me [2/4] - This week felt like a series of fan service vignettes.
The Fire [1/8] - I did not enjoy an hour of watching Fai being cruel and unpleasant. It also seems very out of character for the Fai that I've come to know over the past 3 series. If we don't get past this unpleasantness soon, I might need to drop this show.
Also watching:
Reset [8/10] - a.k.a. Armin vs. The League of Legendary Demon Twinks a.k.a. How I Learned to Stop Worrying and Love My Stalker. Genuinely enjoying the histrionic lakorn acting of the villains in this show. Not particularly invested in the Tada/Armin love story. It's a little too saccharine for me.
A young actor enters into an ill advised relationship with an obsessive, stalkery media executive while one or more demon twinks attempt to destroy him. Call me crazy, but is Payback kind of a Dark Reset?
No spoilers please, I'm only on episode 6 of Reset.

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Delicious, right? Yeah.
My main takeaway from House 31 with all of the One31 QL couples is that Daou, as expected, is truly incapable of maintaining more than a centimeter of space from Offroad.
House 31, Ep. 3: House of Destiny
Someone in A Dog and a Plane's wardrobe department did this for me!
Because seven years ago, they had to hide that they were together at the table and argued about it.
And now they get to make entire meals together AS BOYFRIENDS and talk about their WEDDING!
The colors (and styles) of the outfits mean things.
Impressed that ADAAP navigated so neatly around two of the dreaded late-act pitfalls: the jealousy misunderstanding and the breakup for your sake. We got a bit of both of them but they were carefully crafted for these characters and their established struggles, AND resolved quickly because after all, these are two adults that love each other very much.
Kanit could have easily been given a hair-trigger jealousy response after Lion's cheating, but he knows Toto better than that. He doesn't think for a minute that Toto is running around on him while claiming to work. Instead the "you're not good enough" voice in his brain takes a subtler route. Maybe eventually it will all become too much for Toto, he'll realize Kanit isn't worth it, and he'll leave him for Por or someone similar. Or worse, he'll wish he could while he stays with Kanit out of obligation. Isn't it better to back away now?
Meanwhile Toto, who was forced to be an adult very young (we are not gonna talk about his mother here but BOY OH BOY), knows that if he just works harder and pushes through the exhaustion, things will be okay. You know he's been doing this since he was a kid, because he didn't have any other choice. So the more stressful things get, the narrower his focus becomes: just push it further, work harder. He hears Kanit talking about his losing weight as "I need you to bulk up and get hot again." He is simply unable to hear Kanit telling him that he's enough as he is.
So they talk past each other in the airport, and thank goodness for Pailin making them get together and talk it out again, better. They still have a lot to work through: neither of them has dealt with the unworthiness beliefs that got them here in the first place. But that's why we have two more episodes.
THE PROSECUTOR'S PROPOSAL ; EPISODE 4

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AI Girl is letting Gen get surprisingly close to fucking a robot. I know Me Mind Y isn't afraid of a little heat (or a little kink for that matter) but I really didn't expect it to get this far.
I find Ai annoying. HOWEVER! I'm really into the dichotomy of Ai and Irene. Ai is built to be subservient, while Irene is powerful and in charge. Thai QL is often very built around a dominant pursuer/yielding pursued dynamic. I'm enjoying how Ai Girl plays with this trope by placing Gen smack between a powerful, dominant woman and her subservient, impressionable robot doppleganger.
I am also choosing to just fully shut off my brain and ignore the absolutely insane ethical violations happening in this show.
Love Destiny has one of the best first episodes of all time purely because they set up with a scene of these two sweet little boys promising to take good care of each other and be best friends for eternity and then it cuts to 10 years later and one of them murders an innocent woman and then the other uses a magic spell to kill him.
Absolutely iconic way to start this out I am locked in on this insane relationship dynamic
I do understand why people are focusing on other things that happened this episode, but I fear we've moved on too quickly from the fact that Phatsa is apparently already an accountant AND an assassin at 24? Very much looking forward to learning that backstory.
I can't stop thinking about this interaction on twitter about translating "mia" as "hubby" in Crazy Love, Moo Moo! There is so much going on here:
OP being grateful that the series didn't use gendered language because "it really represents more of boys love... and is more cuter"
The initial assumption that changing mia to hubby is the translating team "conforming to the global audience"
Rabsub specifying they "didn't want to misgender anyone" and identifying hubby as "a gender-appropriate equivalent that keeps the same affectionate feeling."
A lot of layers of translation, legibility, gender politics, queer worldmaking, the ways power operates through language, whether there is a dominant culture that is being catered to or subverted and how that differs when thinking of an anticipated Thai audience vs. international audience.
I've been out of academia for a long time, but in another world I'd want to write a whole thesis (or, like, at least an essay) about this.
Anyways, thanks @bletablean for the tip!
Gotta love those GagaOOLala subtitles.
[π΅ gay sigh π΅]

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Pua/Mia in translation
In Crazy Love, Moo Moo!, Hia Fu and Moo Moo are engaging in some morning pillow talk. Hia Fu says that Moo Moo has graduated from being an intern. Fu has a new position for Moo - what the subtitles translate as "hubby." What Fu actually says is "mia."
I don't speak Thai, but I've watched over 100 Thai series/movies and have picked up a few words here and there. One of the things I find interesting is the way pua/mia language is used in Thai BLs (and occasionally GLs, like Hometown Romance). These are colloquial terms for hubby/wifey that can be a sweet, informal way to refer to your significant other (married or otherwise) but when used in a sexual context can also be a euphemism for top/bottom.
Fu isn't calling Moo hubby, he's calling him wifey. In the context of this scene this seems both sweetly affirming that their relationship is serious while also having a heavy touch of sexual euphemism that doesn't quite come through with the translation "hubby."
Sometimes when mia is used in Thai BL it's translated as wifey, sometimes as hubby, husband, or boyfriend. I imagine that different translation teams have different rules for this and that it also depends on the context in which it's used in the original dialogue. Some theories for why a translator might choose hubby instead of wifey:
It seems like in English, wifey has stronger gender connotations than mia does in Thai. Translators might feel that wifey feminizes the character more than is intended in the original dialogue. What sounds like playful, sexy banter in Thai sounds more like assigning one partner as "the woman" in English.
Awareness of Western sensibilities regarding heteronormativity and gender roles in same-sex relationships. In the US, at least, queer people might joke around about butch/femme or top/bottom dynamics in ways that overlap with gender stereotypes, but defining one partner as "the husband" and the other as "the wife" might be seen as evoking outdated stereotypes.
As Thai BL's global audience grows, translators might be aware that there are more international viewers who are new to BL and/or Thai media. While mia/wifey is legible shorthand for viewers familiar with the genre, hubby might make the dialogue more accessible for a broader audience.
I'm also curious about whether the use of pua/mia in BL is primarily a function of the whole seme/uke narrative role framework or if it's something that actually shows up in real life. My light research (haphazard googling) hasn't given me much information about whether or not actual gay men in Thailand call each other pua/mia with any frequency. If this article is to be believed, "in Thai gay culture the insertive partner or fai ruk may also playfully be called a βhusbandβ (phua) while receptive partner or fai rap can be called a βwifeβ or mia," but that seems to refer to sexual euphemism specifically, whereas I've seen pua/mia also used as sweet, informal pet names in Thai BL outside of sexual contexts as well.
I hope that Crazy Love, Moo Moo gets international distribution at some point. It's not exactly groundbreaking cinema, but it's a silly, cozy little show that I think a lot of people would enjoy.
It also has a few things that I'd like to see more of in Thai BLs in general:
Unrepentant sluts
Grown ass men with facial hair as love interests
And ukes who take the lead sometimes and are gleefully trying to fuck nasty (I have a personal vendetta against the reluctant bottom trope)