mercurial and mysterious metal hand, Russia, 1960s

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mercurial and mysterious metal hand, Russia, 1960s

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Ettore Tito, Luna Crescente, 1895
Katsushika Hokusai 葛飾 北斎, Two bats flying, c. 1830-50
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To be clear, it is frustrating. It's like something is fighting for survival. And I can't explain or understand it.
There is a mask inside of me that smiles at things I shouldn't.
I don't feel guilty, it's just not objectively funny. But I laugh.
It's not funny. Still, I laugh. Ruminate for hours. Days. Why am I still smiling? Why is it still funny?
Leave it alone, I tell myself. I have to really exercise my mind. Use my discernment. Intelligence. Nothing about it makes me laugh afterwards.
I wonder if it's a mirror. A hurdle. Something for me to look at and decide what I want to do with. I feel mature.
Then I hear something. A log bounced off a tree and struck your cousin in the face. It sounded like a gunshot. He's bleeding everywhere.
And I laugh. But not at the situation, because that's not funny. The emotion. The expression. It's really not funny, but here I am. Laughing.

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Esteban Maroto
Impatience or inaction.
Anorgasmia. Ritual suicide. Spiritual imprisonment. Let your humanity slough off like shed skin. Do not rush.
André de Dienes
Do not spare your enemies.

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Aggressively wanting to "wake" someone up is rooted in trauma, and feelings of abandonment.
Mark Rothko Sketches from his Royal Vernon Line Composition Book 1946/1947 Ink on wove paper Royal: Royal / Writing (watermark) 10 1/4 x 7 1/2 in. (26.0 x 19.1 cm) Collections of Kate Rothko Prizel and Christopher Rothko. © Kate Rothko Prizel and Christopher Rothko
Johnny Appleseed, and other poems - Vachel Lindsay - 1928 - via Internet Archive
“Chapel of Skulls”
anonymous, 19th century
Wilhelm Kotarbinski

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Nobuyoshi Araki