Gauntlet Dagger
Dated: 19th century
Culture: Indian
Medium: steel
Measurements: L. 22 in. (55.9Â cm); W. 7Â 3/8 in. (18.7Â cm); Wt. 1Â lb. 14.8 oz. (873.2Â g)
Source: Copyright Š 2014 The Metropolitan Museum of Art
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Gauntlet Dagger
Dated: 19th century
Culture: Indian
Medium: steel
Measurements: L. 22 in. (55.9Â cm); W. 7Â 3/8 in. (18.7Â cm); Wt. 1Â lb. 14.8 oz. (873.2Â g)
Source: Copyright Š 2014 The Metropolitan Museum of Art

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'Bank' Dagger
Dated: circa 1800
Place of Origin: India
Measurements: overall length: 7.5inches (190mm)
Used for close quarter combat, the inside edge is very sharp, and the laminationâs and temper lines can be seen clearly on the surface of the steel. The grip is made from Elephant Ivory scales.
Apparently it is highly unusual to find one of these daggers with a scabbard, and this one is in good condition; this one features circular patterns matching the decoration on the grips. A split spine to allow the blade to be drawn in and out.
Source: Copyright Š 2014 Akaal Arms
Swiss Long DaggerÂ
Dated: early 16th century
Measurements: overall length 55.3Â cm
The dagger features a slender blade of flattened diamond section tapering to a narrow point, struck with a mark on one side, and a small hunting horn formed with a short ricasso. It has an iron hilt of characteristic type, and a guard formed with a pronounced ridge over the base, extended very slightly in a lip over the base of the blade and coming to flattened rear-swept points. The pommel is made en suite and fitted with modern wooden grip.
Source: Copyright Š 2014 Hermann Historica
A woodcut of a soldier.
Medieval Tank Warfareâ- The Hussite War Wagon,
In the early 1400âs a Czech priest named Jan Huss began to preach a theology of reform within the Catholic Church. Â Like Martin Luther 100 years later, Huss heavily criticized the corruption and abuse of church officials at the time. Â Immediately Huss gained the loyalty of a large number of followers in the Czech Kingdom and Bohemia. Â The Catholic Church declared Huss to be a heretic, excommunicated him in 1411, and ordered the Hussite movement quashed.
The Hussites formed an hasty army as Catholic kingdoms in Germany, the Holy Roman Empire, Poland, and Eastern Europe rallied to destroy the Hussite movement. Â The Hussites were badly outnumbered and outgunned, especially when their enemies were the famous Teutonic Knights. Â The Hussite Army however was drawn mostly from conscripted peasants who had little military experience. Â It didnât seem like the Hussites could stand a chance against the might of the Catholics.
With their enemies closing in the Hussites would turn to a brilliant Czech general named Jan Zizka, whose battlefield tactics would shock medieval Europe and would foretell the nature of warfare over 500 hundred years later.
Zizka knew his men could not stand alone against heavily armored knights and men-at-arms. Â To give his army an edge Zizka ordered the construction of scores of âwar wagonsâ. Â These large wagons were covered on all sides giving the men inside protection in combat, and also had portholes from which the soldiers inside could fire from. Â Zizka created two different types of wagons, âbattlewagonsâ and âinfantry carriersâ. Â Battlewagons would hold about a dozen men who were armed with crossbows, handgonnes (a primitive musket), and one or two small cannon. Â The infantry carrier would hold 2 to 3 dozen regular footsolders armed with pikes and halberds. Â The wagons were made so that they could be pushed into battle rather than pulled, thus giving the horses cover in combat.
If this sounds awesome already, how he used these wagons in battle is even more incredible. Â Zizka would order the battlewagons first. Â Like mighty armored tanks the battlewagons would bash through the enemy line, ripping gaping holes in their formations with its cannon, guns, and crossbows. Â The infantry wagons would then race in and drop their doors, allowing the infantry to rush out and storm the weakened enemy positions. Â When being attacked, Zizka ordered his wagons to form a circle, creating an improvised defensive position much like circled wagons in an Old Western movie.
Modern armored warfare doctrine today calls for similar tactics, with heavily armored tanks smashing enemy lines while mobile infantry in armored vehicles would race in to storm enemy positions.  These were the tactics that made generals like Guderian, Rommel, and Patton famous. These were also the tactics used by the US military in the Persian Gulf War and Operation Enduring Freedom. Essentially Zizka had developed armored mobile warfare 500 years before the tank and armored personnel carrier, while using Medieval technology.
In the 1420âs Jan Zizka won battle after battle, crushing every army sent to quell the Hussite Rebellion. Â In fact in his career Zizka never lost a major engagement. Â Using tactics that were 500 years ahead of their time, the enemies of the Hussiteâs did not stand a chance. Â Unfortunately neither did the Hussite movement stand a chance as well. Â At the height of their power the Hussites fell into civil war between radical and moderate factions. Â Although Zizka would lead the moderates to victory, the Hussites were greatly weakened and could not stand another attack by Catholic forces. Â A peace accord was drawn up between the Catholic Church and the Hussites, instituting some token reforms in Bohemia and the Czech Kingdom. Â Soon after in 1424 Jan Zizka would die of the black plague. Â A celebrated Czech national hero, his legacy lives on with the modern tactics and strategies of militaryâs of the world.Â

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Why a sword feels right
by Randy McCall
Many readers will have had the experience of shopping for modern, practical cutting swords, both replicas of ancient swords and modern designs. One of the most common tips given to new sword-shoppers is to pick up and try out many different swords âuntil you find one that feels right for youâ. Rarely is any explanation given for precisely what this means.
Shoppers presume it has something to do with whether the hilt is the right size for their hand, or that it has something to do with the swordâs âbalanceâ⌠whatever that is.
Some lucky few will have had the chance to handle high quality antique weapons. Â Those who have are often shocked that these blades â often of the same weight and length as the modern replica blade they use at home â have a completely different âfeelâ.
Often master blades seem lighter than than their actual weight, with a sense of âlivelinessâ (easy to rotate in the hand), and with the feeling to make almost effortless cuts or thrusts. This isnât to criticize the sword makers of today â there are master swordsmiths around the world â but to demonstrate the skill and genius of the weapon makers of old.
The basic question then is why is there a difference between how these swords feel, and how can a sword practitioner use this knowledge to their advantage? There have been a number of papers, articles and discussion threads on this topic, often delving into physics formula to define and explain mathematically how and why a sword feels, moves and strikes as it does.
One of the main resources for this will be âDynamics of Hand-Held Impact Weaponsâ by George Turner; a fairly technical exploration of the physics behind why swords handle as they do (and an indispensable resource for those interested in designing good swords). There are also several other articles, plus web forum discussion threads, which explore this area which weâll draw on.
Never fear though; weâll leave the calculations behind and focus on the practical applications. Those who wish to see the maths can check the links in the Sources section.
So, letâs start off with a few basics. Weâll presume that the swords youâre looking at are well designed, have properly sized hilt grips, etc., so we can ignore the ergonomic factors.
A sword has several physical characteristics which can affect both its feel in the hand and how it handles. Letâs take a look at these, along with examples of how you would check these while inspecting your bladeâŚ
[ CONTINUE READING⌠]
Source: Copyright Š 2014 The Art of Cutting
Hand and a Half Sword with the coat of arms of the Holstein family of Reventlow
Dated: 1563
Culture: probably North German
Measurements: overall lenght 124.5Â cm; handle lenght 22Â cm; weight: approximately 1.6kg
The dated on the blade is referring to the The Northern Seven Yearsâ War between the Kingdom of Sweden and a coalition of DenmarkâNorway, LĂźbeck and the PolishâLithuanian union. The sword was part of a collection of weapons which was sold in Denmark, GaunĂś, 1930.
The handle is composed of a wood grip with leather wrap and bell shaped pommel to act as a counter weight. The guard is simple set of straight quillons (22Â cm wide) which has also a clam shell guard.
The blade is double edged with part of the reverse side holding an edge. The blade has a single fuller on either side and is inscribed with "NEC TEMERENEC TIMIDE AD 1563" and "INTER ARMA SILENT LEGE". Close to the guard you can also find several marking on either side of the blade and also the coat of arms on one side.
Source: Copyright Š 2014 Antiques Armoury
Yet another to the wish list...
Guest post by Markus Koivisto The first season of The Nordic Historical Fencing League is over. The first Nordic (and at the same time the first international) historical fencing league has reachedâŚ
Some valuable insight into how competitions / tournaments can be used as a training tool
Franz Schmidt, or âMaster Franzâ was the most well-documented executioner of the German middle ages. His father Heinrich was a woodman from the town of Hof in Bavaria who was forced to hang three men under penalty of his own death from the margrave of Brandenburg-Kulmbach. As a result of this action, Heinrich was condemned to become a hangman for life. Under his fatherâs supervision, Franz became executioner in Bamberg at the age of 18 in the year 1573. He maintained a diary which chronicles the 361 executions and 345 other punishments he inflicted on criminals during his lifetime. This drawing in the margins of a court record is the only depiction of Franz which was rendered in his lifetime.
TYPES OF POLISH WAR SABRESÂ FROM THE 16th TO THE 18th CENTURIES, from: Wojciech ZabĹocki âCiÄcia PrawdziwÄ SzablÄ â (1989) [source]
And now sabers!

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The weapons and equipment of British warriors down the ages, from top to bottom;
Huscarl, 1066
Crusader knight, 1244
Longbowman, 1415
Yorkist Man-at-Arms, 1485
New Model Army musketeer 1645
Private, 1709
Corporal, 1815
Private, 1916
Lance Corporal, 1944
Private, 2014
Skull, found in France, with a knife still embedded it it.  The skull belonged to a Roman solider who died during the Gallic Wars, ca. 52BC. It was on display at the Museo Rocsen in Argentina. Â
The name âNothungâ (Modern German Notung = âChild of Needâ) comes from Richard Wagnerâs Ring Cycle, in which it is the sword of the hero Siegfried. The name was invented by Wagner, replacing the names for the heroâs sword found in Wagnerâs sources, the Norse Edda andVĂślsungasaga (Gram = âwrathâ) and in the medieval GermanNibelungenlied (Balmung = âdestructionâ).
Was Sehrt, Das Lehrtâ
Old German fencing adage; translated roughly as, âWhat Hurts, Teachesâ (via iamafencer)
Groundwork in HEMA
Somebody said there was no ground fighting in HEMA. The following is the result of a quick and dirty wiktenauer binge. Links and pics belowâŚ
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European Dagger
Dated: late 15th century
Culture: French
Medium: steel, bronze, bone
Measurements: H. 13Â 9/16 in. (34.5Â cm); W. 1Â 3/4 in. (4.5Â cm); D. 1Â 1/4 in. (3.2Â cm)
Source: Copyright Š 2014 The Metropolitan Museum of Art
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