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A Warhammer shaped like a fist clutching a Rondel Dagger, Germany, ca. 1450, from Fricker Auction House.
The sword of the day is the military flail.
Flails are a common weapon in fantasy media based on the European medieval period, but the weapon likely never saw widespread usage. It does have a couple of advantages over a more normal mace; it is able to attack more unpredictably, and can strike even around a shield or block. However, it has some significant drawbacks as well. That unpredictability means it is very easy for an unskilled wielder to injure themselves, rather than their enemy, and a missed swing meant a relatively long delay before they could make another attack. These drawbacks, combined with a scarcity of actual historical examples, means the flail was probably a relatively rare weapon on the battlefield.
There was one type of flail that did see widespread military usage, the grain flail.
Medieval peasant weapons were often just repurposed farm tools, and the grain flail is one such example. Because it only has a single link rather than a whole chain, or just a very short chain, as well as a very long grip, it has all the advantages of the mythical military fail, but is much easier to control.
When used for war, they were often fitted with spikes or extra weights. The spikes themselves would not have been for the purpose of stabbing into the enemy--though they would hurt--but rather likely to give the weapon more 'grip' when striking plate armor. Medieval plate armor was almost impossible to cut or stab through, making sheer kinetic force the best option for hurting the man inside. However, the smoothness and roundedness of it means that even extremely hard blows lose a lot of their kinetic force transferrence when they slide and glance off to the side. This, blunt force weapons with multiple points of contact were preferable, that's one reason why maces look like this.
and war hammers look like this
The extra points of contact give the weapon more 'grip' when it hits plate armor, so it won't glance off and less kinetic force is lost.
“Halberd”
Culture: Swiss
Date: Early 15th Century
Length: 77 3/8 inches total, with a 17 ½ inch head.
Weight: 4 lbs. 12 oz.
Credit: The Met
Info: Don’t ask me why, but the shape of this halberd head made me laugh. It looks funny.
A halberd is a type of polearm typically characterized by having an axe blade, a speartip, and a hook all on the same head. The purposes of the blade and the speartip are obvious, but the hook is meant primarily for pulling mounted soldiers off of their horses so that they can be either finished off or captured. (If he’s on a horse, he’s probably worth a good ransom, so best to take him alive.)
Since halberds, like all polearms, were typically used in large, tight troop formations, the hook could also be used by one soldier to control an enemy while his allies strike, but outside of very specific circumstances it would usually be better just to have two guys try and stab him than have one guy hold him and another stab him.

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Armor of Holy Roman Emperor Ferdinand I (1503–1564)
Gauntlets of Holy Roman Emperor Maximilian I, Lorenz Helmschmid, Steel, 1490
Etruscan Wolf Head Helmet
6th Century BC
“Steel and Bone Breastplate” Found in the Italian Peninsula, Unknown Culture, Late 6th Century [1580x1999]
Close Helmet, Metropolitan Museum of Art: Arms and Armor
Rogers Fund, 1904 Metropolitan Museum of Art, New York, NY Medium: Steel, gold
http://www.metmuseum.org/art/collection/search/21973
c1575, France

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⚜️Close Helmet in Maximilian Style, German, circa 1520.
Medium: Steel and brass Overall: 30.5 x 21.8 x 32 cm (12 x 8 9/16 x 12 5/8 in.)
🏛The Cleveland Museum of Art
- - ⚜️Закрытый шлем в стиле “Максимилиан”, Германия, около 1520 г.
Материалы: сталь, латунь Размеры: 30,5 х 21,8 х 32 см (12 х 8 9/16 х 12 5/8 дюйма)
🏛Художественный музей Кливленда (The Cleveland Museum of Art)
#cma The Cleveland Museum of Art
A basket-hilted sword, Germany third quarter of the 16th Century, length 120.5 cm.
Long, straight single-and-false-edged blade. Basket hilt with lower ring guard, straight quillons of lozenge section widening toward the ends. Heavy, cone-shaped pommel. Leather-covered wooden grip (restored). The surface shows severe corrosion, but the weapon’s beauty remains intact. The leather-covered wooden scabbard with more recent iron mounts.
CZERNY'S INTERNATIONAL AUCTION HOUSE
Sword of Justice, 1660, Art Institute of Chicago: Arms, Armor, Medieval, and Renaissance
George F. Harding Collection Size: Overall L. 105 cm (41 5/16 in.) Blade L. 82.5 cm (32 ½ in.) Wt. 4 lb. 3 oz. Medium: Wood, sharkskin, and brass
https://www.artic.edu/artworks/117088/
Pellet Crossbow, Metropolitan Museum of Art: Arms and Armor
Gift of William H. Riggs, 1913 Metropolitan Museum of Art, New York, NY Medium: Steel, wood (probably maple), gold, iron alloy
http://www.metmuseum.org/art/collection/search/33753
c1600-1650, German
Mace, 1475, Art Institute of Chicago: Arms, Armor, Medieval, and Renaissance
George F. Harding Collection Size: L. 49.2 cm (19 3/8 in.) Wt. 1 lb. 12 oz. Medium: Steeel, iron, wood, and fish skin
https://www.artic.edu/artworks/106202/
c1480-1500, German

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A beautiful example of a so-called “Eared Dagger”,
Blade Length: 8.3 in/21 cm
Venice, Italy or Spain, ca. 1500, housed at the Wallace Collection.
A gothic style Pollaxe,
OaL: 51.7 in/131.4 cm
Weight: 5.6 lbs/2.5 kg
Germany, 15th century, housed at the Château de Castelnaud.