THE TEXAS CHAIN SAW MASSACRE tobe hooper, 1974

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@ptolemaaeeaa
THE TEXAS CHAIN SAW MASSACRE tobe hooper, 1974

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Nosferatu (2024) dir. Robert Eggers
Carrie 1976, dir. Brian De Palma
I’m going to hold onto my community, friends, and loved ones as tight and as close as I can. We have to be there for each other. We are all we have, and that is the most important thing to me.
maybe i don’t need to have people know every little thing going on in my day every single day.

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body on body until i'm all gone...
My loverboy butch hat
i find it funny that conservatives try to paint me calling for the death and destruction of multi-billionaire CEOs as some radical "woke liberal" standpoint. as if that even has anything to do with politics, especially in this era of surface level circus politics. the same way they try to politicize the hurricanes or the wildfires destroying parts of america, as if climate change is somehow a red vs. blue issue. it's no secret i'm from a deeply conservative family in the sticks of florida and i still grew up hearing "i fought the law and the law won". the healthcare system has fucked each and every member of my family in a different way at one point or another, as is the case with pretty much every family in this scorched earth nation. remember when country music, the genre currently associated the heaviest with the most conservative faction of america, used to be staunchly anti-government and about sticking it to the man? remember when the coal miners, grandfathers to the "trump-er hillbillies" of appalachia that everyone loves to write off as ignorant, fought tooth and nail for unionization because the companies that were built off their labor didn't give a shit if they lived or died? since when has "upholding traditional values" gone hand in hand with... defending lawmakers and oil tycoons. my family and i complain about the same issues at the dinner table. the men in charge better hope they can keep their digital smokescreens running as long as they can because the moment the rednecks and the hippies lay down their swords long enough to realize they have the same enemy, all hell is gonna break loose.
David Lynch: The Art Life (2016)

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NOSFERATU: A SYMPHONY OF HORROR (1922) dir. F. W. Murnau NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog NOSFERATU (2024) dir. Robert Eggers
going back to tumblr queens?
Me to all my friends
how did you decide how long you wanted the songs to go on?? (such as the strings in pulldrone) i love the length but i’m curious how you decided how long you wanted it to be.
for pulldrone in particular, i just hit record, closed my eyes, and then played my hurdy gurdy until i felt the need to stop. perverts was a sandbox to really do whatever i wanted so i just did whatever felt good.
what is your favorite sound that is used on the album?
all of the base texture and brown noise that serves as the foundation for the entire project is field recordings of rushing water from three sisters island at niagara falls that i paulstretched. i had a special day there recording it and it stitches the project together so i quite like that. i also love the vocal loop on thatorchia, that was fun.

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When I was little, probably 7 or 8, I spent a summer working in the library at our church helping out the elderly woman who ran it. It was no bigger than a large broom closet but we had a notable amount of religious books for all age ranges as well as an extensive collection of cassette recordings of every Sunday sermon going back a decade or two. I'd sit in there all day helping her catalog the index cards and keep record of who had borrowed what. We wrote on index cards all day long and listened to the recorded sermons, which included the choir's worship service at the beginning. "Nearer, My God, To Thee" was always my favorite hymn by a long shot. I wanted to emulate listening to it on the tiny tape player in that little library for Perverts. It's a fond memory of mine, just wanted to share :)
this was track 8 until the week we mastered Perverts and I made 013/Thatorchia on a whim and loved it so much I called my mastering guy and told him to swap out the tracks because I thought it needed to be on the record that badly. here's the 000 rework that would have been wellwater. i still love it and didn't want it to go to waste