PInk Magic! https://www.inprnt.com/profile/tealdeal/
RMH
macklin celebrini has autism
đ
noise dept.

Kiana Khansmith
ojovivo
Cosmic Funnies
Today's Document
cherry valley forever
Claire Keane
2025 on Tumblr: Trends That Defined the Year
Misplaced Lens Cap

@theartofmadeline
EXPECTATIONS

pixel skylines
sheepfilms
hello vonnie

#extradirty

seen from Singapore

seen from TĂźrkiye
seen from United Kingdom

seen from Malaysia
seen from France
seen from United Kingdom

seen from Austria
seen from Brazil

seen from Greece

seen from Malaysia

seen from United Kingdom
seen from Colombia
seen from Malaysia

seen from TĂźrkiye
seen from United States
seen from United States

seen from TĂźrkiye
seen from Bangladesh

seen from Belarus

seen from Singapore
@pterodactylichexameter
PInk Magic! https://www.inprnt.com/profile/tealdeal/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Every once in a while I think about the fact that @mollymauk-tealeafs (AKA HIGHFAELUCIEN FOR ALL U ACOTAR PEOPLE) and I have been dating for almost a year and a half and are in the gayest relationship ever thanks to SJM of all people and I lose my shitÂ
This is some college AU gold
AND THEY WERE ROOMMATES
oh my god they were roommates
I loved your cruel prince fic! Your writing is so elegantly descriptive and artful thought out! I hope you write more of Jude and Cardan. Maybe even a follow up to wrong in the dark???
Thank you!! Itâs always a possibility that Iâll write more of them, but Iâm in the middle of campnano right now with an original wip (HADES AND PERSAPPHONE) so chances are itâll be after the end of the month. Feel free to send requests though!Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Wrong in the Dark
Literally just Jude/Cardan throne smutÂ
Jude doesnât know how they got here, just that itâs past time anyone should be in the reception hallâeven Cardanâthat they shouldnât be alone together, and they most certainly shouldnât be kissing.
Keep reading
Wrong in the Dark
Literally just Jude/Cardan throne smutÂ
Jude doesnât know how they got here, just that itâs past time anyone should be in the reception hallâeven Cardanâthat they shouldnât be alone together, and they most certainly shouldnât be kissing.
Lucien and Elain from Acotar.
Prints at my Society 6 page.
On a Wing and a Prayer
Nesta and Cassian fanart
I started this project right on the heels of these gold and black tutus, and much of the design is the same. Theyâre all the same base pattern with an eight layer net skirt and eleven piece bâŚ
New blog post up about the lead Handel costume! I go through the design and sewing process for how to make something like this

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Although one of the last finished, these were the first tutus I started for the Tribute to Handel ballet this spring! There are two of them, both identical, for the Pas de Trois role partnered withâŚ
New blog post about the process behind making these tutus. Is there a more dramatic combination than gold silk and black velvet? Probably not
The Cruel Prince: Costume Analysis
Thereâs always something raw and untamed about Holly Blackâs fair folk books and the fashion is no exception. Blackâs fair folk are (eponymously) cruel, maniacal, and oh so entertaining. Her costumes are just as rich as her characters. They embody the variety, the elegance, and the literal timelessness of the fair folk in a way that can only manifest in fashion.Â
One great way Black gets the overarching variety that creates a richness to fair folk culture is the sweeping chain of declarative statements that often open a large crowded scene. Take for example, this description relatively close to the opening of the book:Â
âThere are dozens of Folk here, crowding around the entrance to the vast throne room, where Court is being heldâlong-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crows crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armor.âÂ
The noisy, colorful scene describes the range of Folk throughout the room, in the interactions between them (the goblins holding up the ladiesâ gowns or the crows crowding the elderly womanâs shoulders), and in the variety of materials: tattered wings, gold, feathers, roses, bark, or scarab green armor. Individually theyâre compelling enough but put them all together and you see more than just the objects as individual items.
This visual diversity carries over into the vast array of dresses Jude encounters over the course of the book. Letâs start with Liriopeâs dress that Jude borrows from Lockeâs home.
Keep reading
As part of my momâs costume company, Iâve been working what feels like endless hours on the costumes for a production set to Handelâs Water and Fireworks music. We recently finishâŚ
New blog post up! I go through the details of this 18th c menâs ballet jacket, commissioned for a classical ballet Homage to Handel
what this fandom needs
more f/f
What fandom, you ask? All of them. Thereâs not enough in any fandom.
I made the mistake of rereading a regency au nessian WIP and im having Strong Inclinations to finish writing itÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Costume Analysis: acomaf Edition, Part II
Welcome to Part II of my acomaf costume analysis. If you havenât read part I, you can find that here, and if youâre all caught up, letâs get ahead to the good stuff below!Â
Weâll start off with the piece of costuming that drives me the most batty in the entire series. Feyreâs dresses! Theyâre not all that different from what she wears at the spring court and theyâre also typical of SJM.
HOW TO DESIGN A SJM DRESS:Â
Choose one of each:Â
fitted or flowy?Â
Hair loose and falling around her shoulders so her love interest can swoon or pinned up and crowned?Â
Chiffon or undetermined fabric thatâs not silk?Â
Showing off just her waist or showing off her âwomanly figureâ as a whole?Â
Now choose a color and gem directly related to her love interests tastes or style!
Congrats, you now have a SJM dress.Â
Keep reading
Costume Analysis: ACOMAF Edition (Part I)
Subjectively the best constructed book in the acotar series, A Court of Mist and Fury follows Feyre as a Newly Minted fae and her bargain with Rhysand, the high lord of the Night Court. There are a lot of similarities costume wise to book one, and you can find my post about the costumes in acotar here. Iâll only be addressing the new elements and characters, but the same root problems are present, just manifesting in different ways, which Iâll continue in a second part.
Feyreâs garb as Tamlinâs fiancee are practically identical to SJMâs ill-conceived attempts at fae fashion from acotar. Itâs just a lot of chiffon and spring colors, which really, isnât that original as far as the fae genre goes. Thereâs absolutely nothing revolutionary about putting your spring bride in a floaty pink dress.Â
Then again thereâs always the argument that it doesnât have to be revolutionary. There are plenty of romance books that rely heavily on tropes and are perfectly successful at it for their intended audience. The audience doesnât come for the worldbuilding, theyâre there for the romance. And acomaf ultimately leans towards this genre more than the fandom would like to admit.Â
So where does SJM go wrong?
My analysis of the acotar series in particular takes a ~new historicist~ perspective simply because itâs a text and not a film; what we read is up to interpretation. How we see the costumes, the appearances, depend largely on our own preconceptions about what everything already means. Even just using phrases like âfine jewelryâ rely on what we already perceive as âfine.â And obviously, I donât expect her to wax poetic about what every character is wearing. But if youâre going to describe that the jewelry is fine, why not just describe whatâs âfineâ about it? Is it that itâs made out of gold? Silver? Is it encrusted with jewels? This passes onto the costumes too. Feyre wears flowy dresses. Rhys is similarly limited to dark clothes. In avoiding specific details, or even describing details that we might consider familiar, SJM limits her audience to what they already know and picture with the assumption of âfine jewelry.â Whatâs the point of developing a fantastical world if the clothes look perfectly, well, human?Â
Keep reading