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Perfect Blue
Wow, that movie was definitely interesting to say the least. It covered a lot of disturbing and unsettling themes such as psychopathy, paranoia, and sexual assault. Despite this, it definitely told an encapsulating story of a young ex-idol girl who just wanted to pursue a different career path. Mima went through SO much because of societal stigma from her leaving her J-pop idol group. People kept labeling her as a different "Mima" or not the "real Mima" which led to her developing paranoia and seeing hallucinations. In order to pursue her acting career, she takes on some intense roles that definitely cause detrimental effects on her mental health. These affect her even more so than the societal stigma that she faces upon career change. She has to act out as the victim of a rape in a scene and to finish the film she discovers that her character kills her sister and takes her identity due to dissociative identity disorder. This parallels future events in the movie where Mima's obsessive fan "Me-Mania" attempts to rape and kill Mima after being instructed to do so by the "real" Mima. Mima eventually finds out that her manager Rumi was the one behind most of Mima's mental suffering. This is due, in part, to Rumi assuming a second personality: the "real" Mima. Rumi then tries to kill Mima before eventually hallucinating some truck's lights as stage lights. Rumi is almost killed before Mima saves her, causing Mima's hallucinations to disappear, oddly enough. I think this parallels Mima finally coming to terms with the fact that she is real, despite what everyone else says about her public image being different from what she was in the past. Overall, it was a peculiar movie, but I don't think I would personally recommend it to others lol.
This film definitely isn't for everyone but it manages to depict the harmful and harsh realities of stardom and fame in such an interesting way. It definitely keeps you on your toes and wondering what will happen next.
Perfect Blue
I am quite literally THEE scaredy cat. I refuse to watch horror films and will wake up in a cold sweat from nightmares after watching one. That being said, I am ecstatic that our peer-chosen film is a psychological thriller!!!
Perfect Blue is, as previously stated, a psychological thriller anime that follows Mima Kirigoe, a popular J-pop singer. She decides to leave the singing industry to pursue acting and starts taking on more adult roles. She begins experiencing a blurred sense of fiction and reality and is haunted by her past self. To sweeten the deal she even gets a stalker who is ridiculously obsessed with her!!
As the film progressed, things became increasingly confusing as the viewers witnessed Mima's mental state deteriorating firsthand. She begins questioning herself and her sanity,
I think Perfect Blue is a commentary on celebrities and the issues that a lot of the industries they participate in (acting, singing, dancing, etc.) cause. When your career revolves around trying to please fans and the media, a toll can be taken on one’s mental health. Most people don’t reach celebrity status and therefore won’t know what it’s like, but I think it opens up a conversation about empathy and giving people respect and privacy whether or not they are famous or not.
In reference to our classroom discussions, Perfect Blue manages to depict the more extreme and unhinged side of fan culture, where personal boundaries and lines are crossed as fans believe they are owed certain aspects of a celebrity’s life. Eminem writes about this in his 2000’s hit song “stan” where he talks about an obsessive fan. In fact, Stan was once known as a combination of “stalker” and “fan” which highlights the celebrity’s true feelings about these overzealous fans.
I think the obsessive fans fail to realize that they don’t know their idol’s true personalities. Most celebrities put on a facade, one that is easily digestible by most and more profitable in the media. The innocent act put on by a lot of celebrities allows the best of several worlds, but also severely limits their freedoms of self-expression and maturity when they finally decide to grow up.
Your Name
Before starting, this film is gorgeous, and I consider this as one of the pinnacles of animation and music.Â
Musubi is the proclaimed central element in everyone’s lives. The film describes it is the flow of time that connects everything and everyone; it can be unraveled temporarily but will always come back and tie itself back. I believe the second part is something of the human perspective. For example, you might meet someone new who can be a significant influence in your life, but then you get separated from them. This is exactly the form Mitsuha and Taki’s story takes on.
I found it touching that instead of writing his name, Taki only wrote that he loves Mitsuha. The film suggests an importance on the holding onto the feelings of one’s memories. And maybe, just maybe, you might be rewarded, as depicted by the ending.
Another aspect was the romanticization of urban life. The trio in Itomori are shown desiring to escape the village for a better life in Tokyo: they wish for the luxuries and commodities. Furthermore, the depiction of Tokyo itself contributes to this romanticization. When Mitsuha is in Taki’s body, she is taken aback by the extravagant view of the buildings from the balcony. The same view is enhanced in the spring with the cherry blossoms blooming.Â
As someone who has watched all of Shinkai’s films, Your Name actually stands out from most of them because it is a happy ending (for the most part). 5 Centimeters a Second is another Shinkai film that deals with human connection, but this film is all about the melancholic fading of that connection. It truly must have been a polarizing turnaround for Shinkai fans.
I do not praise Your Name as much as I would. As much as the film stays true to its theme of musubi, it simply promotes a total simulacra to the average person. It is that lack of realism that holds the film back, but to others, it evokes unfiltered emotion.
Also, does anyone know what the heck Foucault is saying.Â
The romanticization was through the roof and I loved it. Mitsuha was stuck in her old small town, where everything was the same, so her getting the chance to see the big city and live the life she wished for was *chef's kiss*
Your name
I think this anime is a top contender for my favorite anime of the semester.
The storytelling and visuals were beautiful… especially the ending! The ending had me HOOKED… it could have ended so many times and I would have had a totally different reaction to each end. I had to keep checking the time thingy to make sure the movie wasn’t ending just yet.
While watching the anime I felt like there were heavy themes of tradition and modernization.
Mitsuha lives a more traditional lifestyle, being raised in a small town where everyone knows everyone. Mitsuha feels trapped and wishes that she could live in the more modernized Tokyo. In Itomori, tradition is upheld in the form of a festival that happens every year. Mitsuha’s grandmother explains the traditional ideals, saying: “The meaning of our festivals became unknown and only the form live on. But even if words are lost, tradition should be handed down.” This is a very conservative way of thinking, in the sense that traditions (like the festival) are kept to conserve the culture of the past, even though modern-day partakers don’t even understand the significance.
On the flip side, Taki is living a modernized life in the big city of Tokyo. He gets to go to a big high school and works as a waiter in a restaurant. He has endless opportunities in the big city and isn’t constrained like Mitsuha is in her small town. More interestingly, Mitsuha specifically wishes to be a boy living in Tokyo when yelling out her frustrations, while Taki never expressed any disdain towards his city lifestyle.
These parallels could represent the conservative ideas of femininity and masculinity, being that the feminine role follows and respects tradition (ex. Traditional housewife and caretaker), while the masculine role is freer to adapt with modernization.

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Hetalia: axis powers (ep 1-19)
I gotta say that this anime is quite comedic at first but watching 19 episodes in a roll kinda made watching this show annoying. The opening of the first episode was a U.N type of setting with all the countries in the room to discuss something. Ironically, when Germany was the one that called order to the meeting was a bit funny because of the historic context.Â
This show makes historic wars seem unserious and childish. This shows main focus was the Axis power countries of World War 2. As we know, there were a lot of war crimes, and nuclear bombing, genocide, etc. But, this show fails to acknowledge this for comedic purposes. One scene that I remember was Italy was kidnapped and returned many times back to Germany. And the scene where Britain tries Black magic for a secret weapon but ends up conjuring Russia. I was definitely laughing at the chant, I am pretty sure that Dumbledore was in there.
 It also highlights stereotypes of each country. Italia was depicted as pasta obsession and being cowardly. Britain is known for bad bland food and bad teeth. America is stuffing burgers and self-centered, thinking that they are the best country. I don’t agree that Italy should have been depicted as weak all the time because I know in history at one time Italy was becoming a strong emerging country that actually influence Germany’s dictator. I get that the stereotype is meant for comedic purposes but sometimes it was overused.
I agree with your statement that this anime put a childish and comedic spin on World War 2 by failing to acknowledge gruesome wars and events. I suppose I prefer that over them trying to joke about genocides and bombings, but honestly, this show clearly isn't for everyone... Still debating on the intended audience
Hetalia: Axis Powers
I am not going to lie, when I saw that the assigned anime for today had nineteen episodes my heart dropped a little. Thankfully, they were only about five minutes per episode so it wasn’t too time-consuming. The content of this anime is another story…
We followed the personified Axis powers of the world during World War II (Italy, Germany, and Japan) in a modernized and comical retelling of history. The anime begins with a United Nations -esque meeting where the various countries have come together to solve various problems globally. Thing is, it only goes down from here.
The main thing that stuck out to me in this anime was the blatant stereotypes used for the varying countries. The most obvious is that one person (out of the millions that reside in that particular country) is chosen as representation. Within said person, they often have very stereotypical traits, habits, and looks. For example, let us take a gander at Germany. Encompassing Germany’s history, during Hitler’s reign he was a proud supporter of Aryan supremacy, which places white, non-Jewish people with blue eyes and blonde hair as the superior race. Unironically, the German character shares these same traits and was also stern and disciplined (not a coincidence). Italy was a coward who was obsessed with pasta, America was egotistical and loved burgers, and Britain had bad teeth AND food.
Are stereotypes inherently bad? Although not all of them are bad, they open the door for harmful rhetorics and generalizations to be made about a group of people. They create a bias that affects how people interact with one another and can cause harm to innocent and unsuspecting people. I think it can be acknowledged that some things are popular in certain places of the world, but critical thinking and observation should be used so you aren’t immediately blind-sighted by thinking that ALL the people in a country fit into the same box.
In the context of this anime, the stereotypes were used in a more comedic fashion, but it is very easy for viewers of the anime to take the depictions to heart and use them in their everyday lives. There is a fine line between comedy and truth and networks and producers have to be aware of this line when creating media for the masses.
Xenoblade Chronicles 2
This game had such cinematic cutscenes and animations on top of very interesting topics discussed through its visual storytelling. One of the main topics in the series is the topic of environmental issues caused by the titans, the creatures that humans symbiotically live with, are slowly dying out, and therefore causing a decline of habitable land. These issues are caused by Amalthus disproportionately distributed the blades to the people. He is cleansing the blades so that they can resonate easier with humans, but in doing so, he is resetting the blade's life cycles. This prevents them from fully evolving into titans, thus the habitable land decline. This sort of topic parallels some of the ideas discussed in Cobb's paper about the era of Anthropocene. Humans, both in the game and in real life, have such a large influence on the world. In the game, Amalthus and other people that wish to destroy the world heavily influence how the land and titans are made. Comparatively, humanity in the real world has heavy influence on the atmosphere and the world's climate due to the massive factory production and its release of fossil fuels.
Another topic that I found interesting in the series was the topic of rebirth and death and how they tackled these ideas in the game. Like I mentioned before, the blades, after a certain amount of rebirths with different drivers, will eventually evolve into titans. The process of the blades' rebirth leads to them completely losing their memories from their previous lives, however. This causes some of the blades in Rex's party to question why they have to go through that pain of forgetting their previous memories. This topic is interesting because it presents the concept of immortality in a way that is almost more painful than death alone. They are essentially dying and coming back to life with no recollection of their previous memories, which is incredibly saddening to think about. The concepts presented in this series are done in an interesting way, and in a way that is engaging for the viewer and player.
There were definitely some obvious parallels between the way Titans were treated by virtual humans and how humans have treated the Earth. Greed and selfishness seem to be a common denominator in these works...
Xenoblade Chronicles 2
For an interesting change of pace, today’s blog post is about a video game! Xenoblade Chronicles 2 is a role-playing game (more commonly known as RPG) which means that players get to control a character that interacts with a virtual world. I am immediately reminded of Sword Art Online, as we got to see Kirito and other characters in the anime interact inside their own RPG, facing challenges as the virtual world became their reality.
In Xenoblade Chronicles 2 there were strong environmental undertones. The world consists of titans, which can be described as ginormous “island-sized creatures” that humans and various other creatures live on. Titans start as blades and go through a life cycle until they become fully grown titans. The main problem lies in the fact that the blades are not being equally passed out to the humans and they are repeatedly cleansed to harvest blade data, resulting in an incomplete formation. This causes a decline in titans as the older generation of titans is lacking a younger generation to replace them. With the Titans slowly going extinct there is less habitable land for humans and creatures to live on, and conditions become increasingly unsafe as anything below the cloud sea is uninhabitable. In terms of the assigned reading “The Drama of the Anthropocene” Cobb similarly states that Humans have a big influence on the world, and many of the actions done by humans, both in the virtual world and real world, have caused harm to the environment. In the virtual world, we see characters like Amalthus who want to destroy the world and do everything in their power to do so (such as stunting blade/ titan growth).
In the real world, we see these influences in terms of climate change and global warming. The hole in the ozone layer (caused by copious amounts of CO2 created by humans) has made the surface of the earth hotter, which has prompted the ice caps to rapidly melt, raising sea levels and resulting in less habitable land for both humans and animals.
Nausicaa of the Valley of the Wind
This movie had aspects that makes you question “how did things become this way?” while at the same time displaying the idea of environmentalism.
The Sea of Decay is described to be this dangerous place that can even kill you from breathing in the air without a mask for five minutes while at the same time having insects that can attack and kill you. However, we see this not truly the case when it comes to Nausicaa and how she interacts with this ecosystem. She seems to respect the ecosystem, as she does not attack any of the insects even if they are violent, she seems to take samples of spores just for research, and she seems to communicate to the wildlife in a friendly manner. For example, even if an Ohm was violent, Nausicaa tried to calm it down through whatever manner possible, or even with her hidden garden she used to fully understand the plants in the Sea of Decay and how they are not actually dangerous.
But what was actually really interesting was the fact that there seems to be a clear message when it comes to how people view nature. On one hand there is Nausicaa who respects the environment and the Sea of Decay which leads to her reaping the benefits of this character of Nature. Then on the other hand there is the Tolmekians and Pejites who want to destroy parts of the Sea of Decay due to the idea that they cannot coexist, which leads to the Sea of Decay attacking them. For example, the first Tolmekians we see is on the ship that was being attacked by insects or even with the Pejites whos country was destroyed by insects even though they are only aggressive when provoked. So Miyazaki seems to have this message that there needs to be some respect with nature and that people need to live harmoniously with it as it can both harm and help humanity.
This mutual respect that Miyazaki says we need to have is clearly missing, and we are reaping the effects. The phenomenon that comes to mind would be climate change, as we are seeing in real-time the effects (ex. hotter temperatures, more powerful hurricanes, melting ice caps, etc.)

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SwampCon
SwampCon was the second convention I've ever been to (I went to one when I was like 9 with my sister and her boyfriend lol). This is the first I had heard of there being this type of convention at UF too, which was pretty cool! I had a great time, both volunteering and just browsing whatever panels, art, and trinkets people had set up for booths in different areas.
I had signed up to volunteer in the afternoon from 2-3pm and was a little too wishful when trying to find a parking spot. I got stuck looking for a spot in the Reitz parking garage for about 15 minutes. Anyway, I found a spot by Rawlings and only arrived a couple minutes past 2 to my shift for registration. I had my shift with Tyler, Manoucheca, and Cynthia, but since I came a little late, I decided to help Manoucheca get through people quicker with me manning the computer and her doing the talking. I'd like to think it made us more efficient, but we were a little all over the place. It was still fun to do! I saw a lot of different people at registration in cool cosplays of different anime or games. Once our shift was done (we had to stay an extra half an hour or so because of how hectic it was), we all headed to the volunteer break room and grabbed some water and snacks to enjoy as we browsed the panels and booths of SwampCon!
There were so many cool booths that people had set up for different media and anime-related items. We went to the Artist Alley which was so cool. Seeing a bunch of people's unique and interesting art of some of my favorite anime and other media was so fun. I had to make sure I was only browsing and not being tempted to buy any, because unfortunately, I am a broke college student so. Some of the art was really tempting because it all looked so cool or aesthetic. Moving on, we went to some of the vendor areas with anime figurines and trinkets. Some of the merchandise was really cool and again really tempting me to buy them. I maintained my composure, though. Before leaving the vendors, we took a picture together!
After taking another food break, Manoucheca, Tyler, and I headed to the Kpop dancing room and watched a bunch of people get together to dance along with snippets of Kpop music. It was a fun experience and definitely highlights some of the aspects of Otaku culture that we covered in class. We ended up enjoying some more of the con, just browsing more cool art and stuff before leaving around the evening. I really wish I could have seen the Maid Cafe and the Drag Shows that were being put on at the con, but I unfortunately was too busy during the times that they were showing. Those events also highlight the essence of creating a safe space for people to come together to share their love for different media and entertainment.
SwampCon as a whole was such a fun and interesting experience and I'm so glad I got the opportunity to not only help volunteer, but also just enjoy the Con as a whole. The entire event created a lively space for people who enjoyed different kinds of media to come together and share their appreciation for said media. It definitely changed my view on what an "Otaku" really is, and somewhat lifts the negative connotation that I originally had about it. I had a great time, and I most likely will come back for the next year!
I think it was good that we decided to go as a group, I would've been much more anxious otherwise lol. Nonetheless, it was a blast and it was interesting to see the media we consumed in class and throughout life coming to life! Will definitely be at the next one!
Personally, I think we ate at registration... :D
Nausicaä of the Valley of the Wind
Nausicaä of the Valley of the Wind is a commentary on environmentalism. The movie is set in a post-apocalyptic society riddled with toxins. Things are so bad that they have to wear (oxygen?) masks during the majority of the movie because the air pollution is terrible. The societies we see in the film (Tolmekian and Pejite) insist on fighting one another instead of working together against the issue. They also void themselves of any responsibility as to why the earth is how it is and blame other things (such as the sea of decay) for why things have gotten so bad. This is an allegory for our current society and how we have treated the earth. Most of the damage has been done by big corporations, but individuals cannot be absolved of all responsibility. In the past, the effects of pollution were still being discovered, but even then it is ignorant to think that actions like dumping garbage and toxins into local water sources have no consequence. Even today, despite the various warnings by scientists and activists, a blind eye is turned as the Earth tells of its suffering (most obviously seen through global warming and climate change)
I think it's telling how Princess Nausicaä, a sixteen-year-old, shows more compassion and determination in helping the Earth than others much older. They look up to her because she is the only one who cares enough about the Ohm and the rest of the insects to talk to them instead of firing at them (which is backward in itself- wouldn’t firing at them provoke more anger???) She even sacrificed her life for the baby Ohm, restoring peace between human society and the ohm. This parallels current society, as much of the younger generation is pressured to speak out against the environmental harm humans have caused to the earth.
While watching the movie, Princess Nausicaä reminded me of Greta Thunberg, a twenty-year-old, Swedish environmental activist. She has spoken on climate change numerous times, but unlike Princess Nausicaä, I don’t know if we will receive a happy ever after. She has faced much criticism for speaking out against climate change and companies and lawmakers alike prefer to push greenwashed alternatives and ignore the greater issue instead of actively trying to make a change.
It’s crazy what the previous generations have done to the Earth, and all they've done is dropped the mess in the younger generation's lap with no clear road ahead…
DAY IN THE LIFE OF A SWAMPCON VOLUNTEER (NOT CLICKBAIT)
I started the day bright and early at noon with a healthy bowl of cinnamon toast crunch. My spectacular time management skills had me arriving at the Graham hall parking at 1:50. Luckily, I found a parking spot on the ground floor with only 10 minutes left to spare till my shift! I met up with Cynthia, and we leisurely walked towards the Reitz Union as our shift time grew closer and closer. The Swampcon Staff assigned us to do Registration (conveniently located under the breezeway) and we made it with a minute to spare where we met up with Tyler and Aston. Things were slow when we arrived, so the previous volunteers showed us the ropes and explained what we would do during our shift. They even made a list for us in case we forgot anything. Our tasks included waivers, tickets, and prop weapons, after which the guests would be sent to SAI for UFID checks or the orange shirt people for bag checks
[literally ingrained in my mind I had to say it so many times]
At first, I was nervous to be interacting with so many different people, but my excellent customer service skills kicked in and it got a little easier. I saw a bunch of cool costumes and even recognized some characters from the anime we’ve watched and from other media I've seen. My favorite was a person who dressed up as Todd Chavez from Bojack Horseman. Apparently, there was a rare Kirito sighting, but I missed him and could only longingly watch as his head bobbed off into the Reitz forest. At a regular shmegular job I'm usually watching the clock to see when I can clock out, but during volunteering, the time went by so fast! I was originally supposed to work from 2 pm to 3 pm but ended up staying later because things got so hectic and I didn’t want to leave the other volunteers stranded. When I finally was able to clock out, the real fun began… I entered SWAMPCON!!
It was like stepping into another universe. There were lots of people mingling and walking around, dressed in various attires. I saw cafe maids, furries, cosplayers… It was like the media myself and millions of other people had come to life. After such a hectic shift a break was much needed, so we went to the ~exclusive~ volunteer break room. After hydrating and munching on some snacks we made our way around artist alley and the vendor hall. It was really cool seeing all of these talented people who came out to show and sell their work. Walking through the hall and alley I heard various squeals and screams of excitement as guests would find a trinket from their favorite piece of media and would geek over it.
My favorite panel was definitely K-pop random dancing. Before this class, I didn’t know much about anime at all, but I was pretty active in the K-pop sphere. It was nice being able to sing along to songs and watching people running to the center of the room to dance when they knew a song!
Incorporating what we’ve learned, there was strong Otaku culture at swampcon. This entire event was made around connecting various communities and creating a safe space to enjoy media and create and participate in art inspired by said media. This was an eye-opener, as when I was growing up anime was shamed, and was something you kept to yourself. But now, seeing all this media being presented in such an enjoyable way for viewers made the experience well worth it. Will definitely be returning and who knows? I might do some cosplay next time :D
My Thoughts on End of Evangelion
This movie is meant to substitute an alternative ending to the original show’s final episodes. I’m not really sure which ending I liked more, as I felt a need of closure at the end of both, and the plot of the film was just as convoluted as the show’s. The movie shows the carrying out of the Human Instrumentality Project and the raid on Nerv by Seele forces. Despite offering a different version of the ending of the story, it echoed many of the same messages of the human yearning to not be alone, and even expanded its theme to include the struggle for survival in warfare, the ethics of sentient life, and the dynamic between reality, dreams, and truth.Â
 Once again, the anime combined many similar elements of other anime we’ve watched. As Nerv realizes their enemy has become their fellow man, who has developed a sort of Grand Narrative to initiate the Third Impact, a brutal battle ensues which sees ruthless attacks on human life through merciless destruction similar to the WWII anime we’ve watched. As the significance of Lilith, the Evas and Angels, and the origin of human life are unraveled, it made me think back to Shin Sekai Yori, in that humanity had to reject beings who were not too far removed from their own species. I also felt some sort of way with the moment in Shinji’s dream sequence in which it is said that reality is where dreams end, and fantasies are a means to get revenge against reality, but it avoids the truth by escaping to the fictional world. This sentiment felt oddly close to a commentary on fan culture, along with the imagery of normal people sitting in the audience of a theater. Finally, the closing moments of Shinji’s dream as he breaks free from Rei’s final form reveals a message that new hearts will change the shape of mankind, and that people must act on their own initiative to take advantage of the opportunities of happiness that are everywhere. I liked this more hopeful ending, and felt it held close resemblance to Eden of the East in which the new generations should take the initiative to improve mankind.Â
Aspects of the film that remained but also shifted from the final episodes of its series included Shinji’s inner conflict to love himself, humanity's relationship with loneliness, and the power to make dreams a reality. Even in the face of humanity’s certain extinction, Shinji is still distraught, and feels helpless, powerless, and weak. This is contrasted with Misato and Asuka, who literally fight until their dying breath, and they each reprimand him for wanting to run away. Despite this, Misato actually gives heartfelt advice to change Shinji’s defeatist mindset by telling him to figure out who he is, which actually helps him make the right decision later on. Throughout Shinji’s dream sequence, he slowly overcomes his fears and self-doubt. He struggles with the pain of truth and learning to endure it, but realizes that vague reality is even worse. In his confrontation with Asuka, she tells him to learn to love himself before reaching out to others for help. Finally, he realizes that life is about dealing with the pain and allowing himself to find happiness. This newfound inner confidence gives him hope for mankind to better understand itself. Even with the power to eliminate loneliness forever and essentially make his fears nonexistent, he chooses to face his fears head on and give humanity a chance to be better.
That was really surprising on Shinji's part. He was in such a depressive state for most of the movie that I wasn't going to be surprised if he decided to just destroy mankind. He had a surprisingly mature realization about life- pain can accompany happiness, it's just a part of life. This sets the souls of humanity free... hip hip hooray!
Also wondering why the fate of mankind was left in the hands of a fourteen-year-old boy...
Neon Genesis Evangelion Tres
I am truly flabbergasted. I started the anime amused at the full minute of back-to-back production & company and ended with a whole lotta confusion and disgust.
STARTING with the opening scene. In part uno and dos of the Neon genesis evangelion trilogy I was trying to feel for Shinji. I knew that I wouldn’t understand one hundred percent since he’s a fourteen-year-old boy, but I tried to empathize with the outright toxic and damaging community he had around him and the effect on his mental health. But him exposing Asuka’s naked body as she lies unconscious in a HOSPITAL bed and masturbating to it,,, I was honestly speechless. To take advantage of someone in such a vulnerable state, and then spend most of the movie moping around and berating yourself… I couldn’t find any more empathy for him. AND the kicker is that Asuka KNEW and said he did it on multiple occasions. A REPEAT OFFENDER! Literally clutching my pearls I can’t anymore. Is this some sort of fanservice thing? Why do these creative minds decide to use their artistry to make such appalling material???
Then, when we get past that, [approximately] fifteen minutes later we see a THIRTY-year-old WOMAN kissing a FOURTEEN-year-old CHILD. I even googled the ages to confirm. From the past episodes, it seems as if they have a peculiar relationship going on. Nobody knows what a healthy relationship looks like in this show but Misato is kinda like a caretaker/ guardian to him. I saw this dynamic while she was trying to snap him out of his depressive state by encouraging him to make his own decision and pilot the robot. I guess as an extra boost of encouragement she kisses him and hints towards him getting “more” later. Fighting for my life to look past how wildly INAPPROPRIATE this is for the bigger picture, it seems as if the circumstances were unique. They were in a life or death type of scenario, and Shinji looked like he was ready for everything to just end (ex. Him not even lifting his head when that guy had a gun pointed at him). Misato acknowledges this and that she’s probably gonna die anyway, so she pulls this stunt as a last-ditch effort. Did it work? Shinji kinda just sat there staring at the robot for a good chunk of the movie so…
In the grand scheme of this, this movie showed the state of Shinji’s mental health, and how depression affected him greatly. He lost the will to live and battled with self-hatred. Through a confusing dream sequence, we see Shinji’s attitude slowly shift and he finds hope- using it to reject the single human state which destroys the lilith and sets the souls of humanity free.

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Neon Genesis Evangelion (EP 8, 16, 24, 26)
What an interesting set of episodes today. In these last 4 episodes, we are introduced to new “Children” pilots, Asuka and Kaworu. Asuka definitely has a personality that can be alot when first meeting her. We see in episode 8 that Asuka is very confident (almost overconfident), abrasive, and competitive. She has strong desires and skills to prove herself, especially as the pilot of Unit 02, a more advanced and innovative Eva. Honestly, when Asuka first started interacting with Shinji and Katsuragi, I immediately noticed how masculine like she is portrayed because of the confidence and arrogance she exudes that I believe people were seeking more from Shinji when he first became a pilot of Unit 01. We see in episodes 8 and 16 how Asuka is a go-getter and if she sees an opportunity she takes it.Â
Then, there’s Kaworu, who was a double-crosser it turns out because he had the capacity of being an Angel while portraying himself as The Fifth Children. When Kaworu is introduced, the element of “queer masculinity” is definitely portrayed, especially when we see things like Shinji blushing and becoming nervous around Kaworu (they took a bath together and Kaworu said that he really liked Shinji).Â
These episodes go into a deeper dive of what we talked about in class regarding the portrayal and expectation of hegemonic masculinity and queer masculinity. For instance, in episode 16, when an Angel appears and when deciding on courses of actions for the Eva’s to dispose of the Angel, Shinji steps up and says “fighting is for boys” to which Asuka replies “How antiquated”. We see in Neon Genesis that they really wanted to call into question the stereotypical roles and identities of heteronormative masculine presenting men. This is shown through the main character Shinji, who is very shy, sensitive, some may say, and intropunitive, and he is looked down upon for these characteristics of his because they aren’t normal. He isn’t seen as a valuable asset because he doesn’t have the confidence or “manly strength” to keep up with the high expectations of the Nerva society, thus he was often cast aside as unimportant or a disappointment. Moreover, Shinji, a shy and reserved individual, is surrounded by confident characters who are in respectful and high places of operations.
I agree with your statement about NGE wanting to question the stereotypical gender roles. Shinji (uncharacteristically shy and reserved) was contrasted by his father (the epitome of hegemonic masculinity).
Neon Genesis Evangelion dos
The next set of assigned episodes has gotten significantly darker and focuses on Shinji’s mental health. He balances the harmful rhetoric thrown at him by his community (friends, family, staff, etc.), while also trying to manage his personal insecurities of not meeting their expectations and standards. I’m not sure if his community is saying it out of malice or means it encouragingly, but either way, it's taken a toll on his mental health. He is still afraid to pilot the EVA because he doesn’t see himself as capable enough to do so. This creates a conflict for Shinji as he battles between wanting to help his society by fighting against the angels, while also not wanting to look like a fool because he cannot properly manage the robot.
In this state of self-loathing, Shinji creates various realities where everyone hates him which might illustrate how Shinji thinks others perceive him. Being in such a fragile state of mind allows the mind the race and create scenarios that encourage self-hatred. As reality begins to set in, Shinji begins to free himself from the shackles of his internal struggle and begins seeing things in a new light. This new realization of self-love and happiness finds him surrounded by friends and loved ones who clap and cheer him on. This a very touching conclusion to quite a sad but real-life depiction of mental health struggles
Connecting this anime to the real world, men’s mental health is such a prevalent issue. Most people fail to realize that patriarchy ultimately affects everyone. Perpetuating the harmful and toxic standards of what it means to be a man and how to express yourself in society is very taxing, especially on one’s mental health. Today the topic is becoming more normalized, but there is still so much work to do in terms of unlearning these harmful rhetorics and changing the narrative.