We must respect transgender individuals, especially trans women. đđłď¸ââ§ď¸

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@princessrococo
We must respect transgender individuals, especially trans women. đđłď¸ââ§ď¸

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MARIE ANTOINETTE (2006) dir. Sofia Coppola
This is a documentary by PBS and Independent Lens about the conflicting histories of Natchez, Mississippi, and the ways that Black historians and museum workers and independent tour guides are fighting back against white narratives of antebellum romanticism, and as of the time of this post it has less than 300k views on YouTube. It covers both the white historical societies' ideas of what preservation and historical education look like and the opinions of the Black community in and around Natchez.
I do in fact think that if you're someone who's at all interested in American history, you should watch this, particularly if you've never lived in the south and haven't experienced how deeply ingrained the Confederate apologia and racism are. It's slow-paced with no narration, and it takes some time to get to the points that it's making, but it's absolutely worthwhile.
Pretty heavy trigger warnings for antiblack racism as expressed by a lot of the white people involved - no explicit violence, but a lot of microaggressions and mask-off moments and a pretty serious racist rant at the end with a censored slur. There's also a haunting and deeply grim psychological horror to all of this, a feeling of being profoundly unsafe, particularly in today's climate of restored voter suppression and racism. I think this video is geoblocked but VPNs and YouTube downloaders will help.
This is the kind of education that white conservatives are desperate to cover up and erase, and if you personally want to do something to challenge that, watching this and starting conversations about it in your daily life with people around you is free and easy.
I just saw a comment on fb that ran off the misconception that dowries were a sexist subjugation of women for the purposes of buying and selling them like objects, and since this morning I would rather die than engage with a stranger on fb I'm going to talk on here instead about dowries as they were around Jane Austen's era/regency England.
Basically: dowries were an inheritance. It was a way to give a daughter what they would need to live comfortably at the time when they were most likely to need it - leaving their father's care and support and beginning a home elsewhere. In Austen terms we're generally talking about a sum of money, but dowries can also include items for a household like linens and China (goods like this were called a trousseau from at least the 1830s onward). Dowries very materially improved the life of a woman as they were meant to.
Well worth reading for background historical context in Georgian, Regency, and perhaps in Victorian England.
Kirsten Dunst on the set of Marie Antoinette (2006)

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Saint Catherine of Alexandria by Guido Reni, circa 1606
Portrait of Lady Sunderland, (details), (1786), by Sir Joshua Reynolds (English, 1723 â 1792), oil on canvas, 238.5 cm (93.8 in) x 147.5 cm (58 in), Gemäldegalerie, Berlin
â COSTUME DETAILS | Amaranthus Grey's mauve dress with embroidered flowers in Outlander s8 (2014-2026)
Welcome to my little village.
KIRSTEN DUNST as MARIE ANTOINETTE
MARIE ANTOINETTE (2006) dir. sofia coppola

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Dress
c. 1885
American
The Metropolitan Museum of Art
MARIE ANTOINETTEÂ (2006) dir. Sofia Copola
Women reading in art.
FRANCESCA & VIOLET BRIDGERTON
âI couldnât imagine it, either,â Violet cut in. âYet it happened. I thought I should die of the pain.â Daphne swallowed. âBut I didnât. And you wouldnât. And the truth is, eventually it does become easier. And you think that perhaps you could find happiness with someone else.â âFrancesca did,â Daphne murmured. âYes, she did.â Violet closed her eyes for a moment, recalling how terribly worried sheâd been for her third daughter during those years of her widowhood. Sheâd been so terribly alone, not shunning her family precisely, but not truly reaching out to them, either. And unlike Violet, sheâd had no children to help her find her strength again. âShe is proof that one can be happy twice,â Violet said, âwith two different loves. But, you know, sheâs not the same kind of happy with Michael as she was with John. I would not value one higher than the other; itâs not the sort of thing one can measure. But itâs different.â âViolet in Bloom: Novella

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