I’m really interested in this museum. One of its exhibition halls displays Marmont’s belongings and most of his portraits. I really wish I could go and see them👀

While browsing web‑based sources, I came across portraits of Marmont’s parents, so I painted a picture of the three‑member family. Marmont actually had a younger sister, but she died at an early age.

Please be nice to me

Even though these were the poll results people have not been nice to me!!!!! Be nice to me!!!

I'm okay with the 5 lines of "the sex was good", it's just very "they did it" without the sex bringing any emotional weight to the story or their relationship, and I think sex on 7 Thermidor after 3 years of knowing each other's should ?

To publish the Works of Robespierre is to rehabilitate a name around which so many unjust prejudices have gathered; it is, at the same time, to provide the people with an abundant source of enlightenment and instruction. How many men who have never so much as glanced at Robespierre’s writings or speeches are convinced, on the authority of the aristocracy’s paid writers, that Robespierre was a villain. Let them read his works, and they will arrive at a fairer judgement of his feelings and his heart.

Robespierre’s works are the best answer to the frenzied declamations of his equally frenzied detractors. To slander, insult and shriek is not to reason. Those who, for want of better arguments, heap insult upon slander against a man prove one thing: that there is not a single fact in that man’s life which might support a reasonable and conscientious attack upon him.

Did Robespierre err? That is what I shall examine in the historical notice with which I shall preface his works. But it is above all through those works themselves, by reading and reflecting upon them, that one may become convinced that Robespierre was cruelly slandered. It is by closely examining his conduct and his political actions from 1789 until 9 Thermidor that one will recognise in him the purest defender of the rights of humanity.

Whoever reads Robespierre is inwardly consumed by a more ardent love of country and liberty, and by a deeper hatred of the tyrants who crush humankind. Whoever reads him sees a new universe unfolding before his eyes. He feels, touches and understands his rights; he identifies himself with them; he becomes worthy of the noble name of man, worthy of the great title of citizen.

As it turns out, there was such a thing as Culturally/Politically Topical Embroidery on Men’s Waistcoats. It started post-1783, but, for obvious reasons, gained steam post-1789. Some had a bust of Rousseau (or Voltaire, depending on which side in that particular argumentative fandom one took) embroidered on theirs, some had scenes from the theatrical comedies they liked, some had symbols of the unity of three estates of the nation against the royal despotism, such as the episcopal crook, the sword, and the spade bundled together in a sheaf.

Some just went for slogans, such as “vaincre ou mourir” (victory or death).

The decline and fall of this fashion craze came in about 1792, when the Journal de la mode et du goût reported men's waistcoats had become almost universally red ("gilets presque tous rouges"), and that the journal had virtually stopped describing men's fashion because it had ceased to change.

Rating: Cute!

MEANWHILE NEY: