Hello I just wanted to say that one of my all time favorite Scott moments is a deeply underrated one and it happens either in ep 7 or 8 of the first season. Derek has just threatened Deaton and bruised him up and Scott tells him to back off. In the next scene Scott is cleaning Deaton's wounds with the utmost gentleness ever. It was that moment that made 10 year old love him and I still do
I love this ask, thank you so much for this!!
That moment is so good: Scott's love for his chosen father, Scott's willingness to stand up to bullies to protect the people he loves, Scott's remarkable control over his shift that foreshadows his future achievements. I love how much faith he has in Deaton here: this moment explains why Scott refuses to believe that Deaton is actually a serial killer trying to make him murder his friends. That's his dad! And I love love love the corresponding moment later in the season when Deaton finds Scott on the brink of death from being shot with poison arrows from cruel strangers. The gentleness when he picks that kid up and carries him to their shared sanctum, the fierceness with which he protects him from Peter! I love them!!!
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for @scottappreciation week 2026 (day 7: dealer's choice) and to match with allydia
au info under the cut!
star wolves series on ao3 (currently 2 fics that are both scott backstory)
This is a Star Wars fusion AU set several years after Revenge of the Sith.
At the end of the Clone War, Chancellor Palpatine reorganizes the Republic into the new Galactic Empire, and orders the total annihilation of the Jedi Order. Nine-year-old Jedi youngling Scott escapes the initial Purge by pure luck and flees from the Temple, eventually crash-landing on the planet Calafor.
Found by his soon-to-be best friend, Stiles Stilinski, and adopted by Melisa Delgado, a medic who worked closely with Jedi during the Clone War, Scott chooses to stay on Calafor, despite the risk. Their local veterinarian, Al-an Deaton, studied Jedi lore in his youth, and although he is not himself Force-sensitive, he helps Scott quietly continue his Jedi training under the guise of a veterinary apprenticeship. Despite the growing power and presence of the Empire in Beacon, Scott manages to stay under the Imperial radar... until he saves the life of one Chris Argent, who immediately offers him a place at the prestigious Calafor Imperial Youth Training Center. Unable to refuse without raising suspicion, Scott intends to flunk out as soon as he can, but falling for Argent's daughter, Alisen, and meeting her best friend, Lydia Mar'ten, throws a wrench in that plan.
Much as he might like to, Scott has always known he can't stay in hiding forever. There are too many people suffering under this new regime, people he could help, even if that means risking his own safety. And Lydia is first on that list–her latent Force-sensitivity has begun to make itself known in ways that terrify her and put her at risk for discovery. Scott can't just sit around and wait for the Empire to kill her.
After all, if he doesn't protect people, who will?
(btw please please feel free to send me asks/dms about this au if you're curious!! i have a lot of thoughts and feelings about it and i love to yap <3)
(a footnote on names: obvi, i've changed some spellings, for the star wars of it all. in general i've tried to keep things close, howeverrrrr i could not justify keeping mccall. not because there's really no good way to starwarsify it [although that's true], but because in this au, melisa does Not have a kid with rafael and therefore i rly do not think she would keep his name. and scott has never actually met rafael so screw it, he gets melisa's last name in this au. because i said so)
and california never felt like home to me, california never felt like home
california never felt like home to me, until i had you on the open road
— drive, halsey
scott: balancing college classes with coming back to beacon hills to be an alpha is really tough, and i feel like im stretched so thin. money is really tight and i feel guilty for relying on my mom for money because of the difficult financial environment i grew up in, and the pressures of college are reminding me of how hard it was getting through high school while i was fighting for my life-
stiles: oh my god im so stressed, college deadlines are so hard to manage and im constantly arguing back and forth with this TA about the legitimacy of the sources in my writing and the RA in my building is a total nightmare who wont stop telling me im pissing too loud and i have no money and textbooks are like $600, this is so hard-
malia, living off that hale dynasty dime, having fallen into volunteering with a wildlife charity preserving native species in the preserve who treat her like an oracle because of her faultless knowledge of the preserve's terrain and her ability to smell rare birds nests and mysteriously disarm bear traps with her bare hands:
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Chapters: 1/1
Fandom: Teen Wolf (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Derek Hale & Scott McCall, Eli Hale & Scott McCall (Teen Wolf), Scott McCall & Jackson Whittemore, Lydia Martin & Scott McCall, Lydia Martin/Stiles Stilinski
Characters: Scott McCall (Teen Wolf), Eli Hale (Teen Wolf), Jackson Whittemore, Lydia Martin
Additional Tags: Post-Teen Wolf: The Movie (2023), Grief/Mourning, Growing Up, Regret, Self-Acceptance, Scott McCall Appreciation Week (Teen Wolf)
Summary:
After the happy reunions, after the credits roll, when the adrenaline stops pumping through your veins, how do you start again?
In a very short time, Scott McCall lost a brother, regained his first love, and gained a son. Is it any wonder he might have to stop for breath?
One of the interesting things I've noticed about conversations about fandom is that, at least in my experience, many people involved in fandom fully accept that original media has representation issues and bigotry while being much more skeptical of the idea that there are representation issues and bigotry in fandom.
It's fairly common to see people talk about representation issues or bigotry in fandom as simply an inevitable result of the original media. If there aren't women or people or color represented in fanfiction, it's because canon doesn't have many women or people of color, or they're boring, or they're poorly written. How can you blame fans for not including women who barely exist in canon?
And when I talk about issues in het published romance, the response is generally some version of "of course." Of course there's misogyny in it. Of course there's racism in it. Of course it relies in the idea of strict gender norms.
A woman writing a book about a man and a woman together? Of course it has all of those issues.
But a woman writing fanfiction about two white men, with nary a woman in sight? There's far more skepticism that there could be sexism in those fics, or racism.
I feel like there's often an unspoken idea that there are two distinct groups of people: Original Moneymaking Media Creators and Fan Creators, with the implication that Fan Creators, who create selflessly without looking for money, must be more progressive and Not The Sort Of People To Be Sexist Or Racist, while Original Moneymaking Media Creators are reflective of the normal society with all of its issues.
But even ignoring the fact that there are many fan creators who also publish or otherwise create original fiction for money, there is nothing separating fans from the rest of society in such a way that fan creators wouldn't reflect all of the same issues that other creators reflect.
What makes it so easy to believe that an original TV show or film or anime or book has a representation or bigotry problem due to the biases of its creators but so difficult to believe that the fan works for that same piece of media have representation or bigotry problems due to the biases of their creators?
There's also a thing where like. When people DO vaguely acknowledge that biases can impact fanwork, fandom should be EXEMPT from the same kind of analysis and critique that "media" (usually big corporate media, where indie creators fall in some kind of muddy, hotly-contested middle ground) can be subjected to.
The excuses for such exemptions can include (but are not limited to):
Fandom is for fun and not for profit, as if money changing hands increases the impact that works can have on community behaviors and attitudes (and that doesn't even touch the fanfic-to-tradpub pipeline that's been developing);
(a variant of the above) Fandom is a place to "escape" real world concerns and politics, as if fandom is somehow insulated from people bringing their biases in with them, and other marginalized fans are not also trying to escape the bigotries that affect them irl, but are thoughtlessly perpetuated by other fans;
(a more extreme version of the above) Fandom is where our wildest fantasies get to come to life and run wild, as if our ids are not also shaped by implicit biases and mainstream media isn't also filled with the wish-fulfillment fantasies of their creators (look at the Fast and Furious franchise and tell me that isn't wild fantasizing!);
Fandom is just reflecting the biases of the source media, as if fans are just empty mirrors devoid of agency who don't frequently reject things like the heteronormativity of source media and magnify racism and misogyny;
Fandom has a smaller reach than mainstream media, so its impact is negligible, as if AO3 doesn't have millions of users and harming a smaller number of people with unchecked bigotry is somehow "acceptable;"
Fandom creators are often from marginalized communities, as if marginalized people cannot perpetuate bigotry nor be held responsible for same;
Fandom is filled with bad actors who've "weaponized" discussions of representation/implicit bias in fandom for their own ends (usually involving bullying, harassment, and/or attempts at censorship) and so the whole line of inquiry is now invalid by association, as if that hasn't been a philosophy used to silence progressive thought/analysis since its inception.
I could write whole essays on why each of these points are poppycock - and probably have lolsob - but in short, most of them are based on a staunch American Individualism / White Feminist perspective that fails to have empathy for those most affected by the bigotries that fandom lets run unchecked in our shared community spaces.
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Anyways I’d like to point out the difference between Scott and werewolf Scott, and it’s not about his form.
There is an obvious change in demeanor in season 1
I lowkey might be crazy for this but trust me pls.
Compared to when Scott is normally mad you can still see there’s still a difference, and this is why I still love the scene where him and Lydia are talking because if you pay attention, that is NOT Scott being normal at all, ESPECIALLY when they kiss
Idk how to explain it but it’s definitely in the eyes ✌️
Damaged - Duster
Cherry Waves - Deftones
Backwards - LSD and the Search for God
Dance Yrself Clean - LCD Soundsystem
Them Changes - Thundercat
9 - Dean Blunt, Panda Bear
He - Passion Mango
Time/Space - Alex G
Killswitch Lullaby - Flawed Mangoes
D>E>A>T>H>M>E>T>A>L - Panchiko
Gretel - Alex G
do i clench my fists? - ridgeclub
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