a rant.
So much of TV is way too concerned with being Clever⢠right now. Thereâs this pervasive myth that audiences wonât enjoy a narrative climax unless itâs a total surprise. âPredictableâ is always used as a pejorative term when it comes to storytelling, but I think thatâs absolute crap, because hereâs the thing:Â
Unpredictability is not, inherently, a virtue. Unpredictability can mean: a) you donât have a clear grasp on who your characters are or what direction theyâre growing. b) you donât have a clear vision for the story youâre trying to tell. c) you donât know how to tell the story (for example, you have a Point A and a Point B but the middle is a bunch of disjointed time-wasting filler.Â
âBut,â the showrunners cry, âyou never saw that twist coming! We kept you on your toes!â That does not make it good. Cleverness is often just smoke and mirrors designed to distract the audience from a lack of substance; it doesnât guarantee a worthwhile story. I donât want to be shocked for the sake of surprise - I want to feel like the experience was worth my time.
I want to be introduced to a character, and then I want to be taken on a journey with that character. I want every step of that journey to teach me who they are; what they believe, what they want, what they hate, what they fear, and what they love, so that when they are faced with a conflict or a critical moment of decision, I understand exactly why they do what they do. Iâm hoping their choices in that moment will reveal something truthful and powerful and worth knowing about another personâs experience.Â
Thatâs what I want in a story. I genuinely donât care whether itâs clever or predictable or whatever; I just want a worthwhile journey in which every moment of every episode means something - to the character(s), and to me. Thatâs what makes serial television satisfying. It has nothing to do with shock or intellect or reinventing the wheel, itâs just about telling the damn story in a way that makes you feel it.
I think a lot of TV show writers donât understand the difference between âI never saw that coming BUT I SHOULD HAVE OH GOD OF COURSEâ and âI never saw that coming, and now that itâs here I donât see where it came from.â
The former is great; the latter is better avoided in favor of something predictable but coherent.

















