Adolphe François Pannemaker. Le monde avant la crÊation de l'homme (The world before the creation of man), 1857.
Misplaced Lens Cap
AnasAbdin

titsay
NASA
let's talk about Bridgerton tea, my ask is open

oozey mess
Jules of Nature

romaâ
trying on a metaphor

Janaina Medeiros

blake kathryn

Kaledo Art
Stranger Things
"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
Cosimo Galluzzi

Xuebing Du
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@pressthepause
Adolphe François Pannemaker. Le monde avant la crÊation de l'homme (The world before the creation of man), 1857.

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Thomas MĂźller
Untitled, 2017
ballpoint pen on Fabriano paper
#f67809
Alignment, Alberto Selvestrel

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SVENJA DEININGER
Untitled, 2015
Oil on canvas
Chung-Im Kim
bojagi square 1â Â 2001
ramie, hemp, silk organza, natural dyes, silkscreen printing, machine & hand stitching
âI think we ought to read only the kind of books that wound or stab us. If the book weâre reading doesnât wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us.â
â Franz Kafka

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Bauhaus / Art as Life / Art and Technology - A new Unity / Kunst und Technik - Eine neue Einheit
You say love, and it sounds so good. You say love, and it sounds so sweet.
Distinguishing characters through fashion: how Sailor Moon does it right.
OKAY, so I was wondering whether I could find some place that posted Sailor Moon screencaps or turnaround sheets so I could write about how it handles fashion, and it turns out thereâs a website for exactly that. Tagged by character and everything. Perfect.
So letâs continue our discussion about fashion as character design! Hereâs a narrative that has to balance a large, female-heavy cast and make sure they are identifiable at all times, especially since they arenât in their trademark color-coded uniforms most of the time. How does Sailor Moon tackle fashion and make it work in service of their characters?
Whatâs particularly impressive is that the superheroesâ civilian clothes arenât limited to a single color, the way you might see in, say, Power Rangers. (Could you imagine wearing yellow outfits every day for the rest of your life just because youâre the Yellow Ranger? Blugh.) Instead, Sailor Scouts are recognizable in their civilian clothes because each one has a distinct silhouette, style, and palette.
Sailor Moonâs civilian wear, for example, is overly childish and girly. She wears ribbons, bows, and overalls. Her clothes have cartoon mascots on them, particularly bunnies (a pun on her Japanese name, Usagi, which means ârabbit.â)They match her ditzy, immature personality.
Mercuryâs modest skirts and pastel cardigans match her quiet, straight-laced character, while Mars wears shorter, sleeker, more ladylike outfits that reflects her more sassy (and bossy) personality. Venus is all about bright colors and loose, sporty dresses âcause sheâs got such a peppy, can-do attitude.
Jupiter is easy to distinguish from the others just by being taller and more physically imposing. I love the way they handle Jupiterâs style because sheâs portrayed as a gentle, feminine girl who is still undeniably âthe muscleâ of the group. Her clothes are girly (frills! pencil skirts!) but theyâre cut to accentuate her fuller figure and keep her looking large and powerful. I love that.
A lot of the charactersâ fashions work well in pairs to contrast and work off of each other. Mini-Moonâs pink, blue, and candy-stripe-red palette doesnât pop quite so much until sheâs juxtaposed with her friend Hotaru, who dresses in black and dull monochromes. Whatâs more, as their friendship grows, you can see Hotaru start accenting her dark outfits with a single bright color.
And, of course, Uranus and Neptuneâs amazing butch/femme combo.
Look at those classy broads.
(Sailor Moon Screencaps)
More deconstruction of Sailor Moonâs character designs.
Bridget Riley
One Small Step, 2009
screenprint

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It is delicious to be anonymous on a foreign city street.
Jennifer Grotz, from âSelf-Portrait on the Street of an Unnamed Foreign City,â (via violentwavesofemotion)
The challenge, then, is to cultivate the patience and the discipline necessary to engage more deeply than the modern world allows. Just because we are flooded doesn't mean we have to drown.
âToo Much Music: A Failed Experiment In Dedicated Listeningâ by James Jackson Toth