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Miriam and Bestia, West Berlin, 1982 by Philip Pocock.

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matsumoto reiji

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Oldmanalan in Adsum + Reebok Club C.

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Mario Wool Sweater // $40

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Keanu Reeves as Mercutio in an 80′s production of Romeo & Juliet in Toronto.

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Portrait of a beloved, 2019 by Chioma Ebinama

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ana mendieta “people looking at blood, moffit, iowa” 1973

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“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”

— The Art of Cruelty, Maggie Nelson

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Ana Mendieta was murdered by her husband and fellow artist Carl Andre. This work became a self fulfilling prophecy and meditation on tragedy, the nature of violence, and peoples unwillingness to help.

And no I will not shut up about this.

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Nobuyoshi Araki

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Marc Quinn, Id, 2012

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Thin Places, Jordan Kisner.

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Fee Schlapper Easter Lamb 1955

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17th c heart seal-matrices

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